Audio Production, B.S.
Recording Industry
615-898-2578
Matt Foglia, program coordinator
Matt.Foglia@mtsu.edu
The Audio Production major offers instruction and depth across multiple areas of audio including music recording and mixing, mastering, electronic music production, sound reinforcement (live sound), sound for picture (TV, film, etc.), and broadcast.
Accelerated Bachelors/Masters (ABM) Program
High achieving students majoring in Audio Production who intend to pursue a Master of Fine Arts in Recording Arts and Technologies degree may apply to participate in the Accelerated Bachelors/Masters (ABM) pathway. The pathway allows undergraduate students an opportunity to complete select requirements for both the bachelor's and master's degrees simultaneously. Upon successful completion of the ABM Pathway, students must submit an application (including application fee) to the graduate program. Additional application requirements will be waived, and the student will be admitted to the program automatically. For more information about the ABM pathway, see the Graduate Catalog.
Admission to Candidacy
All students are required to be admitted to candidacy to earn a degree as an Audio Production major. "Candidacy" is our term for admission to the program and is required as a prerequisite to enrollment in most upper-division courses within the college.
To be eligible to apply for candidacy, a student must
complete all learning support requirements;
complete all high school deficiencies;
complete 24 total credit hours;
have completed at least one general education natural science requirement (Physics suggested);
receive at least a C (not a C-) in College Algebra or higher-level math;
receive at least a C (not a C-) in RIM 1230 or MUTH 1110;
complete RIM 3010, RIM 3300, and RIM 3600 with a C (not a C-);
be in good academic standing (not on probation).
Achieving the minimum grade requirements does not guarantee program admission. Students in the Audio Production major are guaranteed admission to candidacy if they earn an Audio Production Candidacy GPA of 3.5 or higher.
Audio Production Candidacy GPA: Take the average of (AP pre-candidacy course GPA) and (Inclusive GPA) to calculate your Audio Production Candidacy GPA.
AP pre-candidacy course GPA: Calculated by taking the average of: RIM 3010, RIM 3300, and RIM 3600.
Inclusive GPA: Calculating the average of all classes that have a grade including those transferred.
A limited number of additional candidacy slots will be open based on availability. Candidacy will be granted three times per year; after the fall and spring semesters and summer term. Students may not take other RIM courses beyond the candidacy requirements, with the exception of RIM 3650, until they have successfully completed admission to candidacy.
The application for admission to candidacy is an online application available here. Applications should be submitted by students during the semester in which they will have completed the above requirements. The deadline for candidacy applications is near the end of each semester and is announced via email each semester. Students are strongly encouraged to frequently check their MTSU email for communications from the Recording Industry department regarding deadlines.
Candidacy Appeals
A few of any available slots will be awarded based on a faculty committee recommendation on an appeal application. Appeal applications will be accepted after formula slots have been announced early in the Fall and Spring Semester and Summer Term. Appeal recommendations will be based on exceptional circumstances and/or exceptional talent and/or diversity considerations.
Technology Requirements
Students in the Audio Production program are required to have a computer and Avid Pro Tools software. Specific information can be found:
www.mtsu.edu/programs/audio-production/info
Academic Map
Following is a printable, suggested four-year schedule of courses:
Audio Production, B.S., Academic Map
Degree Requirements
| General Education | 41 hours |
| Major Requirements | 51 hours* |
| AP Pre-Candidacy Core | 12 hours |
| AP Sub Core | 6 hours |
| AP Post Candidacy Sub Core | 15 hours |
| AP Electives | 18 hours |
| Minor | 15-20 hours |
| Major Support Requirement | 3 hours* |
| Electives | 5-11 hours |
| TOTAL | 120 hours |
*This program requires courses that can also fulfill requirements of the General Education curriculum. If program requirements are also used to fulfill General Education requirements, the number of elective hours will increase.
General Education (41 hours)
General Education requirements (shown in curricular listings below) include courses in Communication, History, Humanities and/or Fine Arts, Mathematics, Natural Sciences, and Social/Behavioral Sciences.
The following courses required by the program meet General Education requirements:
Major Requirements (51 hours)
Audio Production Pre-Candidacy Core (12 hours)
Required to apply for candidacy in Audio Production
RIM 1230 - Commercial Musicianship
3 credit hours
A variety of music subjects explored within the context of commercial music as related to audio recording and production. Specific topics include music fundamentals, commercial music theory, commercial form and styles, and basic aural and keyboard skills. Students who have passed MUTH 1110 with a grade of C or better may not enroll in RIM 1230 for credit. Laboratory required.
RIM 3010 - Audio Fundamentals
3 credit hours
Examines theories and technologies used in audio production for music, radio, TV, and film. Provides the management-oriented student with a useful vocabulary covering the area of audio production and provides the production-oriented student with the basic theory upon which production skills can be built. RIM 3010 is required for all Audio Production students; Music Business and Commercial Songwriting students may choose between RIM 3010 and RIM 3011.
RIM 3300 - Digital Audio Technology
3 credit hours
Prerequisites: Recording Industry majors and Audio Production majors/minors. An overview of digital audio technology with an emphasis on computer technology related to music production, digital audio workstation hardware and software (e.g., Pro Tools), and digital audio theory. Laboratory required.
Formerly RIM 4200 and RIM 2300
RIM 3600 - Survey of the Recording Industry
3 credit hours
Examination of the industry including, but not limited to, artist development, songwriting, publishing, record companies, record marketing and promotion, copyright, performance rights, and careers.
Audio Production Sub Core (6 hours)
EMC 1020 - Introduction to Media and Entertainment
3 credit hours
(Same as JOUR 1020/RIM 1020.) An introduction to media and entertainment, exploring the history of media and entertainment as it pertains to ethics, law, free expression, diversity and inclusion, economics, research, globalization, and other important concepts. Examines the evolution of technology, from the first printing presses to social media and gaming, as well as media industries that include advertising and public relations.
JOUR 1020 - Introduction to Media and Entertainment
3 credit hours
(Same as EMC 1020/RIM 1020.) An introduction to media and entertainment, exploring the history of media and entertainment as it pertains to ethics, law, free expression, diversity and inclusion, economics, research, globalization, and other important concepts. Examines the evolution of technology, from the first printing presses to social media and gaming, as well as media industries that include advertising and public relations.
RIM 1020 - Introduction to Media and Entertainment
3 credit hours
(Same as EMC 1020/JOUR 1020.) An introduction to media and entertainment, exploring the history of media and entertainment as it pertains to ethics, law, free expression, diversity and inclusion, economics, research, globalization, and other important concepts. Examines the evolution of technology, from the first printing presses to social media and gaming, as well as media industries that include advertising and public relations.
(may be counted in General Education)
RIM 3000 - History of the Recording Industry
3 credit hours
Traces the development of the technology, business, major record labels, and the music recorded as well as significant individuals in these areas.
Audio Production Post Candidacy Sub‑core (15 hours)
RIM 3700 - Entertainment Intellectual Property I
3 credit hours
Prerequisite: RI majors - admission to candidacy and RIM 3600 with C or better; others RIM 3600. Introduction to the law of copyright, as well as the basic law of contracts, within a lecture setting combined with the interactivity of student in-class argument of appellate opinions rendered in both the areas of U.S. Copyright law and Contract law. Focuses solely on high-level intellectual property disputes related to the entertainment industry, whether regarding argument as to the rightful copyright ownership of parties within the entertainment industry, or as to a contract dispute, e.g. the breach of an entertainment agreement involving artistic content such as a recording or publishing agreement.
RIM 4100 - Audio Signals and Systems
3 credit hours
Prerequisite: Audio Production or RI majors and admission to candidacy; others - permission of department. A thorough study of sound in acoustic and electronic forms, including wave behavior, transducers, and the design and operation of analog and digital systems for detecting, receiving, measuring, manipulating, transmitting, and reproducing sound.
RIM 4190 - Introduction to MIDI and Sound Synthesis
3 credit hours
(Same as MUTH 4190.) Prerequisites: Audio Production or RI majors - admission to candidacy (Audio Production and Recording Industry) and RIM 3010, RIM 3300, and RIM 1230 or MUTH 1110 with grades of C (2.0) or better; others - RIM 3010, RIM 3300, and RIM 1230 or MUTH 1110 with grades of C (2.0) or better or permission of instructor. An introduction to synthesizer programming and the Musical Instrument Digital Interface (MIDI) with emphasis on history, theory, and application. Hands-on activities include synthesizer programming with virtual instruments and MIDI sequencing using a digital audio workstation. Laboratory required.
RIM 4400 - Recording Studio Techniques
3 credit hours
Prerequisites: Audio Production or RI major; admission to candidacy; RIM 3300 and RIM 4100 with C or better and previous or concurrent enrollment in RIM 4440; others - permission of department. Develops understanding of techniques and technology in modern multitrack recording and mixing. Extensive hands-on experience. Laboratory required.
