The Master of Fine Arts in Recording Arts and Technologies offers preparation for
advanced work in audio production, recording, and integrated electronic media. Coursework
helps students develop a strong foundation in audio production and an understanding
of the theoretical concepts of closely related disciplines. The program is designed
to foster creativity and features a strong technical component utilizing the latest
advancements in software and hardware. A diverse range of technical and artistic projects
are produced, culminating in a final project of professional caliber. The degree plan
also offers preparation for select graduates to teach at the postsecondary level in
the field of audio recording and production. Creativity is one of the primary qualities
sought in new students for the six-semester program. This creative background may
be in audio engineering or in a field closely related to what might be described as
"entertainment technology."
Live outside of Tennessee? You could be eligible for in-state tuition and save thousands
of dollars.
Alumni Sarah Bailey works as writer, producer, composer and actress for streaming
series “Incognita’s Infamous Adventures”
Sarah Bailey stars, sings, acts, records, composes music, and is the creative visionary
behind the streaming series “Incognita’s Infamous Adventures”. It all started with
a song she wrote called “Gutsy Girl In Tights” about a flawed, quirky girl who also
happens to be a superhero.
The song grew into a full-fledged film that Sarah created for her M.F.A. final project.
Sarah met Media Arts professor Allie Sultan who believed in the vision and agreed
to produce it. After months and months of filming and post production, the world of
“Incognita’s Infamous Adventures” has been winning awards at film festivals, getting
rave reviews, and going viral on TikTok. The series is a fun and playful superhero
sci-fi musical comedy that uses font names instead of swear words and the superheroes’
fondest wish is to have dental insurance. Her nemesis, Badio is also her love interest
and real-life husband Christoper Bailey.
Awards won:
2021 Winner Best Web Series – Orlando Film Festival
2021 Nominee Best VFX – Orlando Film Festival
2022 Nominee Best Fantasy/Scifi – Stareable Fest LA
2022 Tennessee Spirit Award – Tennessee International Independent Film Festival
Incognita is now streaming on Prime Video and The Fantasy Network. The soundtrack
is available on Spotify and Apple Music along with all other major digital platforms.
Season 2 is currently in the fundraising and preproduction stages.
Alumni Emily Eck engineering on Grammy Nominated album “We” by Arcade Fire
Emily Eck is the full-time engineer and studio manager for indie rock band Arcade
Fire. She spent the last three years recording their newly released album “We”, which
has just been nominated for Best Alternative Music Album in the 2023 GRAMMYs!
Congratulations Emily!
During the process of making the album, Emily traveled around North America and Europe
working with producers and artists including Radiohead’s Nigel Gorich, Peter Gabriel,
Father John Misty, Beck, Joy Divison’s Stephen Morris, Geoff Barrow, Pulp’s Steve
Mackey, and more.
After graduating from our MFA program in 2014, Emily returned to her hometown of New
Orleans, Louisiana to record and mix records. Her credits reflect the influence that
the culturally diverse city has had on her life, which encompass genres such as Cajun,
Mardi Gras Indian, Hatian, Brass Band, Electronic, and Indie Rock. Along her career,
she has shared the control room with some of her own childhood heroes such as Dr.
John, Irma Thomas, and The Neville Brothers. Emily received a GRAMMY acknowledgment
in 2018 for her work on Lost Bayou Ramblers “Kalenda” for Best Regional Roots Music
Album. She also taught a college course in recording studio techniques at Loyola University,
which had previously been taught by the first woman to win a GRAMMY for Best Engineered
Album, Trina Shoemaker.
Emily attributes her ability to step right into the occasion, or sit in the studio’s
hot seat and survive, to the fundamental time she spent at MTSU building her engineering
chops.
