English Department Faculty Publications

Faculty Bibliography
English Department
[Last names J-Z]

Books by faculty appear in bold.

Johnson, Tina. “Home Matters: Imagining the Homeland in the Narratives of Sierra Leone Diaspora in the US .” A Critical Introduction to Sierra Leone Literature . Ed. Eustace Palmer, Trenton , NJ : Africa World Press, 2008.
___.“Staking Claims: Theorizing Female Agency and Empowerment through Black Women's Literary Writings.” Research in African Literatures 39.2 (Spring 2008): 117-124.
___.“ Fourah Bay College,” The Encyclopedia of the African Diaspora . Ed. Carole Boyce Davies, ABC-CLIO Incorporated. Forthcoming, 2008.
___.“Challenging Internal Colonialism: Edwidge Danticat's Feminist Emancipatory Enterprise.” Obsidian III: Literature of the African Diaspora 6.2/7.1 (June 2006): 147-166.
___. “Gender and Diasporic Connections in Marlene Nourbese Philip's Harriet's Daughter.” MaComere: The Journal of the Association of Caribbean Women Writers and Scholars 3 (2000): 84-93.
___. "Creolization and Cultural Identity: Insight from the Literary Productions of White Caribbean Female Writers." The CEA Critic 58. 3 (1996): 31-40.
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Kates, Ron "New Urbanism Meets Cinematic Fantasyland: Seaside, The Truman Show , and New Utopias." Studies in American Culture 23.2 (2000): 93-98.
___. "Russell Banks and the Church of Fenway: Wade Whitehouse, Bob Dubois, and Their Respective Red Sox Epiphanies." Aethlon 16 (1998): 135-142.
___. "Tape Recorders and the Commuter Student: Bypassing the Red Pen." Teaching English in the Two Year College 25 (1998): 21-24.
___. "Twentysomethings in the 90s: Film Noir Meets Marlovian Tragedy." Proceedings of the Virginia Humanities Council Meeting , 1999.
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King, Rebecca. “The Lucky Spot as Immanent Critique”—chapter in Beth Henley: A Casebook, Routledge, July, 2002.
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Kostkowska, Justyna. “Beyond Gender and Heterosexuality: Teaching Virginia Woolf and Jeanette Winterson in an Undergraduate Classroom” in JoAnn DiGeorgio-Lutz, ed. Women in Higher Education: Empowering Change , Greenwood Press, to appear in 2002.
___. “Jacob's Room and The Waves : Virginia Woolf's Pursuit of Mrs. Brown or Life Itself,” in Zagadnienia Rodzajow Literackich (Les Problemes Des Genres Litteraires) 35.1-2 (1992): 52-59.
___. “‘To Persistently Not Know Something Important': Feminist Science and the Poetry of Wislawa Szymborska.” Feminist Theory , 5:2 (2004): 185-203.
___. “Physics and the Alexandria Quartet by Lawrence Durrell,” in Zagadnienia Rodzajow Literackich (Les Problemes Des Genres Litteraires) 32.2 (1989): 83-96.
___. Re view of " Virginia Woolf and the Fictions of Psychoanalysis by Elizabeth Abel," in Zagadnienia Rodzajow Literackich (Les Problemes Des Genres Litteraires) 35.1-2 (1992): 134-135.
___. “'Scissors and Silks,' ‘Flowers and Trees,' and ‘Geraniums Ruined by the War': Virginia Woolf's Ecological Critique of Science in Mrs.Dalloway ,” Women's Studies: An Interdisciplinary Journal 33:2 (2004): 183-199.
___. Virginia Woolf: Genre, Gender, and the Feminine 1926-1931. (manuscript in progress).
___. “Woolf and Feminism.” Review of Virginia Woolf: Feminism, Creativity, and the Unconscious by John Maze, in English Literature in Transition 1880-1920 , 42:1, and 1999.
Translations:
___. trans. "The Kindness of the Blind" by Wislawa Szymborska. The New Yorker Magazine , Aug. 9, 2004.
___. trans. “Small Hours” and “Plato or Why On Earth” by Wislawa Szymborska. The American Poetry Review , Nov/Dec.2003.
___. trans. “Return Luggage,” “Negative,” “The Moment” by Wislawa Szymborska. Mid-American Review , Fall 2003.
___. trans. “A Bit About the Soul ” by Wislawa Szymborska. Pleiades: Journal of New Writing , 24:2 (Fall 2003).
___. and Kathleen Snodgrass, trans. "A Song From Behind the Wall" by Katarzyna Borun-Jagodzinska, Oxford Quarterly , 1997.
___. and Kathleen Snodgrass, trans. “A Patriotic Song” by Katarzyna Borun-Jagodzinska, in Artful Dodge 26/27 (1994).
___. and Kathleen Snodgrass, trans. “Aida,” Mimi's Aria,” “Fidelio I,” “Fidelio II' by Katarzyna Borun-Jagodzinska, in Poetry International , San Diego State University, Fall 1999.
___. and Kathleen Snodgrass, trans. “An Acquaintance,” “In the End,” by Katarzyna Borun-Jagodzinska, Chelsea 61, (January 1997).
___. and Kathleen Snodgrass, trans. “An Escape,” “A Cat” by Katarzyna Borun-Jagodzinska, Willow Springs 39 (January 1997).
___. and Kathleen Snodgrass, trans. “At 6.30…,” ‘Experts,” by Katarzyna Borun-Jagodzinska, The Snail's Pace Review 4:2 (1998).
___. and Kathleen Snodgrass, trans. “Dirge,” “Get Penelope,” “Pastoral,” The Marlboro Review, Summer/Fall 1998.
___. and Kathleen Snodgrass, trans. “Olympia's Cat,” “Song for One Voice,” “Tower,” “A Thoroughly Bourgeois Lyric” by Katarzyna Borun-Jagodzinska, Trafika 2 (Spring 1994).
___. and Kathleen Snodgrass, trans. “Tosca” by Katarzyna Borun-Jagodzinska, The American Voice , 46 (1998).
___. and Kathleen Snodgrass, trans.“Invisible,” “On Sermons,” “Poem with a Dedication” by Jan Twardowski. Image: Journal of Arts and Religion , Fall 2003.
___. and Kathleen Snodgrass, trans. “Prayer” by Jan Twardowski. The Other Side , 2004.
___. and Kathleen Snodgrass, trans. “With a Gray Wagtail” by Jan Twardowski. The Penwood Review , 2004.
___. and W.D. Snodgrass, trans. “Dialogue,” “A Smile,” “Forecast” by Leszek Szaruga, Potomac Review 26, Spring 2000.
___. and W.D. Snodgrass, trans. “Express Train from the Warsaw-Gdansk Station” and “Runaway” by Leszek Szaruga, Great River Review 32, Spring/Summer 2000.
___. and W.D. Snodgrass, trans. “Litentia Poetica,” “Between,” “Penal Colony” by Leszek Szaruga, in W.D. Snodgrass, Selected Translations, BOA Editions: Rochester, NY, 1998.
___. and W.D. Snodgrass, trans.“Dialogue” by Leszek Szaruga, Lyric 2, Summer/Fall 2002.
___. with W.D. and Kathleen Snodgrass, trans. “Dialogue,” “Co-Dependency,” “[Let's Put This in Brackets]” by Leszek Szaruga, in Oxford Quarterly Review, 1, (Summer/Autumn 1996).
___. with W.D and Kathleen Snodgrass, trans. “ Watchman,” “An Evening with the Author,” by Leszek Szaruga. Salmagundi 97 (1993).
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Lavery, David. (see also http://davidlavery.net/CV/Lavery_Curriculum_Vitae.pdf)
___. Appendix C: “Intertextual Moments and Allusions on The Sopranos. ” This Thing of Ours : 235-55.
___. Appendix D: “ Sopranos : A Family History. ” This Thing of Ours : 255-56.
___. “ Audition of History and the Vocation of Man: Reflections on Extinction and Destiny.” Michigan Quarterly Review 24 (1985): 345-67 (in a special issue on “Science and the Human Image”).