RIM 4440 - Critical Listening
3 credit hours
Prerequisites: RI majors - admission to candidacy; others - permission of instructor. Ear-training and aesthetics for recording engineers. Class activities involve listening and analysis of master tape and disc formats. Sources include a wide variety of music genres as well as specialized technical ear-training materials. Development of a vocabulary for communication of aural impressions. Introduction to "high-end" audio.
Audio Production Electives (18 hours)
Choose 18 credit hours from the following.
NOTE: Up to 9 credit hours of RIM courses outside of the AP elective list may be included as elective credit in the major.
PHYS 1600 - Physics of Music
3 credit hours
Prerequisite: MATH 1710, MATH 1730, MATH 1810, or MATH 1910 or consent of instructor. The physics of music, acoustics, and sound for students without prior physics background.
RIM 3450 - Advanced Commercial Musicianship
3 credit hours
Prerequisite: RIM 1230 or MUTH 1110 with C or better. (Not available to students enrolled in or who have completed MUTH 1120.) Continuation of RIM 1230. Furthering the application of musical concepts previously learned to popular music. Topics include syncopation, modulation, two-handed accompaniment patterns, and selected secondary chords. Introduction to music notation software and the preparation of a lead sheet. Laboratory required.
RIM 3500 - Lecture Series
3 credit hours
Prerequisite: RI majors - admission to candidacy. Major executives, producers, and others in the recording industry speak to students about contemporary topics in the music business. May be taken only once for credit toward the major. Pass/Fail.
RIM 3580 - RIM Practicum
1 to 3 credit hours
Prerequisites: RI majors - admission to candidacy, approval of instructor prior to enrollment, and approved application. On-campus experiences in and related to the recording industry. Course may be repeated up to three times, but no more than six total credits toward the major allowed for RIM 3580, RIM 4000, and RIM 4010. Pass/Fail.
RIM 4010 - Audio Internship
1 to 6 credit hours
Prerequisites: Recording Industry or Audio Production majors only; admission to candidacy; junior standing (60 hours); RIM 4100 and RIM 4330 or RIM 4400 with C or better; and an approved internship application. Training and practical experience for advanced students in a professional audio setting. This course may be repeated for additional credit. No more than six hours toward the major are allowed for RIM 3580, RIM 4000, and RIM 4010. Pass/Fail.
RIM 4290 - MIDI Based Music Production
3 credit hours
(Same as MUTH 4290). Prerequisites: RI majors - RIM 4190/MUTH 4190 with C or better or permission of instructor. An intermediate electronic music course that introduces the student to alternate digital audio workstations such as Ableton Live and Logic Pro. Using a DAW with virtual instruments and synthesizers, students learn techniques for sequencing tracks for drums, bass, keyboards, guitars and other common sounds used in commercial music production. Laboratory required.
RIM 4300 - Advanced Pro Tools Techniques
3 credit hours
Prerequisites: Audio Production or RI majors; admission to candidacy; RIM 1230 or MUTH 1110 and RIM 3300 with C or better. A detailed examination of digital audio workstation (DAW) techniques used in a variety of production environments. Comprehensive in-depth instruction in the use of Pro Tools hardware and software with emphasis on file management, stereo and multitrack editing, tuning, use of plug-ins, and delivery formats. Lab exercises to develop hands-on competency; hands-on proficiencies to assess abilities. Laboratory required.
RIM 4330 - Sound Reinforcement
3 credit hours
Prerequisite: Audio Production or RI major; admission to candidacy; RIM 4100 with C or better. Current technologies and techniques involved in modern sound reinforcement. Topics include club venue and large concert systems. Field work required.
RIM 4333 - Sound System Design and Optimization
3 credit hours
Prerequisite: RIM 4330 with C or better. Focuses on the concepts and skills required to design, build, measure, and tune a large-format concert sound system. Topics include acoustic transmission, audio measurement tools and techniques, loudspeaker arrays, acoustic prediction software, coverage of performance venues, and the goals and processes for optimizing the system. Extensive demonstrations and hands-on practice with audio hardware and software provide real-world context for concepts presented in class. Individual participation in discussions and demonstrations expected.
RIM 4335 - Advanced Sound Reinforcement
3 credit hours
Prerequisite: RIM 4330 with C or better. Provides a more comprehensive view of sound reinforcement and live entertainment that includes rigging fundamentals, entertainment electricity, and event safety. Lectures, guest presentations, in-class participation, and group projects and experiences.
RIM 4337 - Live Event Production
3 credit hours
Prerequisite: RIM 4330 or permission of department. Reviews RIM 4330 theories and live event skills and competencies. Students will expand audio production skill set, obtain additional live event experience, and develop event safety awareness.
RIM 4390 - Electronic Music and Controllerism
3 credit hours
Prerequisite: RIM 4190 with C or better or permission of instructor. An advanced electronic music course where students taught advanced production and performance techniques using Ableton Live. Topics include pop, hip-hop, and electronic production techniques; producing DJ sets; and designing controller performances. Students will develop skills for live performance using the Push controller. Laboratory required.
RIM 4480 - Mastering
3 credit hours
Prerequisites: RI majors - admission to candidacy and RIM 3300 and RIM 4400; others - permission of instructor. An advanced hands-on approach to the principles and practices of mastering. Focuses on the use of digital audio workstations specially designed for audio mastering and related outboard equipment. Additional focus on surround mastering and DVD authoring. Laboratory required.
RIM 4490 - Broadcast Audio Technology and Methods
3 credit hours
Prerequisite: Audio Production or Recording Industry major; admission to candidacy and RIM 4400. An applications-oriented course focused on the theory and practice of audio systems, methods, workflows, and evolving technologies used in professional broadcast environments, including studio-based and remotely integrated radio and television production.
RIM 4510 - Study Abroad
1 to 3 credit hours
Prerequisite: Permission of department. Topics related to the recording industry in the country in course delivered. May be taken two times.
RIM 4567 - Practices for the DIY Recording Artist
3 credit hours
Prerequisites: Recording Industry and Audio Productions majors - admission to candidacy; others - permission of instructor. Technologies and business practices for the do-it-yourself music recording artist. Topics include creating and self-releasing a recording, independent distribution, and self-promotion. Three-hour lecture.
RIM 4575 - Sound Effects Design for Picture
3 credit hours
Prerequisite: RI majors and minors - RIM 3300 with C or higher; others - permission of instructor. Through lecture, demonstration, and hands-on projects, exposes students to approaches, techniques, and considerations when creating sound effects for different visual platforms such as TV, film, game, and Web. Discussions include sound effects: recording, spotting, and layering. Additional topics include sound design aesthetics, sub-categories of sound effects and session requirements. Hands-on class requires assignments to be outside of class. Laboratory required.
RIM 4580 - Sound for Picture
3 credit hours
Prerequisites: Audio Production or RI majors - admission to candidacy; RIM 3300 and previous or concurrent enrollment in RIM 4300 or RIM 4400 or previous enrollment in VFP 1080 (all with grade of C). In-depth, interactive study of sound and its relationship to picture. Time code, synchronization, workflow, data interchange, sound recording and editing, ADR, Foley, routing structures, sound mixing, and delivery methods. Demonstrations and lab use digital audio workstations and controllers found in professional facilities. Laboratory required.
RIM 4585 - Advanced Sound for Picture
3 credit hours
Prerequisite: RIM 4580 or RIM 4300 with C or better or permission of instructor. An in-depth, interactive study of sound mixing approaches for a variety of styles of programming across different media (TV, film, web). In addition to the aesthetic aspects of mixing, discussions will include required deliverables, audio level requirements, sound formats (stereo, surround), synchronization, addressing program timing changes, picture formats, target audience considerations, problem solving, technology, and more. A hands-on class which will require assignments to be completed outside of class (as is the case with most-upper-level studio courses). Laboratory required.
RIM 4590 - MIDI Based Scoring for Visual Media
3 credit hours
(Same as MUTH 4590.) Prerequisite: RIM 4390 or MUTH 4290/RIM 4290 with C or better or permission of instructor. An advanced electronic music course where students learn advanced techniques with Logic Pro, specifically for scoring music to visual media, such as animations, trailors, documentaries, and film. Topics include the exploration of virtual instruments and MIDI orchestration in order to realize original scores in a variety of moods and styles. Laboratory required.
RIM 4600 - Mixing Techniques and Technologies
3 credit hours
Prerequisite: RI majors - RIM 4300 and RIM 4400 with C or better or permission of instructor. Advanced application of mixing techniques in a digital multitrack setting. Additional topics include applied critical listening, automation systems, focus and foundation mixing, and the NARAS guidelines for delivery of recorded music projects.
RIM 4650 - Multitrack Music Recording
3 credit hours
Prerequisites: Audio Production and RI majors; admission to candidacy; RIM 1230 or MUTH 1110 and RIM 4400 with C or better. In-depth study of the technology and techniques of contemporary multitrack music recording. Lectures and labs focus on modern recording techniques, the analog and digital audio hardware/software installed in MTSU recording studios, systemic aspects of recording studios, and preparation for professional work in the studio environment. Laboratory required.