Related Media
-
MFA Recording Arts and Technologies - MTSU Recording Industry (RIM)
-
I Wanna Be Your Lover - Prince Cover
-
RIM Studio Tour - Standard Edition
This M.F.A. helps foster and develop creativity and trains students in technology
for advanced work in audio/music engineering or related fields that could be described
as "entertainment technology." Graduates can use the degree program to excel in professional
pursuits such as
- Audio post-production engineer
- Audio studio design and installation
- Broadcast audio
- Independent audio contractor
- Live sound engineer
- Manufacturer audio product specialist
- Mastering engineer
- Media specialist
- Recording studio engineer
- Recording studio manager
- Retail audio sales
- Sound design for film/video
- University professor
Employers of MTSU alumni include
- Alabama State University
- Art Institute of Tennessee
- Asbury University
- Belmont University
- Brickhouse Records
- Butler University
- Clair Brothers
- CNN
- GC Pro
- Hope College
- Jeff Slaughter Ministries
- Middle Tennessee State University
- National Public Radio (NPR)
- New England School of Communications
- Old Dominion University
- Sweetwater
- Tennessee Digital Video
- Truphonic Recording Studios
- Yamaha Corporation of America
Graduate
The Department of Recording Industry offers the Master of Fine Arts (M.F.A.) in Recording
Arts and Technologies.
A limited number of students, typically 12-14, are accepted each year for fall admission.
The quality of the creative portfolio is usually the determining factor in admission.
A previous degree in audio engineering/music technology isn't required, but some students
with little or no audio background may be asked to complete foundation audio courses
in the summer before starting the program.
Residents from the following states are eligible to enroll in this program at MTSU
at the in-state tuition rate through Academic Common Market agreements: Alabama, Arkansas, Florida, Georgia, Kentucky, Louisiana, Maryland, South
Carolina, Virginia, and West Virginia.
The M.F.A. program normally has two or three graduate assistantships to award each
fall.
For complete curriculum details, click on the REQUIREMENTS tab above.
Undergraduate
Students in the Department of Recording Industry can pursue a Bachelor of Science
(B.S.) degree through two different majors: Audio Production or Recording Industry; majors in the latter can choose between two concentrations: Commercial Songwriting, or Music Business.
The department also offers undergraduate minors in Entertainment Technology (an interdisciplinary
minor) and Recording Industry (for non-majors).
Recording Arts and Technologies, M.F.A.
Recording Arts and Technologies, M.F.A.
Bill Crabtree, Program Director
(615) 494-7908
Bill.Crabtree@mtsu.edu
The Department of Recording Industry offers the Master of Fine Arts in Recording Arts and Technologies (MRAT) program.
The Master of Fine Arts program offers preparation for advanced work in audio production, recording, and integrated electronic media. Students develop a strong foundation in audio production and an understanding of the theoretical concepts of closely related disciplines. The program fosters creativity and offers a strong technical component, utilizing the latest advancements in software and hardware. A diverse range of technical and artistic projects are produced, culminating in a final project of professional caliber. The degree plan also offers preparation for select graduates to teach at the postsecondary level in the field of audio recording and production.
Please see undergraduate catalog for information regarding undergraduate programs.
Admission Requirements
Admission to the Master of Fine Arts program in Recording Arts and Technologies requires
- an earned bachelor's degree from an accredited university or college;
- undergraduate preparation or significant professional experience appropriate to the graduate curriculum and a minimum overall grade point average of 3.00 in all courses attempted, excluding repeated courses;
- a satisfactory score on the general portion of the Graduate Record Examination (GRE) that is not more than five years old. Successful applicants typically have scores of 146 verbal and 140 quantitative or better on the verbal and quantitative measures of the GRE, and an analytical writing score of 4 or better.
Application Procedures
All application materials are to be submitted to the College of Graduate Studies except the creative portfolio. The portfolio should be mailed directly to the M.F.A. director (see below).
Applicant must
- submit application with the appropriate application fee (online at www.mtsu.edu/graduate/apply.php). Once this initial application has been accepted, the applicant will receive directions on how to enter the graduate portal to be able to submit other materials.
