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Master of Fine Arts Degree - Recording Arts
and Technologies
NOTE: This graduate program is NOT
designed for students who have graduated from the MTSU Department
of Recording Industry with a concentration in Production and Technology.
Graduates of the MTSU program are encouraged to seek employment
in the industry or to pursue a graduate program that offers experiences
different from their undergraduate program.
The purpose of the Master of Fine Arts program
is to prepare practitioners in the field of audio recording and
production for advanced work in an integrated electronic media environment.
Preparation for advanced professional practice requires that students
specialize in one area and develop a common understanding of the
theoretical concepts behind other disciplines such as video production,
digital animation, music, and computer science. The program offers
a strong technical component utilizing the latest advancements in
software and hardware. The degree plan also offers preparation for
graduates to teach at the postsecondary level in the field of audio
recording and production.
The M.F.A. degree is a 60-hour, six-semester
program as outlined below including 30 hours of required courses,
12 hours of guided electives, 9 hours of work in a cognate area
(courses in a single department outside of the program), plus 9
hours of work on a final project. It is expected that students attend
full time taking 9 to 12 hours per semester.
Guided electives will be from the Recording
Arts and Technologies courses and approved courses from other departments.
Depending on the student's background and program goals electives
might be chosen from the departments of Art, Computer Science, English,
Education, Industrial Technology, Mass Communication, Music, Psychology,
Sociology, or Speech and Theater. At least 6 hours of guided electives
must be graduate level courses from the Department of Recording
Industry.
Guided electives may be chosen from Recording
Arts and Technologies courses and approved courses from other areas
such as art, computer science, English, education, industrial technology,
mass communication, music, psychology, sociology, or speech and
theatre. At least 6 hours of guided electives must be graduate-level
courses from the Department of Recording Industry. The cognate requires
9 hours of courses from a single department. No more than 12 hours
of guided electives and cognate area courses may be from the same
department. A maximum of 6 hours of 5000-level courses may be counted
toward the degree.
Description of Courses
MRAT 6010 Recording In Cultural Context.
3 Hrs. Recording In Cultural Context is designed to acquaint
learners with the evolution of this complex of technologies and
provide tools for cultural analysis and critique of recorded artifacts.
An interdisciplinary mosaic of scholarly approaches to the examination
of contemporary recorded culture will be engaged.
MRAT 6030 MIDI and Digital Audio Seminar.
3 Hrs. MIDI and Digital Audio Seminar provides the student with
the technical skills and conceptual foundation necessary to undertake
advance creative projects. Emphasis is placed on the mastery of
hardware and software platforms currently used for MIDI and hard-disk
based digital audio.
MRAT 6050. Multitrack Recording Seminar.
3 Hrs. Multitrack Recording Seminar is a systematic examination
of the technology currently used in the modern recording studio.
In addition techniques for using this technology in the creative
recording and mixing process will be examined.
MRAT 6070. Visual Aesthetics and Technology
I. 3 Hrs. Visual Aesthetics and Technology I is designed to
assist the beginning graduate student with the skills to effectively
communicate an idea visually.
MRAT 6090. Visual Aesthetics and Technology
II. 3 Hrs. Continuation of MRAT 6070, with introduction to the
visual elements and technology used in the entertainment industry.
Introduction to creative conceptualization, elements of composition,
how the production process works and allows for demonstration of
basic and advanced visual technology, serving as a foundation for
more advanced courses in the graduate program. Focus on concepts
rather than completed media projects.
MRAT 6110. Production Seminar I. 3 Hrs. Prerequisites:
MRAT 6030 MIDI and Digital Audio Seminar, MRAT 6050 Multitrack Recording
Seminar, and MRAT 6070 Visual Aesthetics and Technology I. This
is an applications course where students utilize skills and theory
obtained in previous courses and work in a cooperative group environment
toward the completion of an audio or multimedia production. Laboratory
required.
MRAT 6120. Disk-Based Audio Post-Production.
3 Hrs. Prerequisites: MRAT 6030 MIDI and Digital Audio Seminar
and MRAT 6050 Multitrack Recording Seminar. Advanced practitioner-oriented
approach to the principles of tapeless digital audio recording on
a variety of digital workstation platforms. In-depth discussion
of the principles of digital audio, synchronization, and audio-for-video.
Focuses on the use of digital audio workstations in an audio post-production
environment. Laboratory required.
MRAT 6130. Production Seminar II. 3 Hrs.
Prerequisites: MRAT 6110 Production Seminar I. This is the second
semester of an applications course where students utilize skills
and theory obtained in previous courses and work in a cooperative
group environment toward the completion of an audio or multimedia
production. Laboratory required.
MRAT 6140. Graduate Seminar in Audio Recording.
3 Hrs. Prerequisites: MRAT 6030 MIDI and Digital Audio Seminar
and MRAT 6050 Multitrack Recording Seminar. Advanced application
of recording and mixing techniques in a digital multitrack setting.
Additional topics: console automation, machine synchronization,
digital audio editing, and tape machine alignment. Laboratory required.
MRAT 6150. Legal Rights of the Creative Individual.
3 Hrs. This course acquaints creative individuals with their
legal rights as creators and their legal duties when using the works
of others. Students apply concepts from copyright, trademark, trade
secrets, privacy, publicity, defamation, and other branches of the
law to media productions.
MRAT 6160. Composition for Contemporary Media.
3 Hrs. Prerequisites: Four semesters of Theory/Sight Singing/Ear
Training, MRAT 6030, MRAT 6050. Composition for Contemporary Media
provides the student with the conceptual foundation necessary to
undertake advanced creative projects involving the creation and
manipulation of the materials of popular music. Emphasis is placed
on the mastery of the structure and style elements of contemporary
popular music. Laboratory required.
MRAT 6180. Introduction to Film Scoring.
3 Hrs. Prerequisites: Four semesters of Theory/Sight Singing/Ear
Training, MRAT 6030, MRAT 6050. Overview of the film scoring process.
Discussion of the aesthetic relationship between music and film.
Thematic analyses of representative film scores. Composition exercises
demonstrating traditional film scoring techniques. Application of
compositional techniques through laboratory assignments utilizing
computers, synthesizers, and digital samplers. SMPTE time code,
MIDI time code, and film time formats and their application to tape
synchronization. Major project will consist of scoring a short scene
from a film and synchronizing the music with the visual. Laboratory
required.
MRAT 6210. Production Seminar III. 3 Hrs.
Prerequisites: MRAT 6120 Production Seminar II. This is the third
semester of an applications course where students utilize skills
and theory obtained in previous courses and work in a cooperative
group environment toward the completion of an audio or multimedia
production. Laboratory required.
MRAT 6320. Directed Research. 3 Hrs.
Prerequisite: permission of department. Research in recording techniques
and related topics.
MRAT 6340. Directed Production. 3 Hrs. Permission
of department. Independent advanced audio productions.
MRAT 6360. Graduate Internship. 1 - 3 Hrs.
Prerequisite: permission of department. Practical experience for
advanced students in a professional recording industry setting.
MRAT 6650. Final Project. 1 - 9 Hrs.
This course is designed to be a directed production project of substantial
size and scope proposed, developed, and realized under the guidance
of the major faculty advisor in consultation with the Final Project
faculty committee. 6650 Final Project is the culminating experience
in the M.F.A. program.
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