RIM 4660 - Advanced Music Engineering
3 credit hours
Prerequisites: RI majors - admission to candidacy and RIM 4650 with C or better; others - permission of instructor; concurrent or previous completion of RIM 4300 recommended. Project-based class emphasizing creative and aesthetic aspects of multitrack music recording. Topics include microphone techniques, session protocols, incorporation of MIDI elements, sample replacement and augmentation, rough mixing, console automation techniques, signal processing, and ear-training for recording engineers. Laboratory required.
RIM 4670 - Studio Production
3 credit hours
Prerequisites: RI majors - admission to candidacy and RIM 4300 or RIM 4650 with C or better; others - permission of instructor. Laboratory experience and lectures in commercial music, recording techniques, and business designed to develop the abilities needed to become an independent producer of contemporary commercial recordings. Laboratory required.
RIM 4700 - Entertainment Intellectual Property II
3 credit hours
Prerequisites: RI majors- admission to candidacy and RIM 3700 with C or better; others RIM 3600 and RIM 3700. A highly experiential and entrepreneurial setting requiring significant research and hands-on negotiations outside the classroom. Focuses on each student's selection and execution of a major Recapture and Negotiation Agreement involving advanced copyright principles of recapture, as well as an extensive negotiation for the inventive and profitable exploitation of those recaptured rights with third party industry colleagues. Hands-on learning process of mastering intellectual property and contract specifics in an entertainment industry setting. Student will have significant personal discretion with respect to chosen content for the recapture and exploitation.
RIM 4740 - Independent Contracting: Pro Audio Freelance
3 credit hours
Prerequisites: AP and RI majors - admission to candidacy; others - permission of instructor. An in-depth investigation of the current business practices of independent entertainment professionals with a focus on working in the pro audio industry and independent contracting.
RIM 4810 - Topics in Recording Industry
1 to 3 credit hours
Prerequisite: RI majors - admission to candidacy. Examination and critical evaluation of current issues related to the operation and function of various aspects of the recording industry. Subject matter varies. Course may be repeated one time for additional credit.
RIM 4830 - Recording Studio Maintenance
3 credit hours
Prerequisites: RI majors - admission to candidacy, MATH 1710 or higher level math (MATH 1010 will not fulfill this requirement), and RIM 4100 with C (2.0) or better; or permission of instructor; others - permission of instructor. Audio electronics theory and practical applications to circuits presented. Topics include fundamental analog audio circuit principles, use of multimeters and oscilloscopes to perform audio measurements, passive cue system construction and trouble shooting, installation practices and techniques to minimize system noise. Students build and test basic amplifier and filter circuits. Laboratory required.
RIM 4900 - Individual Problems in the Recording Industry
1 to 3 credit hours
Prerequisites: RI majors - admission to candidacy, approved application, and permission of department. Advanced project in production or music business. Students submit applications to production and technology or music business faculty committees. Once approved, a determination is made as to credit to be awarded. Project is reviewed by a panel of three faculty members to determine grade. No more than three credits toward the major are allowed.
RIM 4910 - Topics in Audio Production
3 credit hours
Prerequisites: RI or AP majors - admission to candidacy and permission of instructor. Examination, critical evaluation, and practical experience in a focused area of audio production. Subject matter varies. May be repeated one time for additional credit.
Choose Two Electives
At least two electives must come from the following:
RIM 4290 - MIDI Based Music Production
3 credit hours
(Same as MUTH 4290). Prerequisites: RI majors - RIM 4190/MUTH 4190 with C or better or permission of instructor. An intermediate electronic music course that introduces the student to alternate digital audio workstations such as Ableton Live and Logic Pro. Using a DAW with virtual instruments and synthesizers, students learn techniques for sequencing tracks for drums, bass, keyboards, guitars and other common sounds used in commercial music production. Laboratory required.
RIM 4300 - Advanced Pro Tools Techniques
3 credit hours
Prerequisites: Audio Production or RI majors; admission to candidacy; RIM 1230 or MUTH 1110 and RIM 3300 with C or better. A detailed examination of digital audio workstation (DAW) techniques used in a variety of production environments. Comprehensive in-depth instruction in the use of Pro Tools hardware and software with emphasis on file management, stereo and multitrack editing, tuning, use of plug-ins, and delivery formats. Lab exercises to develop hands-on competency; hands-on proficiencies to assess abilities. Laboratory required.
RIM 4330 - Sound Reinforcement
3 credit hours
Prerequisite: Audio Production or RI major; admission to candidacy; RIM 4100 with C or better. Current technologies and techniques involved in modern sound reinforcement. Topics include club venue and large concert systems. Field work required.
RIM 4580 - Sound for Picture
3 credit hours
Prerequisites: Audio Production or RI majors - admission to candidacy; RIM 3300 and previous or concurrent enrollment in RIM 4300 or RIM 4400 or previous enrollment in VFP 1080 (all with grade of C). In-depth, interactive study of sound and its relationship to picture. Time code, synchronization, workflow, data interchange, sound recording and editing, ADR, Foley, routing structures, sound mixing, and delivery methods. Demonstrations and lab use digital audio workstations and controllers found in professional facilities. Laboratory required.
RIM 4600 - Mixing Techniques and Technologies
3 credit hours
Prerequisite: RI majors - RIM 4300 and RIM 4400 with C or better or permission of instructor. Advanced application of mixing techniques in a digital multitrack setting. Additional topics include applied critical listening, automation systems, focus and foundation mixing, and the NARAS guidelines for delivery of recorded music projects.
RIM 4650 - Multitrack Music Recording
3 credit hours
Prerequisites: Audio Production and RI majors; admission to candidacy; RIM 1230 or MUTH 1110 and RIM 4400 with C or better. In-depth study of the technology and techniques of contemporary multitrack music recording. Lectures and labs focus on modern recording techniques, the analog and digital audio hardware/software installed in MTSU recording studios, systemic aspects of recording studios, and preparation for professional work in the studio environment. Laboratory required.
Or Choose One Elective
At least one elective from the following:
RIM 4333 - Sound System Design and Optimization
3 credit hours
Prerequisite: RIM 4330 with C or better. Focuses on the concepts and skills required to design, build, measure, and tune a large-format concert sound system. Topics include acoustic transmission, audio measurement tools and techniques, loudspeaker arrays, acoustic prediction software, coverage of performance venues, and the goals and processes for optimizing the system. Extensive demonstrations and hands-on practice with audio hardware and software provide real-world context for concepts presented in class. Individual participation in discussions and demonstrations expected.
RIM 4335 - Advanced Sound Reinforcement
3 credit hours
Prerequisite: RIM 4330 with C or better. Provides a more comprehensive view of sound reinforcement and live entertainment that includes rigging fundamentals, entertainment electricity, and event safety. Lectures, guest presentations, in-class participation, and group projects and experiences.
RIM 4390 - Electronic Music and Controllerism
3 credit hours
Prerequisite: RIM 4190 with C or better or permission of instructor. An advanced electronic music course where students taught advanced production and performance techniques using Ableton Live. Topics include pop, hip-hop, and electronic production techniques; producing DJ sets; and designing controller performances. Students will develop skills for live performance using the Push controller. Laboratory required.
RIM 4585 - Advanced Sound for Picture
3 credit hours
Prerequisite: RIM 4580 or RIM 4300 with C or better or permission of instructor. An in-depth, interactive study of sound mixing approaches for a variety of styles of programming across different media (TV, film, web). In addition to the aesthetic aspects of mixing, discussions will include required deliverables, audio level requirements, sound formats (stereo, surround), synchronization, addressing program timing changes, picture formats, target audience considerations, problem solving, technology, and more. A hands-on class which will require assignments to be completed outside of class (as is the case with most-upper-level studio courses). Laboratory required.
RIM 4590 - MIDI Based Scoring for Visual Media
3 credit hours
(Same as MUTH 4590.) Prerequisite: RIM 4390 or MUTH 4290/RIM 4290 with C or better or permission of instructor. An advanced electronic music course where students learn advanced techniques with Logic Pro, specifically for scoring music to visual media, such as animations, trailors, documentaries, and film. Topics include the exploration of virtual instruments and MIDI orchestration in order to realize original scores in a variety of moods and styles. Laboratory required.
RIM 4660 - Advanced Music Engineering
3 credit hours
Prerequisites: RI majors - admission to candidacy and RIM 4650 with C or better; others - permission of instructor; concurrent or previous completion of RIM 4300 recommended. Project-based class emphasizing creative and aesthetic aspects of multitrack music recording. Topics include microphone techniques, session protocols, incorporation of MIDI elements, sample replacement and augmentation, rough mixing, console automation techniques, signal processing, and ear-training for recording engineers. Laboratory required.
RIM 4670 - Studio Production
3 credit hours
Prerequisites: RI majors - admission to candidacy and RIM 4300 or RIM 4650 with C or better; others - permission of instructor. Laboratory experience and lectures in commercial music, recording techniques, and business designed to develop the abilities needed to become an independent producer of contemporary commercial recordings. Laboratory required.