- submit official scores on the GRE;
- submit official transcripts of all previous college work;
- submit a formal statement of purpose addressing career goals, related work experience, and how the M.F.A. will help attain the stated career goals;
- submit two letters of recommendation for graduate study; one letter from the undergraduate major advisor if the student is a recent graduate;
- submit a portfolio of works representative of the candidate's creative achievements in the areas of audio recording, music, composition, video, film, or multimedia or areas strongly related to the degree curriculum. See creative portfolio format.
Curriculum: Recording Arts and Technologies
The Master of Fine Arts in Recording Arts and Technologies requires completion of 60 semester hours.
Required Courses (48 hours)
MRAT 6030 - MIDI and Music Synthesis Seminar
3credit hours
Technical skills and conceptual foundation necessary to undertake advanced creative projects using MIDI and sound synthesis. Emphasis on mastery of hardware and software platforms including Pro Tools, Reason, Ableton, Yamaha, and Moog synthesizers and related peripherals.
MRAT 6040 - Digital Audio Studio Seminar
3credit hours
A comprehensive in-depth study of audio theory and the digital tools used to record, edit, and mix audio. Students engage in analytical problem solving using scientific foundations in audio as well as the technical skills needed to use Pro Tools in advanced production projects.
MRAT 6050 - Multitrack Recording Seminar
3credit hours
Systematic examination of the techniques and technology used in the modern recording studio environment. Emphasis placed on music recording with creative recording and mixing projects produced by each student.
MRAT 6070 - Visual Aesthetics and Technology I
3credit hours
Introduces students to the theories of visual aesthetics with regard to light, color, space, time, motion, and sound. Topics cover camera basics, lighting, and editing techniques needed to creatively capture, enhance, and manipulate these image/sound elements. Students explore the creative value of these elements through the production of several short videos.
MRAT 6090 - Visual Aesthetics and Technology II
3credit hours
Prerequisite: MRAT 6070. Continuation of MRAT 6070 with demonstration of basic and advanced visual technology as a foundation for more advanced video productions. Explores visual aesthetics theories and basic video skills applied to student produced videos and editing exercises. Designed to equip the student with more sophisticated mastery of the moving image form and its storytelling potential.
MRAT 6110 - Production Seminar I
3credit hours
Prerequisites: MRAT 6040 and MRAT 6050 with C or better. Studio production course which considers the evolving role of music producer for the 21st century, including audio production techniques and the overall production process, with a focus on the aesthetic, creative, and entrepreneurial aspects of recording studios. For the semester project, students will develop better understanding of the course concepts by acting as producer for a large-format recording project.
MRAT 6120 - Sound for Visual Media
3credit hours
Prerequisite: MRAT 6040. An in-depth interactive study of sound and its relationship to the moving image. Topics include time code, synchronization, workflow, data interchange, sound recording to picture, sound editing to picture, aesthetic aspects of mixing, routing structures, required deliverables and levels, sound formats and more. Upon successful completion of this course, students will be well prepared for an internship or assistantship at an audio prod-production facility and possess the foundation for working on billable projects.
MRAT 6130 - Production Seminar II
3credit hours
Prerequisites: MRAT 6110 and MRAT 6140. In this second year studio production course, students produce and engineer a variety of projects for their portfolio involving multitrack pop music, acoustic drum recording, and location/classical recording. Emphasis on development of creative skills and knowledge related to music production and engineering including critical listening skills and evaluation techniques. Final project mixes submitted in stereo and surround formats.
MRAT 6140 - Graduate Seminar in Audio Recording
3credit hours
Prerequisites: MRAT 6040 and MRAT 6050 with C or better. Advanced techniques and technologies used in music recording and engineering. Students assume the role of a recording engineer and work with a producer from MRAT 6110 toward the completion of an advanced multi-track music recording.