___. “ Buffy the Vampire Slayer. ” 50 Key Television Texts : From Absolutely Fabulous to Z Cars. Ed. Glen Creeber. London: Arnold, 2003.
___. “Coming Heavy: Intertextuality, Genre, and The Sopranos. ” PopPolitics.com (March 2001): http://www .poppolitics.com/articles/2001-03-03-heavy.shtml.
___. “Coming Heavy: The Significance of The Sopranos. ” Prologue to This Thing of Ours: Investigating The Sopranos : xi-xviii.
___. “ Creative Work: On the Method of Howard Gruber.” The Journal of Humanistic Psychology 33 (1993): 101-21.
___. “Delicious Progress: Whiteness as an Atavism in Conrad Aiken's ‘Silent Snow, Secret Snow.'“ Psychoanalytic Review 70 (1983): 235-39.
___. “Departure of the Body Snatchers, or the Confessions of a Carbon Chauvinist.” The Hudson Review 39 (1986): 383-404. (Nominated for a Pushcart Prize in Non-fiction.)
___. “Detached Retinas: ‘Camera Man' and the Private Eye Movie.” To-Wards 3.1 (Fall 1987): 26-31.
___. “Dissertations as Fictions.” College English 31 (1980): 675-79.
___. “Dreaming Nothing.” Parabola 5.2 (1980): 18-23.
___. “Eye as Inspiration in Modern Poetry.” New Orleans Review 8 (1981): 10-13.
___. “Eye of Longing.” Re-Vision 6.1 (1983): 22-33.
___. “ Emotional Resonance and Rocket Launchers”: Joss Whedon's Commentaries on the Buffy the Vampire Slayer DVDs . Slayage: The Online International Journal of Buffy Studies, Number 6. http://www.slayage.tv/essays/slayage6/Lavery.htm
___. “ Epigraphs: Notes Toward a Theory.” Kentucky Philological Review . Bulletin of the Thirteenth Annual Meeting of the Kentucky Philological Association, March 7 and 8, 1986, Western Kentucky University: 12-18.
___. “Everything is Trying to Hide Us: Rilke's Poetics of Mimicry.” The Journal of Evolutionary Psychology 5.1 (1987): 63-78.
___. “From Cinespace to Cyberspace: Zionists and Agents, Realists and Gamers in The Matrix and eXistenZ. ” The Journal of Popular Film and Television 28(2000): 150-57.
___. ed., Full of Secrets: Critical Approaches to Twin Peaks . Contemporary Film and Television Series. Detroit: Wayne State University Press, 1994. Nominated for the Kraszna-Karauz Book Award (for the best book of the year on the moving image).
___. “Functional and Dysfunctional Autobiography: Hope and Glory and Distant Voices , Still Lives .” Film Criticism 15.1 (1990): 39-48.
___. “Generation X: The X-Files and the Cultural Moment” (with Angela Hague and Marla Cartwright). Deny All Knowledge: Reading The X-Files . Ed. David Lavery, Angela Hague, and Marla Cartwright. The Television Series. Syracuse: Syracuse University Press, 1996: 1-21.
___. “Genius of Joss Whedon.” Afterword to Fighting the Forces: What's at Stake in Buffy the Vampire Slayer . Boulder, CO: Rowman and Littlefield, 2002: 251-56.
___. “Genius of the Sea: Wallace Stevens' ‘The Idea of Order at Key West,' Stanislaw Lem's Solaris , and the Earth as Muse.” Extrapolation 21 (1980): 101-105.
___. “Gnosticism in the Cult Film.” The Cult Film Experience : Beyond All Reason . Ed. J. P. Telotte. Austin: University of Texas Press, 1991: 187-99.
___. “Home Movie 8 ½ : The Beerdrinker ' s Guide to Fitness and Filmmaking .” Post Script : Essays in Film and the Humanities 11.3 (1992): 47-53.
___. “Horror Film and the Horror of Film.” Film Criticism 7 (1983): 47-55.
___. “How To Gut a Book.” Georgia Review 43 (1989): 731-44.
___. “Imagination of Insurance: Wallace Stevens and Benjamin Lee Whorf at the Hartford.” Legal Studies Forum 24(3 & 4) (2001): 481-92.
___. Late for the Sky : The Mentality of the Space Age . Carbondale: Southern Illinois University Press, 1992.
___. “ Like Light: The Movie Theory of W. R. Robinson.” In Seeing Beyond: Movies, Visions, and Values . Edited by Richard P. Sugg. New York: Golden String Press, 2001: 346-63.
___. “Major Man: Fellini as an Autobiographer.” Post Script 6.2 (1987): 14-28.
___. “More Than Rational Distortion in the Poetry of Wallace Stevens.” The Wallace Stevens Journal 7 (1983): 1-7.
___. “My Ten Years with Twin Peaks .” Wrapped in Plastic . No. 46 (April 2000): 6-7.
___. “News From Africa: Fellini/Grotesque.” Post Script 9.1 & 2 (1990): 82-98.
___. “No Box of Chocolates: The Adaptation of Forrest Gump .“ Literature/Film Quarterly 25 (1997): 18-22.
___. “Noticer: The Visionary Art of Annie Dillard.” Massachusetts Review 21 (1980): 255-70.
___. “ O Lucky Man! and the Movie as Koan.” Literature/Film Quarterly 8 (1980): 35-40.
___. “Owen Barfield: A Readers Guide.” Seven 15 (1998): 97-112.
___. “Photo-graphy-synthesis.” Georgia Review 34 (1980): 397-403.
___. “Poetry as Time-Lapse Photography.” Essays in the Arts and Sciences 17 (1988): 1-27.
___. “Prehistory.” T eleparody: Predicting / Preventing the TV Discourse of Tomorrow . London: Wallflower, 2002: 1-4.
___. “ A Religion in Narrative: Joss Whedon and Television Creativity.” Slayage: The Online International Journal of Buffy Studies, Number 7. http://www.slayage.tv/essays/slayage7/Lavery.htm .
___. Review Essay of Buffy the Vampire Slayer: The Monster Book by Golden, Bissette, and Sniegoski, Buffy the Vampire Slayer: The Watcher's Guide , Vol. 2 by Holder, Mariotte, and Hart, and The Sopranos: A Family History by Alan Rucker. Television Quarterly 31.4 (Winter 2001): 89-92.
___. Review of Action TV : Tough Guys, Smooth Operators and Foxy Chicks, ed. by Bill Osgerby and Anna Gough-Yates (forthcoming in Journalism and Mass Communication Quarterly).
___. Review of Astrid Diener, The Role of Imagination in Culture and Society: Owen Barfield's Early Work . Leipzig Explorations in Literature and Culture 6 (forthcoming in Mythlore).
___. Review of Californication and Cultural Imperialism: Baywatch and the Creation of World Culture , edited by Andrew Anglophone. Teleparody : Predicting/Preventing the TV Discourse of Tomorrow. London: Wallflower, 2002: 40-45.
___. Review of Cogito Ergo Sum: The Life of René Descartes by Richard Watson (forthcoming in Georgia Review).
___. Review of Donald Costello's Fellini ' s Road . Post Script 3 (1984): 85-87.
___. Review of Inside Prime Time by Todd Gitlin and Teleliteracy: Taking Television Seriously by David Bianculli. Television Quarterly 32.1 (Spring 2001): 88-90.
___. Review of Robert Kugelmann's The Windows of Soul : Psychological Physiology of the Human Eye and Primary Glaucoma . Literature and Medicine (special issue on psychiatry) 4 (1985): 168-69.
___. Review of Robert Romanyshyn's Psychological Life : From Science to Metaphor . Re-Vision 7.2 (1984): 104.
___. Review of Television Histories: Shaping Collective Memory in the Media Age , ed. Gary R. Edgerton and Peter C. Rollins. Television Quarterly 32.2-3 (Summer-Fall 2001 ): 99-100.
___. Review of Television : Critical Methods and Applications by Jeremy G. Butler (forthcoming in The Review of Communication).
