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Department of Recording Industry
      

Faculty & Staff Slideshow

R. Barnet | D. Brown


Faculty & Staff Slideshow

R. Barnet| D. Brown

Henry Beckett
Assistant Professor

The Art of Soundtrack Design
Hard Disk Music Production
Hard Disk Post Production
Techniques of Recording
Digital Audio Workstations

Office: Ezell 102B
Phone: 615.898.2553
Email: wbeckett@mtsu.edu


Henry received a B.A. from Harvard University and an M.B.A. from Cal. Pacific and studied law at UCLA Law school.

A musician and technician from the young years, Henry won the Bicentennial song contest at Phillips Exeter Academy and at age 16 was a professional pianist in a jazz quartet playing gigs in New York, Boston, and Portland, and he did professional solo piano work on the side. In college he built his first "recording studio", a Tascam 4-track cassette recorder and then an 8-track 1/4" with sync'ed MIDI capability, which had just emerged as a technology. Active in many musical arenas, he sang with the nationally-honored Collegium Musicum, and wrote music and arranged for an a cappella group that performed among other places in Tian'anmen Square and for the Emperor of Japan in Tokyo.

Subsequently he designed, built and operated a large commercial recording and production facility in Boston with a Studer 2", DA88 MDMs, and what was then a new technology, DAW with ProTools and various MIDI platforms and modules. There and elsewhere he did a wide variety of recording and production work, from music production, to film scoring, sound supervision and design, to television commercials and in-show music, to radio spots, to game audio design, content and even to live radio plays. He worked with a diverse group of national and local clients such as MTV, Miramax, Nike, Prudential, Vivendi Universal, Jordan Knight (New Kids On The Block), Nancy Kerrigan, Dan Brown and the Atlanta Olympic games, and many others.

Henry also served as Assistant Professor at Berklee College of Music, and previously was Department Chair of Recording Arts and Professor at the Massachusetts College of Communication.

He also worked as Audio Director for Vivendi Universal Games‚ Boston studio where he did the audio design, music composition, sound design and voice work on the sequel to the multi-million selling "Lords of the Realm" series, and worked on audio for many other internationally regarded games.

He has published articles on game audio and his work on Vivendi Universal's "Pharaoh" was nominated for best music of the year.

Among other activities, he has served as an acoustics/wiring and/or MIDI/audio consultant to a variety of professional recording studios and as consultant for Yamaha International on the development of its keyboard products.

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