MRAT 6145 - Seminar in Advanced Mixing Techniques
3credit hours
Prerequisites: MRAT 6040, MRAT 6050, and MRAT 6140. Advanced application of audio mixing techniques, designed to develop skill sets and knowledge base related to the craft of mixing. Provides students with a means for creative self-discovery and the exploration of complex ideas. An in-depth study of core mixing skills, signal processing and their application using a variety of tools, media and approaches. Additional topics of study include applied critical listening, automation systems, focus and foundation mixing, commercial concerns, and the NARAS guidelines for exchange and delivery of recorded music projects.
MRAT 6150 - Legal Rights of the Creative Individual
3credit hours
Examines legal rights and duties of creative persons. Students apply concepts from copyright, trademark, trade secrets, privacy, publicity, defamation, and other branches of the law to media productions.
MRAT 6170 - The Art of Critical Listening
3credit hours
Prerequisite: MRAT 6040 and MRAT 6050 with C or better. Technology of sound reproduction and principles of auditory perception as they relate to the critical and technical analysis of sound recordings. Survey of popular music production styles and activities including specialized aural skills training.
MRAT 6210 - Production Seminar III
3credit hours
Prerequisite: MRAT 6130 and MRAT 6145. Student recordings reviewed through regular peer presentation and critique. Students revise portfolio entries and undertake new projects in preparation for their Portfolio Jury. Students begin preparation and concept presentations for the third year MRAT 6650.
MRAT 6650 - Final Project
1 to 9 credit hours
(9 credit hours required)(9 credit hours required)
dotslash:(9 credit hours required)
title:(9 credit hours required)
(9 credit hours required)
MRAT 6650 - Final Project
1 to 9credit hours
Prerequisite: Permission of department. A directed production project of substantial size and scope proposed, developed, and realized under the guidance of the major faculty advisor in consultation with the final project faculty committee. The culminating experience in the M.F.A. program. S/U grading used.
Electives (12 hours)
- In addition to the required courses above students must complete 12 hours of electives. Electives can be taken in any semester including summer terms.
- Guided electives are normally selected from recording arts and technologies courses; however, up to 6 hours of guided electives may be from other departments upon permission of the student's advisor. A maximum of 12 hours of 5000-level courses may be counted toward the degree.
Comprehensive Examinations (if necessary)
Sample Course and Examination Schedule
The following sample schedule outlines the sequence of course requirements:
Year 1
Fall Semester
MRAT 6030 - MIDI and Music Synthesis Seminar
3credit hours
Technical skills and conceptual foundation necessary to undertake advanced creative projects using MIDI and sound synthesis. Emphasis on mastery of hardware and software platforms including Pro Tools, Reason, Ableton, Yamaha, and Moog synthesizers and related peripherals.
MRAT 6040 - Digital Audio Studio Seminar
3credit hours
A comprehensive in-depth study of audio theory and the digital tools used to record, edit, and mix audio. Students engage in analytical problem solving using scientific foundations in audio as well as the technical skills needed to use Pro Tools in advanced production projects.
MRAT 6050 - Multitrack Recording Seminar
3credit hours
Systematic examination of the techniques and technology used in the modern recording studio environment. Emphasis placed on music recording with creative recording and mixing projects produced by each student.
MRAT 6170 - The Art of Critical Listening
3credit hours
Prerequisite: MRAT 6040 and MRAT 6050 with C or better. Technology of sound reproduction and principles of auditory perception as they relate to the critical and technical analysis of sound recordings. Survey of popular music production styles and activities including specialized aural skills training.
Spring Semester
MRAT 6110 - Production Seminar I
3credit hours
Prerequisites: MRAT 6040 and MRAT 6050 with C or better. Studio production course which considers the evolving role of music producer for the 21st century, including audio production techniques and the overall production process, with a focus on the aesthetic, creative, and entrepreneurial aspects of recording studios. For the semester project, students will develop better understanding of the course concepts by acting as producer for a large-format recording project.