___. Review of The Television Genre Book, ed. by Glen Creeber (forthcoming in Television and New Media).
___. Review of TV Creators : Conversations with America's Top Producers of Television Drama, Volume Two , by James Longworth, Jr. (forthcoming in Television Quarterly 33.4 [Winter 2002]).
___. Review -Essay of Annie Dillard's Teaching a Stone to Talk , Living by Fiction , and Encounters with Chinese Writers . Religion and Literature 17.2 (1985): 61-68.
___. “Remote Control: Mythic Reflections.” Journal of Popular Film and Television 18 (1990): 65-71.
___. “Remote Control: Mythic Reflections.” The Remote Control Device in the New Age of Television . Ed. James R. Walker and Rob Bellamy. New York: Praeger, 1993: 223-34.
___. “Rooted in the Absence of Place: The Odyssey of Loren Eiseley.” Art, Science, and Morality: Creative Journeys . Ed. Doris B. Wallace (forthcoming from Plenum).
___. “'Secret Shit': The Uncertainty Principle, Lying, Deviance, and the Movie Creativity of the Coen Brothers” (forthcoming in The Coen Brothers: On Screen, In Print, and Beyond, Ed. Keith Perry and Joseph S. Walker).
___. “Same-o, Same-o: Eternal Recurrence in Groundhog Day .” Studies in Popular Culture XXII.1 (1999): 89-97.
___. “Semiotics of Cobbler: Twin Peaks' Interpretive Community.” Full of Secrets: Critical Approaches to Twin Peaks . Detroit: Wayne State University Press, 1994: 1-23.
___. “ Sopranos.” 50 Key Television Texts : From Absolutely Fabulous to Z Cars. Ed. Glen Creeber. London: Arnold, 2003.
___. “Soul of Andy Sipowicz: Depth of Character and the Depth of Television.” PopPolitics.com (March 2001): http://www .poppolitics.com/articles/2001-06-11-sipowicz.shtml.
___. “Space Boosters: Reflections on the Marketing of Unearthliness.” ETC .: A Journal of General Semantics 41 (1984): 388-97.
___. “Strange Text of My Left Foot .” Literature/Film Quarterly 21.3 (1993): 194-99.
___. “Television Comedy.” The World History of Comedy . Ed. Maurice Charney (forthcoming from Greenwood Press).
___. “Tenth Symphony.” Georgia Review 35 (1981): 583-93. Finalist for the 1982 Pushcart Prize in Non-fiction. (Translated into Portuguese and republished in Brazil as “Decima Sinfonia” in Cultura , 1 August 1982.)
___. “ Twin Peaks. ” 50 Key Television Texts : From Absolutely Fabulous to Z Cars. Ed. Glen Creeber. London: Arnold, 2003.
___. “ X-Files. ” 50 Key Television Texts : From Absolutely Fabulous to Z Cars. Ed. Glen Creeber. London: Arnold, 2003.
___. “ X-Files ” (forthcoming in The Encyclopedia of American Conspiracy Theories , ed. Peter Knight [2003]).
___ and Rhonda Wilcox). “Introduction.” Fighting the Forces: What's at Stake in Buffy the Vampire Slayer . Boulder, CO: Rowman and Littlefield, 2002: xvii-xxix.
___ and Robert J. Thompson. “David Chase, The Sopranos, and Television Creativity.” This Thing of Ours: Investigating The Sopranos : 18-25.
___. and Robert J. Thompson. “David Chase, The Sopranos, and Television Creativity.” Television Quarterly 33.2-3 (Summer-Fall 2002): 10-16.
___, ed. This Thing of Ours: Investigating The Sopranos . New York/London: Columbia University Press/Wallflower Press, 2002.
___, Angela Hague, and Marla Cartwright, eds. Deny All Knowledge: Reading The X-Files . The Television Series. Syracuse: Syracuse University Press, 1996. Published in the United Kingdom by Faber and Faber.
Hague, Angela and David Lavery, eds. Teleparody: Predicting / Preventing the TV Discourse of Tomorrow. London: Wallflower Press, 2002.
Wilcox, Rhonda V. and David Lavery, eds. Fighting the Forces: What's at Stake in Buffy the Vampire Slayer. Boulder: Rowman and Littlefield, 2002.
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Lee, Jid. “American Daughters of Asian Mothers: A New Persona in the Community of American Women." Kansas English , Fall 1994: 1-18.
___. "The Cry-Smile Mask: A Korean-American Woman's System of Resistance." This Bridge We Call Home. Eds. Gloria Anzaldua and AnaLouise Keating. New York: Routledge, 2002: 397-402.
___. From the Promised Land to Home : Trajectories of Selfhood in Asian-American Women's Autobiography . Woman in History, 83. Ide House, 1998.
___. "Survey of Korean Life Writing." Encyclopedia of Life Writing. Ed. Margaretta Jolly. London: Fitzroy Dearborn Publishers, 2001. 534-35.
___. “Words in Silence: An Exercise in Third World Feminist Criticism." Frontiers: A Journal of Women's Studies 11 (1990): 66-71.
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Levine, William. “‘Beyond the Limits of a Vulgar Fate': The Renegotiation of Public and Private Concerns in the Careers of Gray and Other Mid-Eighteenth Century Poets," Studies in Eighteenth-Century Culture 24 (1994).
___. “Collins, Thomson, and the Whig Progress of Liberty," Studies in English Literature 34 (Summer 1994); rpt. in English Literature Criticism, 1500-1800 (Gale Research Publications, forthcoming).
___. “From the Ridiculous to the Sublime: Gray's Transvaluation of Pope's Poetics," Philological Quarterly 70, no. 3 (Summer 1991): 289-309.
___. "The Genealogy of Romantic Literary History: Refigurations of Johnson's Lives of the English Poets in the Criticism of Coleridge and Wordsworth," Criticism 34 (Summer 1992): 349-78.
___. “Ideological Refraction and Assimilation in Macklin's English Bible," in Meaning and Material Form , ed. Terence Hoagwood and Kathryn Ledbetter (forthcoming, 2000).
___. "‘A Permanent, Nationalized, Learned Order': The Humanistic Displacement of Milton's Politics in Coleridge's Later Cultural Criticism," The Wordsworth Circle 25 (Summer 1994; special issue on Romanticism and the English Civil War).
___. “The Progress Poem in Coleridge's Political Lyrics," The Wordsworth Circle 20, no. 2 (Spring 1989): 68-74.
___. Review essay on Frans De Bruyn, The Literary Genres of Edmund Burke; Nicholas Robinson , Edmund Burke: A Life in Caricature ; and Vol. 3 of Burke's Writings and Speeches: Party, Parliament, and the American War , 1774-1780, Eighteenth-Century Studies 31 (Summer 1998).
___. Review of Dreadful Visitations: Confronting Natural Catastrophe in the Age of Enlightenment, ed. Alessa Johns (forthcoming in Clio).
___. Review of Robert J. Griffin, Wordsworth's Pope: A Study in Literary Historiography , Modern Philology 96 (August 1998): 122-27.
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Lutz, Alfred. “Commercial Capitalism, Classical Republicanism, and the Man of Sensibility in The History of Sir George Ellison. " Studies in English Literature 39 (Summer 1999): 557-574.
___. “Goldsmith on Burke and Gray." Papers on Language and Literature 34 (1998):225-249.
___. “Oliver Goldsmith's 'The Deserted Village' and the Politics of Genre." Modem Language Quarterly 55 (1994): 149-68.
___. "The Poet and the Hack: Goldsmith's Career as a Professional Writer." Forthcoming in Anglia 3 (2005).
___. “The Politics of Reception: The Case of Goldsmith's 'The Deserted Village'." Studies in Philology 95 (1998): 174-196.
___. “Representing Scotland in Roderick Random and Humphry Clinker : Tobias Smollett's Development as a Novelist." Studies in the Novel 33.1(2001): 1-17.
___. Review of The Cambridge Companion to British Romanticism , edited by Stuart Curran (Cambridge and New York: Cambridge University Press, 1993). English Language Notes 31(1994): 74-76.