NOTE:
*See note under Transfer Credit Policy for RIM 1230/MUTH 1110 substitution.
*Music minors - Students who minor in Music must take MUTH 1110 for their minor and will not be required to take RIM 1230. Music minors will need an additional AP elective to complete the required 51 hours in the major.
** No more than 6 hours total are allowed toward the major from any combination of RIM 3580, RIM 4000, or RIM 4010.
*** No more than 6 hours total are allowed toward the major from any combination of RIM 4810 and RIM 4910.
Up to 9 credit hours of RIM courses outside of the approved AP elective list can be included as elective credit in the major.
Audio Production students may take PHYS 1600 pre-candidacy.
Minor (15-20 hours)
One minor is required for Audio Production, and students may pick any minor available at MTSU. Recommended minors are Computer Science, Electronics, Entertainment Arts Design, Entertainment Technology, Entrepreneurship, Mass Communication, Music Industry, or Video and Film Production Minor.
Major Support Requirement (3 hours)
MATH 1710 - College Algebra
3 credit hours
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MATH 1710 - College Algebra
3 credit hours
Prerequisite: DSPM 0850 or two years of high school algebra; a Math Enhanced ACT 19 or greater or COMPASS placement. Course satisfies the General Education Mathematics requirement. Topics include functions--linear, quadratic, exponential, and logarithmic; analysis of graphs; linear systems; inequalities; counting principles; and probability. Graphing calculator required. Course may be taken by correspondence. Not open to those who have had MATH 1730. TBR Common Course: MATH 1710
Electives (8-14 hours)
Curriculum: Audio Production
Curricular listings include General Education requirements in Communication, History, Humanities and/or Fine Arts, Mathematics, Natural Sciences, and Social/Behavioral Sciences categories.
Students should see their advisors to develop their individual schedules. Certain prerequisites and sequences in particular major concentrations and minor require special attention.
See course suggestions for studio production and engineering (music), electronic music (EM), sound reinforcement (live sound), and sound for picture tracks.
Freshman
ENGL 1010 - Expository Writing
3 credit hours
The first General Education English course. Emphasis on learning to adapt composing processes to a variety of expository and analytic writing assignments. Minimum grade of C- required to meet degree requirements.
ENGL 1020 - Research and Argumentative Writing
3 credit hours
Prerequisite: ENGL 1010. The second General Education English course. Emphasis on analytic and argumentative writing and on locating, organizing, and using library resource materials in the writing. Minimum grade of C- required to meet degree requirements.
COMM 2200 - Fundamentals of Communication
3 credit hours
Introduces principles and processes of effective public oral communication including researching, critical thinking, organizing, presenting, listening, and using appropriate language. Counts as part of the General Education Communication requirement. TBR Common Course: COMM 2025
- Natural Sciences 4 credit hours
MATH 1710 - College Algebra
3 credit hours
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MATH 1710 - College Algebra
3 credit hours
Prerequisite: DSPM 0850 or two years of high school algebra; a Math Enhanced ACT 19 or greater or COMPASS placement. Course satisfies the General Education Mathematics requirement. Topics include functions--linear, quadratic, exponential, and logarithmic; analysis of graphs; linear systems; inequalities; counting principles; and probability. Graphing calculator required. Course may be taken by correspondence. Not open to those who have had MATH 1730. TBR Common Course: MATH 1710
RIM 1230 - Commercial Musicianship
3 credit hours
A variety of music subjects explored within the context of commercial music as related to audio recording and production. Specific topics include music fundamentals, commercial music theory, commercial form and styles, and basic aural and keyboard skills. Students who have passed MUTH 1110 with a grade of C or better may not enroll in RIM 1230 for credit. Laboratory required.
RIM 3300 - Digital Audio Technology
3 credit hours
Prerequisites: Recording Industry majors and Audio Production majors/minors. An overview of digital audio technology with an emphasis on computer technology related to music production, digital audio workstation hardware and software (e.g., Pro Tools), and digital audio theory. Laboratory required.
Formerly RIM 4200 and RIM 2300
RIM 3010 - Audio Fundamentals
3 credit hours
Examines theories and technologies used in audio production for music, radio, TV, and film. Provides the management-oriented student with a useful vocabulary covering the area of audio production and provides the production-oriented student with the basic theory upon which production skills can be built. RIM 3010 is required for all Audio Production students; Music Business and Commercial Songwriting students may choose between RIM 3010 and RIM 3011.
RIM 3600 - Survey of the Recording Industry
3 credit hours
Examination of the industry including, but not limited to, artist development, songwriting, publishing, record companies, record marketing and promotion, copyright, performance rights, and careers.
RIM 1020 - Introduction to Media and Entertainment
3 credit hours
(Same as EMC 1020/JOUR 1020.) An introduction to media and entertainment, exploring the history of media and entertainment as it pertains to ethics, law, free expression, diversity and inclusion, economics, research, globalization, and other important concepts. Examines the evolution of technology, from the first printing presses to social media and gaming, as well as media industries that include advertising and public relations.
JOUR 1020 - Introduction to Media and Entertainment
3 credit hours
(Same as EMC 1020/RIM 1020.) An introduction to media and entertainment, exploring the history of media and entertainment as it pertains to ethics, law, free expression, diversity and inclusion, economics, research, globalization, and other important concepts. Examines the evolution of technology, from the first printing presses to social media and gaming, as well as media industries that include advertising and public relations.
EMC 1020 - Introduction to Media and Entertainment
3 credit hours
(Same as JOUR 1020/RIM 1020.) An introduction to media and entertainment, exploring the history of media and entertainment as it pertains to ethics, law, free expression, diversity and inclusion, economics, research, globalization, and other important concepts. Examines the evolution of technology, from the first printing presses to social media and gaming, as well as media industries that include advertising and public relations.
Subtotal: 31 Hours
Sophomore
ENGL 2020 - Themes in Literature and Culture
3 credit hours
Prerequisites: ENGL 1010 and ENGL 1020. Traces a specific theme or idea through a number of literary texts that reflect different historical and cultural contexts. Subject will vary.
ENGL 2030 - The Experience of Literature
3 credit hours
Prerequisites: ENGL 1010 and ENGL 1020. The reading of a variety of literary types which illuminate themes and experiences common to human existence.
HUM 2610 - World Literatures
3 credit hours
Prerequisites: ENGL 1010 and ENGL 1020. Representative works of French, German, and Hispanic authors in English translation. No foreign-language proficiency required. Carries General Education credit.
RIM 3700 - Entertainment Intellectual Property I
3 credit hours
Prerequisite: RI majors - admission to candidacy and RIM 3600 with C or better; others RIM 3600. Introduction to the law of copyright, as well as the basic law of contracts, within a lecture setting combined with the interactivity of student in-class argument of appellate opinions rendered in both the areas of U.S. Copyright law and Contract law. Focuses solely on high-level intellectual property disputes related to the entertainment industry, whether regarding argument as to the rightful copyright ownership of parties within the entertainment industry, or as to a contract dispute, e.g. the breach of an entertainment agreement involving artistic content such as a recording or publishing agreement.
RIM 4100 - Audio Signals and Systems
3 credit hours
Prerequisite: Audio Production or RI majors and admission to candidacy; others - permission of department. A thorough study of sound in acoustic and electronic forms, including wave behavior, transducers, and the design and operation of analog and digital systems for detecting, receiving, measuring, manipulating, transmitting, and reproducing sound.
RIM 4190 - Introduction to MIDI and Sound Synthesis
3 credit hours
(Same as MUTH 4190.) Prerequisites: Audio Production or RI majors - admission to candidacy (Audio Production and Recording Industry) and RIM 3010, RIM 3300, and RIM 1230 or MUTH 1110 with grades of C (2.0) or better; others - RIM 3010, RIM 3300, and RIM 1230 or MUTH 1110 with grades of C (2.0) or better or permission of instructor. An introduction to synthesizer programming and the Musical Instrument Digital Interface (MIDI) with emphasis on history, theory, and application. Hands-on activities include synthesizer programming with virtual instruments and MIDI sequencing using a digital audio workstation. Laboratory required.
RIM 4400 - Recording Studio Techniques
3 credit hours
Prerequisites: Audio Production or RI major; admission to candidacy; RIM 3300 and RIM 4100 with C or better and previous or concurrent enrollment in RIM 4440; others - permission of department. Develops understanding of techniques and technology in modern multitrack recording and mixing. Extensive hands-on experience. Laboratory required.
RIM 4440 - Critical Listening
3 credit hours
Prerequisites: RI majors - admission to candidacy; others - permission of instructor. Ear-training and aesthetics for recording engineers. Class activities involve listening and analysis of master tape and disc formats. Sources include a wide variety of music genres as well as specialized technical ear-training materials. Development of a vocabulary for communication of aural impressions. Introduction to "high-end" audio.