MRAT 6120 - Sound for Visual Media
3credit hours
Prerequisite: MRAT 6040. An in-depth interactive study of sound and its relationship to the moving image. Topics include time code, synchronization, workflow, data interchange, sound recording to picture, sound editing to picture, aesthetic aspects of mixing, routing structures, required deliverables and levels, sound formats and more. Upon successful completion of this course, students will be well prepared for an internship or assistantship at an audio prod-production facility and possess the foundation for working on billable projects.
MRAT 6140 - Graduate Seminar in Audio Recording
3credit hours
Prerequisites: MRAT 6040 and MRAT 6050 with C or better. Advanced techniques and technologies used in music recording and engineering. Students assume the role of a recording engineer and work with a producer from MRAT 6110 toward the completion of an advanced multi-track music recording.
Year 2
Fall Semester
MRAT 6070 - Visual Aesthetics and Technology I
3credit hours
Introduces students to the theories of visual aesthetics with regard to light, color, space, time, motion, and sound. Topics cover camera basics, lighting, and editing techniques needed to creatively capture, enhance, and manipulate these image/sound elements. Students explore the creative value of these elements through the production of several short videos.
MRAT 6130 - Production Seminar II
3credit hours
Prerequisites: MRAT 6110 and MRAT 6140. In this second year studio production course, students produce and engineer a variety of projects for their portfolio involving multitrack pop music, acoustic drum recording, and location/classical recording. Emphasis on development of creative skills and knowledge related to music production and engineering including critical listening skills and evaluation techniques. Final project mixes submitted in stereo and surround formats.
MRAT 6145 - Seminar in Advanced Mixing Techniques
3credit hours
Prerequisites: MRAT 6040, MRAT 6050, and MRAT 6140. Advanced application of audio mixing techniques, designed to develop skill sets and knowledge base related to the craft of mixing. Provides students with a means for creative self-discovery and the exploration of complex ideas. An in-depth study of core mixing skills, signal processing and their application using a variety of tools, media and approaches. Additional topics of study include applied critical listening, automation systems, focus and foundation mixing, commercial concerns, and the NARAS guidelines for exchange and delivery of recorded music projects.
Spring Semester
MRAT 6090 - Visual Aesthetics and Technology II
3credit hours
Prerequisite: MRAT 6070. Continuation of MRAT 6070 with demonstration of basic and advanced visual technology as a foundation for more advanced video productions. Explores visual aesthetics theories and basic video skills applied to student produced videos and editing exercises. Designed to equip the student with more sophisticated mastery of the moving image form and its storytelling potential.
MRAT 6150 - Legal Rights of the Creative Individual
3credit hours
Examines legal rights and duties of creative persons. Students apply concepts from copyright, trademark, trade secrets, privacy, publicity, defamation, and other branches of the law to media productions.
MRAT 6210 - Production Seminar III
3credit hours
Prerequisite: MRAT 6130 and MRAT 6145. Student recordings reviewed through regular peer presentation and critique. Students revise portfolio entries and undertake new projects in preparation for their Portfolio Jury. Students begin preparation and concept presentations for the third year MRAT 6650.
Year 3
Fall Semester
MRAT 6650 - Final Project
1 to 9 credit hours
(6 credit hours required)(3 credit hours required)
dotslash:(3 credit hours required)
title:(6 credit hours required)
(3 credit hours required)
MRAT 6650 - Final Project
1 to 9credit hours
Prerequisite: Permission of department. A directed production project of substantial size and scope proposed, developed, and realized under the guidance of the major faculty advisor in consultation with the final project faculty committee. The culminating experience in the M.F.A. program. S/U grading used.
- Guided elective 3 credit hours
- Comprehensive examinations
Spring Semester
MRAT 6650 - Final Project
1 to 9 credit hours
6 credit hours(6 credit hours required)
dotslash:(6 credit hours required)
title:6 credit hours
(6 credit hours required)
MRAT 6650 - Final Project
1 to 9credit hours
Prerequisite: Permission of department. A directed production project of substantial size and scope proposed, developed, and realized under the guidance of the major faculty advisor in consultation with the final project faculty committee. The culminating experience in the M.F.A. program. S/U grading used.