___. Review of Liz Bellamy, Commerce, Morality and the Eighteenth-Century Novel (Cambridge: Cambridge University Press, 1998). English Language Notes 37(3)2000: 76-79.
___. Review of Robert W. Jones, Gender and the Formation of Taste in Eighteenth-Century Britain: The Analysis of Beauty (Cambridge University Press, 1998). English Language Notes 38(1): September 2000, 83-87.
___. Review of The Illustration of Robinson Crusoe, 1713-1920 , David Blewett (New York: Oxford University Press, 1996). English Language Notes 34(1997): 77-79.
___. Review of The Material Word· Literate Culture in the Restoration and Early Eighteenth Century , Richard W.F. Kroll (Baltimore: The Johns Hopkins University Press, 1991). English Language Notes 29(1991): 88-90.
___. Review of Recreating Jane Austen. John Wiltshire (Cambridge UP, 2001). English Language Notes 40.3 (2003): 86-91.
___. Review of Revising Women: Eighteenth-Century "Women's Fiction" and Social Engagement. Ed. Paula Backscheider (Johns Hopkins UP, 1999). English Language Notes 39.3 (2002): 88-92.
___. Review of Teaching Eighteenth Century Poetry , edited by Christopher·Fox (New York: AMS, 1990). English Language Notes 28(1991): 81-82.
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Mapp, Larry. “Everyman a Scop: The Shape of the Undergraduate Curriculum." The Peabody Journal of Education 56 (1979): 301-303.
___. Harbrace College Workbook , Form 10A . San Diego: Harcourt Brace Jovanovich, 1986.
___. Harbrace College Workbook , Form 10B . San Diego: Harcourt Brace Jovanovich, 1987.
___. Harbrace College Workbook , Form 11A . San Diego: Harcourt Brace Jovanovich, 1989.
___. Harbrace College Workbook , Form 11B . San Diego: Harcourt Brace Jovanovich, 1990.
___. Harbrace College Workbook , Form 12A . Fort Worth: Brace Jovanovich,1993.
___. “Thinking About Thinking: Pedagogy and Basic Writers." A Sourcebook for Basic Writing Teachers . Ed. Theresa Enos. NY: Random House, 1987. 579-583.
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McCluskey, Peter. “Have Monomyth, Will Travel: The Hero's Journey in Heinlein's Juvenile Novels.” The Heinlein Journal 17 (2005): 9-14.
___. "'Humors to Delight': Menaphon as Burlesque." Publications of the Arkansas Philological Association 21.1 (1995): 69-75.
___ . " Milton and the Winds of Folly." Arenas of Conflict: Milton and The Unfettered Mind . Charles W. Durham and Kristen Pruitt McColgan, Eds. Susquehanna University Press (1997): 227-38.
___ . "'Nature Taught Art': The Topos of Art and Nature in Paradise Regained ." Spokesperson Milton : Voices in Contemporary Criticism . Charles W. Durham and Kristen Pruitt McColgan, Eds. Susquehanna University Press (1994): 217-28.
___ . "'The Recovery of the Sacred Candlestick': Jewish Imagery and the Problem of Allegory in The Marble Faun." Publications of the Arkansas Philological Association 18.2 (1992): 15-27.
___ . Rev. of The Drama of Landscape: Land, Property, and Social Relations on the Early Modern Stage, by Garrett A. Sullivan, Jr. Seventeenth-Century News 58.1-2 (2000): 76-78.
___ . “Selling Souls and Vending Paradise : God and Commerce in A Confederacy of Dunces .” The Literary Legacy of John Kennedy Toole . Susie Scifres Kuilan and Suzanne Disheroon-Green, Eds. (forthcoming).
___ . "'Shall I Betray My Brother?'": Anti-Alien Satire and its Subversion in The Shoemaker's Holiday .” Tennessee Philological Association Bulletin 37 (2000): 43-54.
___ . "Sir Edmund Tilney, Sir Thomas More, and the Dutch." Shakespeare Yearbook 15: Shakespeare and the Low Countries. (2005): 49-64.
___ . “’The Great Globe Itself’: Shakespearean Allusion in Heinlein’s Fiction.” The Heinlein Journal 18 (2006): 28-31.
___ . “Tinky Winky's Got a Brand New Bag: The Year's Work in Teletubby Studies.” Teleparody: Predicting/Preventing the TV Discourse of Tomorrow . Jill Hague and David Lavery, Eds. Wallflower Press, 2002.
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McDaniel, Rhonda . “Hnescnys : Weakness of the Mind in the Works of Ælfric,” in (Inter)Texts: Studies in Early Insular Culture Presented to Paul E. Szarmach , ed. Virginia Blanton and Helene Scheck (Tempe, AZ: MRTS, 2008), 81–92.
___. “Pride Goes Before a Fall: Aldhelm's Practical Application of Gregorian and Cassianic Conceptions of Superbia and the Eight Principal Vices,” in The Seven Deadly Sins: From Communities to Individuals , ed. Richard Newhauser ( Leiden : Brill, 2007), 95–115.
___. “‘None too Sincere’: Andreas Capellanus, the Bible, and De Amore.” Medieval Perspectives 18 (2005, for Year 2002): 224–44.
___. “Fredegunde.” Great Lives from History: The Middle Ages and Pre-Renaissance. Ed. Leslie Ellen Jones. 2 vols. Hackensack, NJ: Salem Press, 2005. 381–84.
___. “Saint Boniface.” Holy People of the World: An Encyclopedia. Ed. Phyllis G. Jestice. 3 vols. Santa Barbara, CA : ABC-CLIO, 2004.
___. “An Unidentified Passage from Jerome in Bede,” Notes and Queries n.s. 50:4 (December 2003): 375.
___. “Would You Hire Plato to Teach Physical Education at Your School?” with Allison McFarland, PhD. The Physical Educator 59:1 (Late Winter 2002): 18–25.
___. “Hunter and Prey in ‘All in Green Went My Love Riding.’” (Abstract) Tennessee Philological Bulletin 35 (1998): 81–82.
___. “Taylor’s Knot: Tying His World Together in ‘Upon Wedlock, and Death of Children.’” Tennessee Philological Bulletin 34 (1997): 34–42.
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Minichillo, John . “The View from the Ground” (nonfiction) Missippi Review 32.3 (Fall 2004 “Politics and Religion”): 224-227.
___. “Nieghbory Relations” (fiction). Snowmonkey. (forthcoming Summer 2005).
___. “The Halloween They All Dressed as Darth Vader” (fiction). Carve Magazine (forthcoming Summer 2005).
<http://www.carvezine.com/ >.
___. "Dirty Derby." Posse Review 17: http://webdelsol.com/InPosse/17_b_contents.htm .
___. “Two Lifetime Members of the NRA Who Loved Their Guns and Life Itself.” The Mississippi Review Web Edition 9.2 The Crime Issue (Spring 2003): http://www.mississippireview.com .
___. " Mo Tucker.” Night Rally (Winter 2002): 45-51.
___. “Here.” The Mississippi Review Web Edition 7.2 (Spring 2001): http://www.mississippireview.com .
___. "Carillon.” at Product online (1999): archival link: http://orca.st.usm.edu/mrw/.
___. "Mo Tucker” at Product online (1998).
___. “Department of Cemeteries.” Third Coast (Fall 1997): 117-122.
___. “The Filter Queen.” Product: Journal of the Center for Writers 12 (1996): 53-54.
___. “Tornado Story” at Das Busch (1996): http://www.netdoor.com/~busch/index.html .
___. "Feathers and Rocks.” Naugahyde Literary Journal 2 (1996).
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Neth, Michael.
Books/Editions
___. Editor."Laon and Cythna." Forthcoming in Vol. III of The Complete Poetry of Percy Bysshe Shelley (CPPBS) (Baltimore: The Johns Hopkins UP, 2008).
___. Editor. "Hellas." Forthcoming in Vol. VI of CPPBS, 2012.
___. Editor. "Oedipus Tyrannus" ("Swellfoot the Tyrant") Forthcoming in Vol. V of CPPBS, 2010.
___. Co-editor (with Donald Reiman). Bodleian Shelley MS. adds e. 7. Bodleian Shelley Manuscripts XVI . New York: Garland Press, 1994.