- RIM AP elective 3 credit hours
- Social/Behavioral Sciences 3 credit hours
- Humanities and/or Fine Arts 3 credit hours
HIST 2010 - Survey of United States History I
3 credit hours
Survey of the political, economic, social, cultural, and diplomatic phases of American life in its regional, national, and international aspects. Discusses the era from the beginning to 1877. May be used to satisfy one part of the General Education History requirement. HIST 2010 is NOT a prerequisite for HIST 2020. TBR Common Course: HIST 2010
HIST 2020 - Survey of United States History II
3 credit hours
Survey of the political, economic, social, cultural, and diplomatic phases of American life in its regional, national, and international aspects. Discusses the era from 1877 to the present. May be used to satisfy one part of the the General Education History requirement. HIST 2010 is NOT a prerequisite for HIST 2020. TBR Common Course: HIST 2020
HIST 2030 - Tennessee History
3 credit hours
The role of the state in the development of the nation. May be used to satisfy one part of the General Education History requirement. TBR Common Course: HIST 2030
HIST 2040 - Survey African American History I
3 credit hours
The role of African Americans in establishing and shaping the American nation. Covers their historical development and contributions to American art, music, literature, and religion. May be used to satisfy one part of the General Education History requirement.
NOTE: HIST 2040 is not a prerequisite for HIST 2050.
HIST 2050 - Survey African American History II
3 credit hours
The role of African Americans in shaping the American nation and creating a twentieth-century racial identity. Covers their historical development and examines their contributions to American art, music, literature, and religion. May be used to satisfy one part of the General Education History requirement.
Subtotal: 30 Hours
Junior
RIM 3000 - History of the Recording Industry
3 credit hours
Traces the development of the technology, business, major record labels, and the music recorded as well as significant individuals in these areas.
- RIM AP electives 9 credit hours
- Natural Sciences 4 credit hours
- Minor courses 9 credit hours
- Humanities and/or Fine Arts 3 credit hours
HIST 2010 - Survey of United States History I
3 credit hours
Survey of the political, economic, social, cultural, and diplomatic phases of American life in its regional, national, and international aspects. Discusses the era from the beginning to 1877. May be used to satisfy one part of the General Education History requirement. HIST 2010 is NOT a prerequisite for HIST 2020. TBR Common Course: HIST 2010
HIST 2020 - Survey of United States History II
3 credit hours
Survey of the political, economic, social, cultural, and diplomatic phases of American life in its regional, national, and international aspects. Discusses the era from 1877 to the present. May be used to satisfy one part of the the General Education History requirement. HIST 2010 is NOT a prerequisite for HIST 2020. TBR Common Course: HIST 2020
HIST 2030 - Tennessee History
3 credit hours
The role of the state in the development of the nation. May be used to satisfy one part of the General Education History requirement. TBR Common Course: HIST 2030
HIST 2040 - Survey African American History I
3 credit hours
The role of African Americans in establishing and shaping the American nation. Covers their historical development and contributions to American art, music, literature, and religion. May be used to satisfy one part of the General Education History requirement.
NOTE: HIST 2040 is not a prerequisite for HIST 2050.
HIST 2050 - Survey African American History II
3 credit hours
The role of African Americans in shaping the American nation and creating a twentieth-century racial identity. Covers their historical development and examines their contributions to American art, music, literature, and religion. May be used to satisfy one part of the General Education History requirement.
Subtotal: 31 Hours
Senior
- RIM AP electives 6 credit hours
- Minor courses 6 credit hours
- Electives 11 hours
- Minor or elective courses 5 credit hours
Subtotal: 28 Hours
Recording Industry
RIM 1020 - Introduction to Media and Entertainment
3 credit hours
(Same as EMC 1020/JOUR 1020.) An introduction to media and entertainment, exploring the history of media and entertainment as it pertains to ethics, law, free expression, diversity and inclusion, economics, research, globalization, and other important concepts. Examines the evolution of technology, from the first printing presses to social media and gaming, as well as media industries that include advertising and public relations.
RIM 1230 - Commercial Musicianship
3 credit hours
A variety of music subjects explored within the context of commercial music as related to audio recording and production. Specific topics include music fundamentals, commercial music theory, commercial form and styles, and basic aural and keyboard skills. Students who have passed MUTH 1110 with a grade of C or better may not enroll in RIM 1230 for credit. Laboratory required.
RIM 3000 - History of the Recording Industry
3 credit hours
Traces the development of the technology, business, major record labels, and the music recorded as well as significant individuals in these areas.
RIM 3010 - Audio Fundamentals
3 credit hours
Examines theories and technologies used in audio production for music, radio, TV, and film. Provides the management-oriented student with a useful vocabulary covering the area of audio production and provides the production-oriented student with the basic theory upon which production skills can be built. RIM 3010 is required for all Audio Production students; Music Business and Commercial Songwriting students may choose between RIM 3010 and RIM 3011.
RIM 3011 - Survey of Audio Technology
3 credit hours
For non-Audio Production Recording Industry pre-candidacy students; includes students seeking admission to candidacy in the Music Business and Commercial Songwriting concentrations. Overview of the basic function and application of audio hardware and software used in music creation. Surveys audio technology found in live sound, professional recording studios, and project studios. Required for admission to candidacy to the RI program and offered as an online course. Students must choose between and may receive credit for either RIM 3010 or RIM 3011. Audio Production concentration students will not receive credit for RIM 3011
RIM 3020 - Commercial Songwriting
3 credit hours
Prerequisite: RI majors - admission to Commercial Songwriting concentration and RIM 1230 or MUTH 1110 and RIM 3115 or RIM 3116 with C or better; others - permission of instructor. Helps the new or developing songwriter acquire a song construction toolkit. Focuses on groove, melody, lyric, harmony, and structure and integrates these five elements into a cohesive and commercially viable song. Students expected to play guitar or piano and also sing.
RIM 3100 - Introduction to Popular Music Studies
3 credit hours
Prerequisites: RI majors - admission to candidacy; others - permission of instructor. Introduces students to different academic and theoretical approaches to popular music as a social and cultural phenomenon. A discussion oriented class that is both reading and writing intensive.
RIM 3115 - Songwriting Instrumentation: Guitar
3 credit hours
Designed for the beginning to intermediate guitar player. Focuses on scales, chords, rhythm, picking, fingerpicking, music theory, and performance techniques and how to apply these skills to songwriting and performing.
RIM 3116 - Songwriting Instrumentation: Piano
3 credit hours
Designed for the beginning to intermediate player using a playing-based method. Traditional note reading skills not required or taught. Focuses on chords, harmonic progression, accompaniment, improvisation, music theory, and fundamental musical elements relevant to commercial music and songwriting. May be of interest to guitarist/songwriters who want to learn how to play and write on the keyboard.
RIM 3200 - History of Country Music
3 credit hours
Prerequisite: Admission to candidacy. History and culture of American country music. Explores the historical progression of the genre and analyzes topics such as race and gender relations, material culture, generational conflict, and the role of "authenticity" in the creation and commodification of the music. Reading, writing, and listening intensive.
RIM 3300 - Digital Audio Technology
3 credit hours
Prerequisites: Recording Industry majors and Audio Production majors/minors. An overview of digital audio technology with an emphasis on computer technology related to music production, digital audio workstation hardware and software (e.g., Pro Tools), and digital audio theory. Laboratory required.
Formerly RIM 4200 and RIM 2300
RIM 3450 - Advanced Commercial Musicianship
3 credit hours
Prerequisite: RIM 1230 or MUTH 1110 with C or better. (Not available to students enrolled in or who have completed MUTH 1120.) Continuation of RIM 1230. Furthering the application of musical concepts previously learned to popular music. Topics include syncopation, modulation, two-handed accompaniment patterns, and selected secondary chords. Introduction to music notation software and the preparation of a lead sheet. Laboratory required.
RIM 3500 - Lecture Series
3 credit hours
Prerequisite: RI majors - admission to candidacy. Major executives, producers, and others in the recording industry speak to students about contemporary topics in the music business. May be taken only once for credit toward the major. Pass/Fail.
RIM 3550 - Amp and Lens: The Music Industry Through Documentaries
3 credit hours
Corequisite: RIM 4000. Examines the music industry through the lens of motion picture documentaries. Motion picture specifically chosen to feature artists, genres, cultures, and subjects that focus on specific aspects of the business, revealing subjects often overlooked but essential to the understanding of the industry.
RIM 3580 - RIM Practicum
1 to 3 credit hours
Prerequisites: RI majors - admission to candidacy, approval of instructor prior to enrollment, and approved application. On-campus experiences in and related to the recording industry. Course may be repeated up to three times, but no more than six total credits toward the major allowed for RIM 3580, RIM 4000, and RIM 4010. Pass/Fail.
RIM 3600 - Survey of the Recording Industry
3 credit hours
Examination of the industry including, but not limited to, artist development, songwriting, publishing, record companies, record marketing and promotion, copyright, performance rights, and careers.