Articles
___. “Unity in Diversity: Re-reading Aeschylus's Persians as a Multicultural Work." Universality and History: Foundations of Core. Ed. Don Thompson, Darrel Colson, and J. Scott Lee. Lanham, MD: University Press of America, 2002. 125-133.
___. “Rehistoricizing the History of Ideas." American Notes and Queries 6.2-3(1993): 89-96.
___. Trans. "The Subject-Object Relation in Aesthetics" by George Lukacs. Critical Texts IV (Autumn 1986): 1-23.

Book Reviews
___. Review of Matthew J.A. Green's "Visionary Materialism in the Early Works of William Blake," in The European Legacy 11:7 (December, 2006), 829-30.
___. Review-Essay of Lisa Steinman's Masters of Repetition: Poetry, Culture and Work in Thomson, Wordsworth, Shelley, and Emerson. "Poetry in British Romanticism." The European Legacy 9:5 (October 2004), 649-53.
___. Review of Terence Allan Hoagwood's Politics, Philosophy, and the Production of Romantic Texts in The European Legacy 4:3 (June 1999): 107-109.
___. Review of William D. Brewer's The Shelley-Byron Conversation. American Notes and Queries 9.2 (1996): 61-64.
___. Review of Linda Lewis's The Promethean Politics of Milton, Blake, and Shelley. Keats-Shelley Journal 42 (1994): 199-201.
___. Review of Timothy Clark's Embodying Revolution: The Figure of the Poet in Shelley. Keats-Shelley Journal 40(1991): 185-87.
___. Review of Stanley Fish's Doing What Comes Naturally. “Johnny One-Note." American Scholar 6 (1991): 608-13.
___. Review of Peter Shaw's The War Against the Intellect. "In the Academy." Commentary December 1989: 68-70.

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Ostrowski, Carl. Books, Maps and Politics: A Cultural History of the Library of Congress, 1782-1861. Amherst: University of Massachusetts Press, 2004.
___. “Conspiratorial Jesuits in the Postmodern Novel: Underworld and Mason & Dixon.” UnderWords: Perspectives on Don DeLillo's Underworld . Ed. Joseph Dewey. University of Delaware Press, 2003. 93-102.
___."'Fated to Perish by Consumption': The Political Economy of Arthur Mervyn." Studies in American Fiction 32.1 (2004): 3-20.
___. “'I Stand Upon Their Ashes in Thy Beam': William Cullen Bryant's Literary Removals.” American Transcendental Quarterly 9.4 (1995): 299-312.
___. “James Alfred Pearce and the Question of a National Library in Antebellum America.” Libraries & Culture 35.2 (2000): 255-277.
___. "Inside the Temple of Ravoni: George Lippard's Anti-Expose'." Forthcoming in ESQ: A Journal of the American Renaissance.
___. “'The Minister's Grievous Affliction': Diagnosing Hawthorne's Parson Hooper.” Literature and Medicine 17.2 (1998): 197-211.
___. Review of American Sensations: Class, Empire, and the Production of Popular Culture by Shelley Streeby. Studies in American Fiction 32.2 (2004): 254-56.
___. Review of Books and Libraries in American Society During World War II: Weapons in the War of Ideas by Patti Clayton Becker. SHARP News 14.4 (2005): 11.
___. Review of Perspectives in American Book History: Artifacts and Commentary , edited by Casper , Chaisson, and Groves . American Periodicals 14.2 (2004): 278-79.
___. Review of Social Stories: The Magazine Novel in Nineteenth-Century America by Patricia Okker. Studies in American Fiction 33.2 (2005): 254-56.
___. "Slavery, Labor Reform, and Intertextuality in Antebelllum Print Culture: The Slave Narrative and the City-Mysteries Novel." African American Review 40.3 (2006): 493-506.
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Petersen, Robert. “Agnes Strickland (1796-1874)." Nineteenth-Century British Women Writers: A Bio-Bibliographical Critical Sourcebook . Ed. Abigail Burnham Bloom. Westport, CT: Greenwood Press, 2000. 373-375.
___. “Ansel Adams." The Asian American Encyclopedia . New York: Marshall Cavendish, 1996. 3-5.
___. “Aubrey Beardsley." Great Lives from History: British and Commonwealth Series . 5 volumes. Pasadena, CA: Salem Press, 1987. 195-199.
___. The Balkan Trilogy by Olivia Manning. Masterplots II: British and Commonwealth Fiction Series . 4 volumes. Pasadena, CA: Salem Press, 1987. 86-90.
___. “The Bambino" by May Sinclair. Masterplots II: Short Story Series . 6 volumes. Englewood Cliffs, NJ: Salem Press, 1986. 151-153.
___. Beauty and Sadness by Yasunari Kawabata. Masterplots II: World Fiction Series . 4 volumes. Pasadena, CA: Salem Press, 1988. 136-140.
___. "Chris Offutt." American Short Story Writers Since WWII. Ed. Richard E. Lee and Patrick Meanor. The Dictionary of Literary Biography, Volume 335. Farmington Hills, MI: Thomson/Gale, 2007. 249-254.
___. “The Day the Flowers Came" by David Madden. Masterplots II: Short Story Series . 6 volumes. Englewood Cliffs, NJ: Salem Press, 1986. 507-509.
___. “Death in Midsummer" by Yukio Mishima. Masterplots II: Short Story Series . 6 volumes. Englewood Cliffs, NJ: Salem Press, 1986. 524-527.
___. A Dream Journey by James Hanley. Masterplots II: British and Commonwealth Fiction Series . 4 volumes. Pasadena, CA: Salem Press, 1987. 403-407.
___. “Edmonds, Walter D.” Encyclopedia of American War Literature . Ed. Phillip K. Jason and Mark A. Graves. Westport, CT: Greenwood Press, 2001. 103-104.
___. “Elihu Root." Great Lives from History: American Series . 5 volumes. Englewood Cliffs, NJ: Salem Press, 1987. 1968-1972.
___. “Ellison Onizuka." The Asian American Encyclopedia . New York: Marshall Cavendish, 1996. 1169-1170.
___. “Evan S. Connell." Facts on File Bibliography of American Fiction, 1919-1988 . 2 volumes. New York: Facts on file, 1991. I.133.
___.“Evelyn Scott.” Reprint. A History of Tennessee Arts: Creating Traditions, Expanding Horizons. Ed. Carroll Van West and Margaret Duncan Binnicker. Knoxville: U of TN Press, 2004. 298.
___. “The Expanding Symbol as Narrative Devise in the Eustace and Hilda Trilogy of L. P. Hartley." Essays in Literature 17.1 (Spring 1990): 43-51.
___. The Go-Between by L. P. Hartley. Masterplots II: British and Commonwealth Fiction Series . 4 volumes. Pasadena, CA: Salem Press, 1987. 612-616.
___. “Gordon, Caroline." Encyclopedia of American War Literature . Ed. Phillip K. Jason and Mark A. Graves. Westport, CT: Greenwood Press, 2001. 139.
___. “Henry Irving." Great Lives from History: British and Commonwealth Series . 5 volumes. Pasadena, CA: Salem Press, 1987. 1415-1420.
___. The House of the Sleeping Beauties by Yasunari Kawabata. Masterplots II: World Fiction Series . 4 volumes. Pasadena, CA: Salem Press, 1988. 629-632.
___. “Introduction: Stark Young—If not in Memorium, Certainly in Defense." The Southern Quarterly 24.4 (Summer 1986): 5-7.
___. “Isamu Noguchi." The Asian American Encyclopedia . New York: Marshall Cavendish, 1996. 1150-1151.
___. “L. P. Hartley." Critical Survey of Long Fiction: English Language Series . 8 volumes. Englewood Cliffs, NJ: Salem Press, 1983. 1296-1302.
___. Mary Olivier: A Life by May Sinclair. Masterplots II: British and Commonwealth Fiction Series . 4 volumes. Pasadena, CA: Salem Press, 1987. 1067-1071.