RIM 3650 - Free Expression, Mass Media, and the American Public
3 credit hours
(Same as JOUR 3650/EMC 3650.) A general introduction to the issues surrounding free expression and its relationship to mass media in contemporary America. A comprehensive analysis of the history, philosophies, cases, and controls associated with freedom of expression.
RIM 3690 - International Entertainment Transactions
3 credit hours
Prerequisite: RIM 3600 with C or higher. Introduction to international law (European Union, Asia/Pacific Rim, and Latin America) in the context of the global entertainment and intellectual property industries (music, film, television, books, videogames, etc.). Culminates in presentation of a proposed start-up entertainment entity in a foreign territory. Each student will be able to establish a professional relationship with an entertainment industry liaison in a foreign territory. Offers preparation for students interested in international opportunities for growth including international internships and the Office of International Affairs' Study Abroad programs.
RIM 3700 - Entertainment Intellectual Property I
3 credit hours
Prerequisite: RI majors - admission to candidacy and RIM 3600 with C or better; others RIM 3600. Introduction to the law of copyright, as well as the basic law of contracts, within a lecture setting combined with the interactivity of student in-class argument of appellate opinions rendered in both the areas of U.S. Copyright law and Contract law. Focuses solely on high-level intellectual property disputes related to the entertainment industry, whether regarding argument as to the rightful copyright ownership of parties within the entertainment industry, or as to a contract dispute, e.g. the breach of an entertainment agreement involving artistic content such as a recording or publishing agreement.
RIM 3720 - Artist Management
3 credit hours
Prerequisite: RI majors - admission to candidacy; others RIM 3600. Examines the role of recording artists' representatives. Topics include personal appearances, touring, unions, and contractual considerations.
RIM 3770 - Publicity in the Recording Industry
3 credit hours
Prerequisites: RI majors - admission to candidacy; others - RIM 3600 and JOUR 2710. Experience in creating publicity materials and developing media relations, press releases, press kits, and publicity campaigns.
RIM 3780 - Entertainment Reporting and Writing
3 credit hours
Prerequisites: RI majors - admission to candidacy; others - RIM 3600 and JOUR 2710. Theory and practice of the fundamentals of entertainment journalism, including music industry writing, feature stories, and CD and concert reviews.
RIM 3890 - International Recording Industry
3 credit hours
Prerequisites: RI majors - admission to candidacy; others RIM 3600. Cultural, media, business, and legal aspects of making and selling records on a worldwide basis. Specific studies in foreign record company operations, i.e., production, distribution, marketing, promotion, and licensing. Immigration, union, and tax implications of artists recording abroad.
RIM 3900 - Music Publishing
3 credit hours
Prerequisites: RI majors - admission to candidacy and previous or concurrent enrollment in RIM 3700 with C or better; others RIM 3600 and RIM 3700. Operations and functions of music publishing industry including songwriter publisher relations. Primary thrust is popular music publishing, but art, religious, and educational music also discussed.
RIM 4000 - Recording Industry Internship: Business
1 to 6 credit hours
Prerequisites: Admission to candidacy; 90 credit hours completed; RIM 3700 and three of the following sub-core courses must be completed: RIM 3720, RIM 3900, RIM 4320, or RIM 4620; approved internship application. Practical experience for advanced students in a professional recording industry setting. This course may be repeated for additional credit. No more than six hours toward the major are allowed for RIM 3580, 4000, and RIM 4010. Pass/Fail.
RIM 4005 - Recording Industry Internship: Songwriting
1 to 6 credit hours
Prerequisites: RIM 3020, RIM 3700, and RIM 3900; junior standing (60 hours or more); current enrollment with good standing as a Recording Industry major. Internships for Commercial Songwriting concentration students.
RIM 4010 - Audio Internship
1 to 6 credit hours
Prerequisites: Recording Industry or Audio Production majors only; admission to candidacy; junior standing (60 hours); RIM 4100 and RIM 4330 or RIM 4400 with C or better; and an approved internship application. Training and practical experience for advanced students in a professional audio setting. This course may be repeated for additional credit. No more than six hours toward the major are allowed for RIM 3580, RIM 4000, and RIM 4010. Pass/Fail.
RIM 4020 - Advanced Commercial Songwriting
3 credit hours
Prerequisite: RIM 3020 with C or better. The developing songwriter will study how a professional songwriter prepares to write commercial songs targeted to specific markets, artists, media, and events. Will be followed by a study of how students can find their unique voices as songwriter/artists or as pure songwriters.
RIM 4025 - Songwriting Practicum
3 credit hours
Prerequisite: B or higher in RIM 4020. Explores the development of songwriting "voice" through the practice of daily writing and co-writing; lectures from visiting pro/hit songwriters; peer, instructor, and pro guests' critiques of songs written; and practical/real world scenario assignments. Recording of selected demos will occur in collaboration with Audio Production students and musicians from the American Federation of Musicians. Pass/Fail.
RIM 4030 - Performance Skills for Artists and Songwriters
3 credit hours
Experiential workshop focusing on stage and studio performance skills. Topics include playing with a band or solo, stage presence, studio singing, stage movement, and connecting with an audience.
RIM 4100 - Audio Signals and Systems
3 credit hours
Prerequisite: Audio Production or RI majors and admission to candidacy; others - permission of department. A thorough study of sound in acoustic and electronic forms, including wave behavior, transducers, and the design and operation of analog and digital systems for detecting, receiving, measuring, manipulating, transmitting, and reproducing sound.
RIM 4130 - Cyber PR® in the Entertainment Industry
3 credit hours
Prerequisite: Admission to candidacy or permission of instructor. Cyber PR® is the process where social media (with engaged behavior), public relations (outreach and some processes), and online and direct -to-fan (D2F) marketing intersect. Explores the many new and entrepreneurial methods, theories, applications (i.e., Topspin and Next Big Sound) and best practices artists and brands employ to create awareness and make connections to consumers via electronic media. Readings, lectures, guest presentations, and professional group projects and experiences.
RIM 4190 - Introduction to MIDI and Sound Synthesis
3 credit hours
(Same as MUTH 4190.) Prerequisites: Audio Production or RI majors - admission to candidacy (Audio Production and Recording Industry) and RIM 3010, RIM 3300, and RIM 1230 or MUTH 1110 with grades of C (2.0) or better; others - RIM 3010, RIM 3300, and RIM 1230 or MUTH 1110 with grades of C (2.0) or better or permission of instructor. An introduction to synthesizer programming and the Musical Instrument Digital Interface (MIDI) with emphasis on history, theory, and application. Hands-on activities include synthesizer programming with virtual instruments and MIDI sequencing using a digital audio workstation. Laboratory required.
RIM 4210 - Desktop Music Production
3 credit hours
Prerequisites: RI majors - admission to candidacy; others - permission of instructor. Theory and application of audio hardware and software for personal desktop music production. For RIM Music Business and Commercial Songwriting majors and Music majors, specifically Music Education majors. Emphasis on application through hands-on instructional techniques. May not be used as a prerequisite for RIM 4200 nor may it be used for credit by RIM Audio Production majors. Satisfies the music production component of the RIM Commercial Songwriting concentration. Laboratory required.
RIM 4230 - Advanced Cyber PR in the Entertainment Industry
3 credit hours
Prerequisite: B or higher in RIM 4130 or permission of instructor. Applies the process where social media (with engaged behavior), public relations (outreach and some processes), and online marketing intersect. Analyzes, designs, and implements an online-social media marketing plan for an entertainment industry client. Uses existing and developing applications (such as Topspin Media's marketing and sales platform and Next Big Sound's data analysis and monitoring program) to receive basic training. While the promotion of music and entertainment are the focus, the skills and applications taught are transferable to other industries.
RIM 4290 - MIDI Based Music Production
3 credit hours
(Same as MUTH 4290). Prerequisites: RI majors - RIM 4190/MUTH 4190 with C or better or permission of instructor. An intermediate electronic music course that introduces the student to alternate digital audio workstations such as Ableton Live and Logic Pro. Using a DAW with virtual instruments and synthesizers, students learn techniques for sequencing tracks for drums, bass, keyboards, guitars and other common sounds used in commercial music production. Laboratory required.
RIM 4300 - Advanced Pro Tools Techniques
3 credit hours
Prerequisites: Audio Production or RI majors; admission to candidacy; RIM 1230 or MUTH 1110 and RIM 3300 with C or better. A detailed examination of digital audio workstation (DAW) techniques used in a variety of production environments. Comprehensive in-depth instruction in the use of Pro Tools hardware and software with emphasis on file management, stereo and multitrack editing, tuning, use of plug-ins, and delivery formats. Lab exercises to develop hands-on competency; hands-on proficiencies to assess abilities. Laboratory required.
RIM 4320 - Concert Promotion and Touring
3 credit hours
Prerequisites: RI majors - admission to candidacy; others - RIM 3010 and RIM 3600. An in-depth study of the theoretical and practical aspects of presenting contemporary arts and entertainment performances. Topics include talent acquisition, contracts and riders, production, venues, budgeting, ticket services, and promotion.
RIM 4321 - Advanced Concert Promotion
3 credit hours
Prerequisite: RIM 4320 or permission of instructor. A continuation of RIM 4320. Students create proposals for concert events, critique proposals, select best proposals, and present one or more shows.
RIM 4330 - Sound Reinforcement
3 credit hours
Prerequisite: Audio Production or RI major; admission to candidacy; RIM 4100 with C or better. Current technologies and techniques involved in modern sound reinforcement. Topics include club venue and large concert systems. Field work required.
RIM 4333 - Sound System Design and Optimization
3 credit hours
Prerequisite: RIM 4330 with C or better. Focuses on the concepts and skills required to design, build, measure, and tune a large-format concert sound system. Topics include acoustic transmission, audio measurement tools and techniques, loudspeaker arrays, acoustic prediction software, coverage of performance venues, and the goals and processes for optimizing the system. Extensive demonstrations and hands-on practice with audio hardware and software provide real-world context for concepts presented in class. Individual participation in discussions and demonstrations expected.
RIM 4335 - Advanced Sound Reinforcement
3 credit hours
Prerequisite: RIM 4330 with C or better. Provides a more comprehensive view of sound reinforcement and live entertainment that includes rigging fundamentals, entertainment electricity, and event safety. Lectures, guest presentations, in-class participation, and group projects and experiences.
RIM 4337 - Live Event Production
3 credit hours
Prerequisite: RIM 4330 or permission of department. Reviews RIM 4330 theories and live event skills and competencies. Students will expand audio production skill set, obtain additional live event experience, and develop event safety awareness.
RIM 4390 - Electronic Music and Controllerism
3 credit hours
Prerequisite: RIM 4190 with C or better or permission of instructor. An advanced electronic music course where students taught advanced production and performance techniques using Ableton Live. Topics include pop, hip-hop, and electronic production techniques; producing DJ sets; and designing controller performances. Students will develop skills for live performance using the Push controller. Laboratory required.
RIM 4400 - Recording Studio Techniques
3 credit hours
Prerequisites: Audio Production or RI major; admission to candidacy; RIM 3300 and RIM 4100 with C or better and previous or concurrent enrollment in RIM 4440; others - permission of department. Develops understanding of techniques and technology in modern multitrack recording and mixing. Extensive hands-on experience. Laboratory required.
RIM 4420 - Talent Agency Fundamentals
3 credit hours
Prerequisites: Admission to candidacy and RIM 3720 or RIM 4320 with C or better. Covers fundamentals of the talent agency business. Focuses on the talent agency side of the music industry including the role the booking agent plays in the career development and revenue generation of a music artist. Includes readings, lectures, guest presentations, in-class participation, and group projects and experiences.
RIM 4440 - Critical Listening
3 credit hours
Prerequisites: RI majors - admission to candidacy; others - permission of instructor. Ear-training and aesthetics for recording engineers. Class activities involve listening and analysis of master tape and disc formats. Sources include a wide variety of music genres as well as specialized technical ear-training materials. Development of a vocabulary for communication of aural impressions. Introduction to "high-end" audio.
RIM 4480 - Mastering
3 credit hours
Prerequisites: RI majors - admission to candidacy and RIM 3300 and RIM 4400; others - permission of instructor. An advanced hands-on approach to the principles and practices of mastering. Focuses on the use of digital audio workstations specially designed for audio mastering and related outboard equipment. Additional focus on surround mastering and DVD authoring. Laboratory required.
RIM 4490 - Broadcast Audio Technology and Methods
3 credit hours
Prerequisite: Audio Production or Recording Industry major; admission to candidacy and RIM 4400. An applications-oriented course focused on the theory and practice of audio systems, methods, workflows, and evolving technologies used in professional broadcast environments, including studio-based and remotely integrated radio and television production.
RIM 4510 - Study Abroad
1 to 3 credit hours
Prerequisite: Permission of department. Topics related to the recording industry in the country in course delivered. May be taken two times.
RIM 4550 - Hip-hop Music and Culture
3 credit hours
(Same as ANTH 4550 and MUHL 4550.) Prerequisites: ENGL 1010 and ENGL 1020 with C or higher. An ethnomusicological investigation of how hip-hop reacts to and informs mainstream culture through its primary art forms: music, visual art, and dance. Major themes and issues that cut across hip-hop's history, including issues of style and performance, gender, race, politics, and religion addressed.
RIM 4567 - Practices for the DIY Recording Artist
3 credit hours
Prerequisites: Recording Industry and Audio Productions majors - admission to candidacy; others - permission of instructor. Technologies and business practices for the do-it-yourself music recording artist. Topics include creating and self-releasing a recording, independent distribution, and self-promotion. Three-hour lecture.
RIM 4570 - Film Sound Theory and Analysis
3 credit hours
Prerequisites: ENGL 1010 and ENGL 1020 with C or better. Lecture-oriented class examines the use of sound design and music as creative tools in film. Discusses and explores the sound of various films through active critical listening. Students need to have quality headphones or a controlled listening environment to perform effective audio analysis.
RIM 4575 - Sound Effects Design for Picture
3 credit hours
Prerequisite: RI majors and minors - RIM 3300 with C or higher; others - permission of instructor. Through lecture, demonstration, and hands-on projects, exposes students to approaches, techniques, and considerations when creating sound effects for different visual platforms such as TV, film, game, and Web. Discussions include sound effects: recording, spotting, and layering. Additional topics include sound design aesthetics, sub-categories of sound effects and session requirements. Hands-on class requires assignments to be outside of class. Laboratory required.
RIM 4580 - Sound for Picture
3 credit hours
Prerequisites: Audio Production or RI majors - admission to candidacy; RIM 3300 and previous or concurrent enrollment in RIM 4300 or RIM 4400 or previous enrollment in VFP 1080 (all with grade of C). In-depth, interactive study of sound and its relationship to picture. Time code, synchronization, workflow, data interchange, sound recording and editing, ADR, Foley, routing structures, sound mixing, and delivery methods. Demonstrations and lab use digital audio workstations and controllers found in professional facilities. Laboratory required.
RIM 4585 - Advanced Sound for Picture
3 credit hours
Prerequisite: RIM 4580 or RIM 4300 with C or better or permission of instructor. An in-depth, interactive study of sound mixing approaches for a variety of styles of programming across different media (TV, film, web). In addition to the aesthetic aspects of mixing, discussions will include required deliverables, audio level requirements, sound formats (stereo, surround), synchronization, addressing program timing changes, picture formats, target audience considerations, problem solving, technology, and more. A hands-on class which will require assignments to be completed outside of class (as is the case with most-upper-level studio courses). Laboratory required.
RIM 4590 - MIDI Based Scoring for Visual Media
3 credit hours
(Same as MUTH 4590.) Prerequisite: RIM 4390 or MUTH 4290/RIM 4290 with C or better or permission of instructor. An advanced electronic music course where students learn advanced techniques with Logic Pro, specifically for scoring music to visual media, such as animations, trailors, documentaries, and film. Topics include the exploration of virtual instruments and MIDI orchestration in order to realize original scores in a variety of moods and styles. Laboratory required.
RIM 4600 - Mixing Techniques and Technologies
3 credit hours
Prerequisite: RI majors - RIM 4300 and RIM 4400 with C or better or permission of instructor. Advanced application of mixing techniques in a digital multitrack setting. Additional topics include applied critical listening, automation systems, focus and foundation mixing, and the NARAS guidelines for delivery of recorded music projects.
RIM 4620 - Marketing of Recordings
3 credit hours
Prerequisite: RI majors - admission to candidacy; others RIM 3600. Special emphasis on the particular structures and problems involved in the movement of recordings from manufacturer to the buying public. Topics include product marketing, promotion, and distribution.
RIM 4630 - Recording Industry Research
3 credit hours
Prerequisites: RI majors - admission to candidacy, RIM 4620 or MKT 3820 with C or better, computer literacy, and permission of instructor. Provides hands-on experiences in research in the recording industry. Involvement in group projects to provide music and consumer research services to various clients in the industry. Workshop oriented.
RIM 4640 - Entertainment Branding
3 credit hours
(Same as MKT 4640.) Prerequisites: RIM 4620 or MKT 3820 or MBAK 6895 with C or better, or permission of instructor. Provides students with an in-depth understanding of the role and importance of branding in the entertainment industry including the development of branding objectives consistent with both produce and overall marketing objectives. Students will learn how to align a brand with consumers and partners which will be demonstrated through the development of marketing plan relating to an approved entertainment product of their choosing.
RIM 4650 - Multitrack Music Recording
3 credit hours
Prerequisites: Audio Production and RI majors; admission to candidacy; RIM 1230 or MUTH 1110 and RIM 4400 with C or better. In-depth study of the technology and techniques of contemporary multitrack music recording. Lectures and labs focus on modern recording techniques, the analog and digital audio hardware/software installed in MTSU recording studios, systemic aspects of recording studios, and preparation for professional work in the studio environment. Laboratory required.