___. Masks by Fumiko Enchi. Masterplots II: World Fiction Series . 4 volumes. Pasadena, CA: Salem Press, 1988. 970-975.
___. “Millard Fillmore." Great Lives from History: American Series . 5 volumes. Englewood Cliffs, NJ: Salem Press, 1987. 792-796.
___. Mrs. Bridge by Evan S. Connell, Jr. Masterplots II: American Fiction Series . 4 volumes. Englewood Cliffs, NJ: Salem Press, 1986. 1022-1027.
___. Review of Walter Sullivan's Allen Tate: A Recollection . The Southern Quarterly 18.2 (Winter 1990): 60-62.
___. Review of Lady Gregory's Journals, Volume 2: Books Thirty to Forty-Four, 21 February 1925—9 May 1932. Ed. Daniel J. Murphy. English Literature in Transition, 1880-1920 32.2 (1989): 245-248.
___. Review of Thomas Daniel Young and Elizabeth Sarcone's The Lytle-Tate Letters: The Correspondence of Andrew Lytle and Allen Tate . The Southern Quarterly 27.2 (1989): 93-95.
___. Review of Yeats: An Annual of Critical and Textual Studies, IV V. Ed. Richard J. Finneran. English Literature in Transition, 1880-1920 31.3 (1988): 336-339.
___. Review of Guy Davenport's Every Force Evolves a Form: Twenty Essays . Magill's Literary Annual, 1988 . Pasadena, CA: Salem Press, 1988. 298-302.
___. Review of William L. Andrews' To Tell a Free Story: The First Century of Afro-American Autobiography, 1760-1865 . Magill's Literary Annual, Pasadena, CA: Salem Press, 1987. 867-870.
___. Review of Jonathan Rose's The Edwardian Temperament, 1895-1919 . English Literature in Transition, 1880-1920 30.1 (1987): 97-99.
___. Review of Kathryn Lee Seidel's The Southern Belle in the American Novel . M/MLA Journal 19.2 (Fall 1986): 43-45.
___. Review of John Pilkington's Stark Young . The Southern Quarterly 24.3 (Spring 1986): 86-87.
___. Review of Jefferson Hunter's Edwardian Fiction . The Bulletin of the Midwest Modern Language Association 16.2 (Fall 1983): 54-57.
___. Review of Daniel T. O'Hara's Tragic Knowledge: Yeat's "Autobiography" and Hermeneutics . English Literature in Transition, 1880-1920 26.2 (1983): 143-144.
___. Review of Brian Taylor's The Green Avenue: The Life and Writings of Forrest Reid, 1875-1947 . English Literature in Transition, 1880-1920 25.1 (1982): 50-52.
___. Review of Dennis W. Petrie's Ultimately Fiction: Design in Modern American Literary Biography . The Bulletin of the Midwest Modern Language Association 14 (December 1981): S1-S2.
___.Robert Frost: A Collection of Poems. The Wadsworth Casebook Series for Reading, Research, and Writing. Boston: Thomson/Heinle/Wadsworth, 2003.
___. “Saint Augustine's Pigeon" by Evan S. Connell, Jr. Masterplots II: Short Story Series . 6 volumes. Englewood Cliffs, NJ: Salem Press, 1986. 2008-2011.
___. The Samurai by Shusaku Endo. Masterplots II: World Fiction Series . 4 volumes. Pasadena, CA: Salem Press, 1988. 1345-1350.
___. “Scott, Evelyn." Encyclopedia of American War Literature . Ed. Phillip K. Jason and Mark A. Graves. Westport, CT: Greenwood Press, 2001. 295-296.
___. “Scott, Evelyn." Tennessee Encyclopedia of History and Culture . Ed. Carroll Van West. Nashville, TN.: Tennessee Historical Society and Rutledge Hill Press, 1998. 832.
___. “A Selected Bibliography of the Works of J. B. Priestley." J. B. Priestley By A. A. DeVitis and A. E. Kalson. Boston: Twayne, 1980. 243-251.
___.“Snapshots from the Past: Time and Memory in Kyoko Mori’s Shizuko’s Daughter.” Canadian Children’s Literature / Litterature canadienne pour la jeunesse 111-112 (Fall-Winter 2003): 68-77.
___. Snow Country by Yasunari Kawabata. Masterplots II: World Fiction Series . 4 volumes. Pasadena, CA: Salem Press, 1988. 1475-1480.
___. “ To Begin at the Beginning: ‘Tis the Voice of Alice, I Heard Him Declare." Jabberwocky: The Journal of the Lewis Carroll Society (England) 21.2 (1992): 39-51.
___. “To Sleep, Perchance to Dream: Alice Takes a Little Nap." Jabberwocky: The Journal of the Lewis Carroll Society 8.2 (Spring 1979): 27-37.
___. Thousand Cranes by Yasunari Kawabata. Masterplots II: World Fiction Series . 4 volumes. Pasadena, CA: Salem Press, 1988. 1589-1594.
___. “ Type and Antitype: The Archetype of the Hero in Caroline Gordon's The Glory of Hera ." The Southern Literary Journal 21.1 (Fall 1988): 31-38.
___. The Wave by Evelyn Scott. Masterplots II: American Fiction Series . 4 volumes. Englewood Cliffs, NJ: Salem Press, 1986. 1769-1772.
___. “William H. Gass." Critical Survey of Long Fiction: Supplement . Pasadena, CA: Salem Press, 1987. 120-126.
___. “Willis Carr at Bleak House" by David Madden. Masterplots II: Short Story Series . 6 volumes. Englewood Cliffs, NJ: Salem Press, 1986. 2634-2637.
___. “ Young, Stark." Encyclopedia of American War Literature . Ed. Phillip K. Jason and Mark A. Graves. Westport, CT: Greenwood Press, 2001. 379-380.
___. with Shoichi Ono, trans. "The White Village Road." By Yasushi Inoue. Bulletin of the College of Biomedical Technology of Niigata University (Japan) 2.2 (1985): 141-152.
___. with Shoichi Ono, trans. "The Mongrel." By Shusaku Endo. Bulletin of the College of Biomedical Technology of Niigata University (Japan) 2.1 (1984): 134-139.
___. with Shoichi Ono, trans. "Testimony." By Seicho Matsumoto. Reunion (Japan) 15 (March 1983): 22-32.
___. with Shoichi Ono, trans. "A Sketch at Poolside." By Junzo Shono. Muse (Japan) 7 (September 1987): 39-55.
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Phillips, Philip Edward. "Boethius's De Consolatione Philosophiae 3 m 9 and the Classical Hymn." Recent Trends in Medieval English Language and Literature in Honour of Young-Bae Park. Ed. Jacek Fisiak and Hye-kyung Kang. Seoul: Thaehaksa, 2005. 309-320.
___. “Boethius's De Consolatione Philosophiae and the Lamentatio / Consolatio Tradition,” Medieval English Studies 9.2 (2001): 5-27.
___.“Boethian ‘Happiness' in Alexander Pope's An Essay on Man, Epistle IV,” in Vitality of Literature, edited by An Sonjae (Seoul: Han-Ul Academy, 2002), 389-402.
___. “Clarembald of Arras and his Glosses on Boethius's De Trinitate and De Hebdomadibus,” Carmina Philosophiae 14 (2005): 159-166.
___. Contributor, "International Poe Bibliography: 1992-1993." Poe Studies/Dark Romanticism 27 (1994): 5-27.
___. John Milton's Epic Invocations: Converting the Muse. New York: Peter Lang, 2000.
___.“Lady Philosophy's Therapeutic Method: The ‘Gentler' and the ‘Stronger' Remedies in Boethius's De Consolatione Philsophiae ,” Medieval English Studies 10.2 (2002): 5-26.
___. New Directions in Boethian Studies. Co-edited with Noel Harold Kaylor, Jr. Studies in Medieval Culture XLV. Kalamazoo, Michigan: Medieval Institute Publications, 2007.
___. “Psychoanalytical and Phenomenological Approaches to 'The Fall of the House of Usher. '" Psi Sigma Journal 3 (Spring 1990):94-102.
___.Review of Gothic America: Narrative, History, and Nation by Theresa A. Goddu. Edgar Allan Poe Review 1.1 (Spring 2000): 37-39.
___. Review of Job, Boethius, and Epic Truth by Ann W. Astell . Carmina Philosophiae: Journal of the International Boethius Society 3 (1994): 83-86.
___. Review of Medieval Foundations of the Western Intellectual Tradition, 400-1400 by Marcia L. Colish. Carmina Philosophiae: Journal of the International Boethius Society 7 (1998): 112-115.
___. Review of Milton, the Metaphysicals, and Romanticism Lisa Low and Anthony John Harding, eds. The Byron Journal 25 (1997).
___. Review of Origin and Authority in Seventeenth-Century England: Bacon, Milton, Butler by Alvin Snider. Early Modern Literary Studies 1.2 (1995): 9.1-7.
___. Review of Speaking Grief in English Literary Culture: Shakespeare to Milton. Margo Swiss and David A. Kent, eds. Early Modern Literary Studies 10.3 (January 2005): 13.1-8.<http://www.shu.ac.uk/
emls/10-3/revphill.html>.
___. “Robert Browning's Poetry of Loss: ‘Prospice' and ‘To Edward FitzGerald,'” Sun Yat-sen Journal of Humanities 22 (Summer 2006): 135-146.
___. “To R. P. W., 1905-1989" (poem). The Vanderbilt Review XII (1996).
___. “Upon a Hill" (poem). The Vanderbilt Review XII (1996).
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Renfroe, Alicia Mischa. “Presumed Innocent by Scott Turow,” “Scott Turow,” “ The Summons by John Grisham.” Encyclopedia of Popular Fiction. Ed. Geoff Hamilton. Facts on File, Forthcoming 2009.
___.“Self-Interest vs. Self-Sacrifice: Louisa May Alcott’s Publishers and the Depiction of Contract in A Modern Mephistopheles.” Forthcoming in Nineteenth-Century Women Writers and the Literary Marketplace. Ed. Earl Yarington. Cambridge: Cambridge Scholar's Press.
___. “Prior Claims and Sovereign Rights: The Sexual Contract in Edith Wharton’s Summer.” Law and Literature. Ed. Michael J. Meyer. New York, NY: Rodophi, 2004. 193-206
___. “Review of Crime in Literature: Sociology of Deviance and Fiction.” Soundings: An Interdisciplinary Journal (2004): 87.1-2. 231-36.
___. “Interrogations of Justice in Zora Neale Hurston’s Their Eyes Were Watching God.” Cycnos (2002): 19.2 213-224.
___. “Review of What’s Left of Theory: New Work on the Politics of Literary Theory.” Soundings: An Interdisciplinary Journal (2001): 84.3-4.
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Rhodes, Jean. Bray, Robert and Jean Rhodes. “Moise and the World of Reason.” Colin. 153-55.
Colin, Philip, ed. The Tennessee Williams Encyclopedia. Westport , CT : Greenwood Press, 2004.
Rhodes, Jean. “ Lawrence Langner.” Colin. 120-21.
___. “Jim Parrott.” Colin. 187-88.
___. “Marion Black Vaccaro.” Colin. 288-89.
___. "Kiana Davenport's Shark Dialogues : Re-inscribing Hawai´i." Proceedings of the Fourth Annual Hawaii International Conference on Arts and Humanities . Honolulu : U of Hawaii P. 5157-5198.

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Sherman, Ted. Assistant textual editor. The Divine Poems: The Holy Sonnets. Vol. 7, Part 1. The Variorum Edition of the Poetry of John Donne. Bloomington: Indiana UP, 2005.
___. Assistant textual editor. The Variorum Edition of the Poetry of John Donne, Volume 2: The Elegies . General ed. Gary A. Stringer. Volume commentary ed. John R. Roberts. Contributing ed. Diana Trevino Benet. Senior textual eds. Ted-Larry Pebworth, Gary A. Stringer, and Ernest W. Sullivan, II. Assistant textual eds. Dennis Flynn and Theodore J. Sherman. Bloomington and Indianapolis: Indiana University Press, 2000.

Encyclopedia Articles:

___. "Allegory"; "Christianity"; "Escape"; Harry Potter and the Sorcerer’s Stone; The Hobbit; The Lion, the Witch and the Wardrobe; Out of the Silent Planet; Star Wars. The Greenwood Encyclopedia of Science Fiction and Fantasy: Themes, Works, Wonders. Ed. Gary Westfahl et al. Westport: Greenwood P, 2005.
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Smith, Allison. "Ethnicity and Syntactic Complexity in Written Argumentative Discourse." In Pragmatics and Language Learning , 2 (1991): 155-165.
___. “Great Britain.” Encyclopedia of Linguistics . Gen. Ed. Philipp Strazny. Chicago: Fitzroy Dearborn Publishers (forthcoming 2003).
___. “Innovation and Collaboration: Delivering Distance English Courses Electronically.” Campus-Wide Information Systems: The Journal of Technology on Campus 19:2 (2002): 52-58.
___. Companion Website for Prentice Hall Reader. Online. Upper Saddle River, NJ: Prentice-Hall. http://www.prenhall.com/divisions/hss/app/miller2/ 2000.
___. Companion Website for Strategies for College Writing: A Rhetorical Reader. Online. Upper Saddle River, NJ: Prentice-Hall, 2002.
___. “Journaling to Become a Better Writer: Why Journals Work.” English Leadership Quarterly 24.2 (2001): 2-5. ___. "Preparing Applied Linguists for the Future." Invited participant for Special Feature Roundtable in Issues in Applied Linguistics , 3.1 (1992): 146-172.
___. “Traditional Grammar.” Encyclopedia of Linguistics . Gen. Ed. Philipp Strazny. Chicago: Fitzroy Dearborn Publishers (forthcoming 2003).
___. “A Web Full of Writing.” Journal of College Writing 3.1 (2000): 42-52.
___. “Wheeler: Language Alive in the Classroom.” Rev. of Language Alive in the Classroom , by Rebecca Wheeler. Southwest Journal of Linguistics 20:2 (2001).
___, Compiler and editor, biographical and geographical entries: Encarta World Dictionary , CD-ROM. Renton, WA: Microsoft. 1999.
___, Compiler and editor, Encarta Thesaurus. Gen. Ed. Kathy Ronney. London: Bloomsbury.
___, Compiler and editor, biographical and geographical entries: Encarta World English Dictionary . Gen. Ed. Anne Soukhanov. New York: St. Martin's Press, 1999.
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Strawman, Tom. "'Futurology' and the Fruit of Industrialism in Bellamy, Schiller, and Wendell Berry: Physical Comfort, Spiritual Regression?" The Midwest Quarterly 32 (1990): 44-65.
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Therrien, Kathleen. “Helping Students Stay Students: Addressing Issues of First-Year Retention" (co-authored with Judy A. Greene). About Teaching: The Newsletter of the Center for Teaching Effectiveness . University of Delaware, Fall 1993. Reprinted in The Freshman Year Experience Newsletter . National Resource Center for FYE at the University of South Carolina at Columbia, January 1994.
___. “The Syllabus Re-Evaluated: Building a Tool for Active Learning" (co-authored with Judy A. Greene). About Teaching: The Newsletter of the Center for Teaching Effectiveness . University of Delaware, Spring 1993. Reprinted as "The Syllabus: A Tool for Effective Learning." The Teaching Scholar: The Newsletter of the Teaching Excellence Center . Rutgers University, September 1993.
___. “'Why Do They Have To . . . To . . . Say Things . . . ?': Poverty, Class, and Gender in Betty Smith's A Tree Grows in Brooklyn ." Legacy: A Journal of Women Writers (Special Issue on Discourses of Women and Class) 16.1 (1999).
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Wilt, Timothy, editor. Le Sycomore (translation journal). 1997-2006.