RIM 4660 - Advanced Music Engineering
3 credit hours
Prerequisites: RI majors - admission to candidacy and RIM 4650 with C or better; others - permission of instructor; concurrent or previous completion of RIM 4300 recommended. Project-based class emphasizing creative and aesthetic aspects of multitrack music recording. Topics include microphone techniques, session protocols, incorporation of MIDI elements, sample replacement and augmentation, rough mixing, console automation techniques, signal processing, and ear-training for recording engineers. Laboratory required.
RIM 4670 - Studio Production
3 credit hours
Prerequisites: RI majors - admission to candidacy and RIM 4300 or RIM 4650 with C or better; others - permission of instructor. Laboratory experience and lectures in commercial music, recording techniques, and business designed to develop the abilities needed to become an independent producer of contemporary commercial recordings. Laboratory required.
RIM 4690 - Digital Strategies for the Music Business
3 credit hours
Prerequisite: RIM 4620 with C or better or permission of the instructor. Applied theory on promoting the services and products of the music industry via digital channels. Topics include market research, content strategy, creating digital assets, search engine marketing, online advertising, email marketing, mobile marketing, and using data and insights from analytics to optimize digital marketing efforts.
RIM 4700 - Entertainment Intellectual Property II
3 credit hours
Prerequisites: RI majors- admission to candidacy and RIM 3700 with C or better; others RIM 3600 and RIM 3700. A highly experiential and entrepreneurial setting requiring significant research and hands-on negotiations outside the classroom. Focuses on each student's selection and execution of a major Recapture and Negotiation Agreement involving advanced copyright principles of recapture, as well as an extensive negotiation for the inventive and profitable exploitation of those recaptured rights with third party industry colleagues. Hands-on learning process of mastering intellectual property and contract specifics in an entertainment industry setting. Student will have significant personal discretion with respect to chosen content for the recapture and exploitation.
RIM 4720 - Record Retail Operation
3 credit hours
Prerequisites: RI majors - admission to candidacy and MKT 3820 or RIM 4620 with C or better; others RIM 3600 and MKT 3820. Problems and practices of recording industry retailers, including pricing, inventory control, advertising, operations, and retail locations for audio and video recordings and printed music.
RIM 4730 - The A&R Function
3 credit hours
Prerequisites: RI majors- completion of concentration sub-core. Role and responsibilities of a record company's artist and repertoire department. Emphasis on finding and guiding an artist as well as the administration of the production and marketing of a project.
RIM 4740 - Independent Contracting: Pro Audio Freelance
3 credit hours
Prerequisites: AP and RI majors - admission to candidacy; others - permission of instructor. An in-depth investigation of the current business practices of independent entertainment professionals with a focus on working in the pro audio industry and independent contracting.
RIM 4800 - Understanding the Nashville Music Business-Past and Future
3 credit hours
Prerequisites: Concurrent with or subsequent to RIM 4000 or RIM 4010 with C or better. Acquaints interns and students working in the Nashville music industry with industry practices through a historic perspective and through conducting a research project.
RIM 4810 - Topics in Recording Industry
1 to 3 credit hours
Prerequisite: RI majors - admission to candidacy. Examination and critical evaluation of current issues related to the operation and function of various aspects of the recording industry. Subject matter varies. Course may be repeated one time for additional credit.
RIM 4820 - Record Label Operations
3 credit hours
Prerequisites: RI majors - admission to candidacy and RIM 4620 or MKT 3820 with C or better. Day-to-day marketing tasks conducted onsite for a record label offer students training on the practical application of the latest marketing software. Must be able to travel to Music Row and commit to 10 hours per week at a record label.
RIM 4830 - Recording Studio Maintenance
3 credit hours
Prerequisites: RI majors - admission to candidacy, MATH 1710 or higher level math (MATH 1010 will not fulfill this requirement), and RIM 4100 with C (2.0) or better; or permission of instructor; others - permission of instructor. Audio electronics theory and practical applications to circuits presented. Topics include fundamental analog audio circuit principles, use of multimeters and oscilloscopes to perform audio measurements, passive cue system construction and trouble shooting, installation practices and techniques to minimize system noise. Students build and test basic amplifier and filter circuits. Laboratory required.
RIM 4840 - Music Publishing Administration
3 credit hours
Prerequisites: RIM 3600 or RIM 3900 with C or better or permission of instructor. Common relationships between music publishers and the community of the music industry as it relates to the licensing and protection of copyrighted materials.
RIM 4900 - Individual Problems in the Recording Industry
1 to 3 credit hours
Prerequisites: RI majors - admission to candidacy, approved application, and permission of department. Advanced project in production or music business. Students submit applications to production and technology or music business faculty committees. Once approved, a determination is made as to credit to be awarded. Project is reviewed by a panel of three faculty members to determine grade. No more than three credits toward the major are allowed.
RIM 4910 - Topics in Audio Production
3 credit hours
Prerequisites: RI or AP majors - admission to candidacy and permission of instructor. Examination, critical evaluation, and practical experience in a focused area of audio production. Subject matter varies. May be repeated one time for additional credit.
Audio Production Technology Requirements
Computer and Software
Students in our program are required to have a computer and Avid Pro Tools softare.
Our college uses Apple Macintosh computers, with students being encouraged to do the
same. An Apple MacBook Pro laptop is strongly encouraged.
Given that Avid’s Pro Tools audio software is the professional digital audio workstation
(DAW) standard, laptops and computers must meet Avid’s specifications. We use the
most recent Pro Tools version based on the year of the Fall semester (e.g., Pro Tools
2019 for academic year 2019-2020, Pro Tools 2020 for academic year 2020-2021). While
versions are generally compatible, students are encouraged to use the same version
as features may vary from year-to-year and compatibility issues may arise when transferring
work between different versions.
While we strongly encourage a MacBook Pro laptop, it is possible that students can
use other computers as long as they meet the standards listed below. We are, unfortunately,
unable to support or assist with installation or compatibility issues. Specifications
and a list of compatible computers can be found on Avid’s site.
Computers do NOT need to meet the enhanced specifications for “Pro Tools HD” or “Pro
Tools Ultimate” (e.g., don’t worry about the “PCIe slot” requirement). “Pro Tools
Standard” or just simply “Pro Tools” (not “Pro Tools Free” or “Pro Tools First”) is
the version students will be using on their computers. Note that computers do not
need to be the most recent model as the software is often still compatible and fully
operational with older computers.
Computer internal SSD hard drive storage size should be a minimum of 128 GB. 256 GB
is better, but 512 GB is probably unnecessary given the cost difference since students
can easily purchase an external hard drive for a fraction of the cost (while providing
increased flexibility).
*Avid Pro Tools software is available for a $100 per year subscription using educational pricing through Avid or Avid resellers. This subscription includes continuous updates. Students
can also purchase an iLok (software licensing USB dongle) or have software validated
through continuous internet connection (free). The earliest course students will use
the software is RIM 3300 “Digital Audio Technology,” though they could use it to assist
with topics in RIM 3010 “Audio Fundamentals.”
Additional Hardware
External hard drives should be Macintosh-formatted or Macintosh-compatible if using
a PC (through programs such as MacDrive).
External audio interfaces (such as those by Avid, Focusrite, Universal Audio, etc.)
are not required, though students may desire to have input and output options different
than those standard on a computer.
Headphones
For many students, a set of "pro-level," durable, high quality headphones is one of
their first significant investments toward a personal studio/signal chain (outside
of a computer). It makes sense to acquire quality monitoring tools early so that
you can reliably and consistently evaluate sound, including your own projects and
commercial reference recordings, as your skills and tools increase. It's hard to
assess the differences between various other components that are upstream in your
signal chain without good monitoring at the downstream end!
One model of headphones that we've traditionally favored/recommended is the Sennheiser
HD 650, an "open" style design that offers very low distortion, good frequency response
and dynamics but very little sound isolation. Similarly, the Sennheiser HD 600 is
an excellent open-style headphone with a very neutral, transparent character and comfortable
circumaural fit, as is the Sennheiser HD 660. Audio Technica ATH-M70x is also a popular
open-style headphone. For the post-candidacy class RIM 4440 “Critical Listening,”
it is preferred that you have one of the open-back suggestions.
If you are getting your first set of high-quality headphones, you should consider
how and where you intend to use them - not just in class but also outside of class. Open-back
headphones may be excellent for studio and controlled environment monitoring but are
a poor choice for live sound or location sound, for instance. While potentially subject
to more tonal variation and distortions as a function of both fit and design, a "closed"
or "semi-open" design may be preferred for overdubbing and listening in noisier environments.
Good examples in this category include the Beyerdynamic DT 770 PRO (32 Ohm version
preferred), AKG K240-MkII, and Ultrasone Proline 750.
While fashionable, be certain not to use earbuds, noise-cancelling headphones, or
bass-enhanced headphones (such as those from Sony and most Beats) as the tonal colorations
of these greatly skew your ability to accurately hear the audio being presented.