___, editor. Bible Translation: Frames of Reference. Manchester. St. Jerome.
___. Des cadres changeants de la traduction. Le Sycomore 18:2-7, 2006.
___. L'équivalence fonctionnelle littéraire: son application à des textes poétiques. Le Sycomore 18:12-36, 2006.
___. Translation principles for LiFE, inductively Derived. Current Trends in Scripture Translation: Definitions and Identity , ed. by Philip Noss . Reading: UBS, 215-223, 2005.
___. Pigeon. Bible Translator 56.1: 45-57 , 2005.
___. Literary Functional Equivalence: Some Case Studies. Journal of Biblical Text Research 10: 82-116, 2005.
___. Peut une traduction être trop claire? Le Sycomore 15:14-18, 2004.
___. Review article: La Bible Bayard. Le Sycomore 14:48-51, 2003.
___. Communication and Bible translation, in Bible Translation: Frames of Reference. Manchester. St. Jerome, pp. 27-80, 2002.
___. ‘Empereur.' Le Sycomore 7:7-11, 2000.
___. ‘Oracle of Yahweh': translating a highly marked expression. The Bible Translator 50.3, 301-304, 1999.
___. Review article: Lawrence Venuti's The Invisible Translator . The Bible Translator 49:148-152, 1998.
___. Markedness and references in Biblical Hebrew narratives, in Codes and Consequences: Choosing Linguistic Varieties , ed. by Carol Myers-Scotton. New York: Oxford University Press, 1998.
___. Quelques notes sur la traduction de Jean. Le Sycomore 5:78-81 , 1998 .
___. La Proximité. Le Sycomore 5:84-87, 1998.
___. A sociolinguistic analysis of NA' . Vetus Testamentum XLVI, 2: 237-55, 1997.
___. Des noms propres. Le Sycomore 1:9-12 , 1996 .
___. Le Glossaire. Le Sycomore 1:18-19 , 1996 .
___. Quelques observations sur la répétition thématique. Cahiers de Traduction Biblique 24: 3-8 , 1996 .
___. Flexibility continua in language choice. Journal of Translation and Textlinguistics 7.2: 60-82.
___. A survey of linguistic preferences of Cameroonian Pidgin English speakers. Journal of Pidgin and Creole Languages 9.2, 1994.
___. Jonah: A battle of shifting alliances, in Among the Prophets: Language, Image and Structure in the Prophetic Writings , ed. by Philip R. Davies and David J. A. Clines. Sheffield: Academic Press, 1993.
___. On translating acrostics: perhaps the form can be represented. The Bible Translator 44.2: 207-212, 1993.
___. Lexical repetition in Jonah. The Journal of Translation and Textlinguistics 5.3: 252-64, 1992.
___. Two Zairian Swahili Bibles: dealing with diglossic distances. The Bible Translator 40.3: 321-331, 1989.
___. Continuity versus change in Worku's The Thirteenth Sun. Journal of Northeast African Studies 10.2-3: 37-50, 1988.
___. Discourse distances and the Swahili demonstratives. Studies in African Linguistics 18.1:81-85, 1987.
___. The usefulness of case frames.Notes on Linguistics 30: 24-30, 1984.

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Wolfe, Charles. “Bible Country: The Good Book in Country Music" in Allene S. Phy, ed. The Bible and Popular Culture in America . Philadelphia: Fortress Press, 1985.
___. “Blind Lemon Jefferson," "Lead Belly," "Uncle Dave Macon," "Grandpa Jones," and "Edward Kirkland" in Jan Brunvand, ed. American Folklore: An Encyclopedia . New York: Garland Publishing Company, 1994.
___. “Blues and Country: The First Chapter." Now and Then: The Appalachian Magazine 12.2 (1995): 16-17.
___. The Civil War Music. Collector's Edition . Alexandria, VA: Time Life, Inc., 1991.
___. Classic Country: Legends of Country Music. New York: Routledge, 2000.
___. “Crockett and Nineteenth-Century Music" in Michael Lofaro and Joe Cummings, eds. Crockett at Two Hundred: New Perspectives on the Man and the Myth . Knoxville: The University of Tennessee Press, 1988.
___. The Devil's Box . Nashville: Vanderbilt University Press, 1997.
___. “Early Country Music" in Bob Allen, ed. Blackwell's Guide to Country Music . London and New York: Blackwell, 1994.
___. “Event Songs." South Atlantic Quarterly 94 (1995): 217-31.
___. A Good Natured Riot: The Birth of the Grand Ole Opry. Nashville: Vanderbilt University Press, 1999.
___. “'Gospel Boogie': White Southern Gospel Music in Transition" in Richard Middleton and David Horn, eds. Popular Music 1: Folk or Popular? Distinctions, Influences, Continuities . Cambridge and London: Cambridge University Press, 1981.
___. “Gospel Music," "Blackwood Brothers," "Ralph Peer" in William Ferris, et. al., eds. The Encyclopedia of Southern Culture . Chapel Hill: The University of North Carolina Press, 1989.
___. In Close Harmony: The Story of the Louvin Brothers . Jackson, MS: University Press of Mississippi, 1996.
___. Kentucky Country: A New and Expand Edition (new edition). Lexington: University of Kentucky Press, 1996.
___. Lefty Frizzell: His Life, His Music . Bremen: BFX Publications, 1985; Revised ed.,1991. (American edition issued from Duke University Press in 1994.)
___. Mahalia Jackson: Gospel Singer . New York: Chelsea House, 1990.
___. "Mass Media in the Mountains: Ralph Peer" in Evans, et al eds., The Appalachians. Random House: NY 2004 (companion book to PBS series).
___. “Music: An Overview" in Richard N. Current, et. al., eds. The Encyclopedia of the Confederacy . New York: Simon and Shuster, Reference Division, 1993.
___. “A Note on the Aesthetics of Fantasy" and "Introduction to Planets and Dimensions" in Daniel Marowski and Roger Matuz, eds. Contemporary Literary Criticism , Volume 4. Detroit: Gale Research, 1988.
___. “Radio Days" in Country Music Foundation, eds. Country: The Music and the Musicians . New York: Abbeville Press, 1989.
___. “The Recordings of Hank Snow" in Roy G. Owenby, Robert Burris, and Hank Snow, eds. The Autobiography of Hank Snow . Urbana and New York: The University of Illinois Press, 1994.
___. “Song Notes." Blue Grass Bill Monroe . Vollersode, Germany: Bear Family Books, 1989: 18-55.
___. Uncle Dave Macon . BF Publications, Bremen, 2004.
___. “White Country Blues: A Lighter Shade of Blues" in Lawrence Cohn, ed. Nothing But the Blues . New York: Abbeville Press, 1993.
___ and Kip Cornell. The Life and Legend of Leadbelly . New York: Harper Collins, 1992.
___. ed. The Bristol Sessions. McFarland, 2004.
___. ed. Folk Songs of Middle Tennessee: The George Boswell Collection . Knoxville: University of Tennessee Press, 1996.
___. ed. God Bless the Devil. Tales from the WPA Writers Project . Knoxville: The University of Tennessee Press, 1985.
___. ed. Thomas Talley's Negro Folk Rhymes: A New Edition. Knoxville: The University of Tennessee Press, 1990.
___, with James Akenson, eds. Country Music Goes to War. Un Pr of KY, Lexington, 2004.
___, with Laura Jarmon, eds. Thomas Talley's "The Negro Traditions . " Knoxville: University of Tennessee Press, 1994.
___, with James Akenson, eds. Women of Country; A Reader . Univ Pr of KY, Lexington, 2004.
Delmore, Alton, Truth is Stranger Than Publicity: The Autobiography of Alton Delmore . Ed. Charles K. Wolfe. Nashville, TN: Vanderbilt University Press, 1995.
Jones, Lewis. Everybody's Grandpa: Fifty Years Behind the Mike . Ed. Charles K. Wolfe Knoxville: The University of Tennessee Press, 1984.Morton, David C. and Charles K. Wolfe. DeFord Bailey: A Black Star in Early Country Music . Knoxville: The University of Tennessee Press, 1991.
Weitze. Richard and Charles K. Wolfe. Don Gibson: A Legend in His Time . Bremen: BFX Publications, 1990.
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