- Guided elective 3 credit hours
Guided Electives (taken any term)
- Guided electives 6 credit hours
Program Notes
Candidate must
- attend full time, taking 9-12 hours per semester.
- successfully pass the comprehensive examination before graduation.
Recording Arts and Technologies, M.F.A., ABM Pathway
Recording Arts and Technologies, M.F.A., ABM Pathway
Bill Crabtree, Program Director
(615) 494-7908
bill.crabtree@mtsu.edu
The Department of Recording Industry offers an Accelerated Bachelors to Masters Pathway in Recording Arts and Technologies, M.F.A., corresponding to the Audio Production, B.S.
Admission Requirements
To be eligible a student must
- have completed 75 undergraduate credit hours;
- have completed a minimum of 24 credit hours at MTSU;
- have a minimum of two semesters remaining at MTSU; and
- have an inclusive GPA of 3.25 or higher.
Additional Requirements:
Applicant must
- submit two letters of recommendation from faculty - one from Recording Industry;
- submit a Letter of Intent;
- be approved by the M.F.A. Committee.
Application Procedures
All application materials are to be submitted to the College of Graduate Studies.
Admission to the ABM Pathway is handled by the ABM Pathway coordinator in the department/program. Once accepted to the Pathway by the coordinator, the student will need to fill out the Accelerated Masters Program Contract.
Program Requirements
Students take 12 credit hours from the chart below. Students should consult their undergraduate advisors to ensure they are meeting all requirements for their bachelor's degrees.
| MTSU Undergraduate Course | MTSU Graduate Course | Credit Hours |
| RIM 4300 - Advanced Pro Tools Techniques | MRAT 6040 - Digital Audio Studio Seminar | 3 |
| RIM 4650 - Multitrack Music Recording | MRAT 6050 - Multitrack Recording Seminar | 3 |
| RIM 4660 - Advanced Music Engineering | MRAT 6140 - Graduate Seminar in Audio Recording | 3 |
| RIM 4670 - Studio Production | MRAT 6110 - Production Seminar I | 3 |
Students must complete the courses in the curriculum with the minimum GPA to qualify for the dual undergraduate/graduate credit. Once courses have been completed, and a student is set to graduate with a bachelor's degree, then the student can apply to the graduate program using the basic online application form and fee. No other application materials will be required, but students will need to provide a valid driver's license and possibly proof of in-state eligibility if needed.
Student Retention and Withdrawal Policies
Withdrawal from the Undergraduate ABM Pathway
Students may withdraw from an ABM Pathway at any time by informing the ABM Pathway coordinator and respective undergraduate program and graduate program coordinators (or designees) in writing of their intent to withdraw. Withdrawal is considered permanent, and a student who withdraws may not reenter the same ABM Pathway.
Dismissal from the ABM Pathway
Students will be dismissed from an ABM Pathway for failure to maintain satisfactory levels of academic progress, which includes
- failure to meet the general ABM Pathway guidelines and specific program requirements;
- failure to meet an overall undergraduate GPA of 3.0 or higher in any term;
- interruption of the undergraduate course of study for more than three terms, without the prior consent of the undergraduate and graduate program coordinators (or designees).
Our adjunct faculty bring outstanding professional experience to our programs. Many are industry leaders with decorated careers and honors. Importantly, they are innovative educators who offer hands-on learning to our students to prepare them to enter and thrive in a dynamic, and oftentimes emerging, industry and professional world. They inspire, instruct, and challenge our students toward academic and professional success.
Application Procedures
All application materials must be sent to the College of Graduate Studies with the exception of the creative portfolio. The portfolio is sent directly to the
M.F.A.Director in the Department of Recording Industry.
To apply, please submit the following to the College of Graduate Studies:
-
Application with the appropriate application fee;
-
Official scores on the GRE;
-
Official transcripts of all previous college work;
-
A formal statement of purpose addressing the applicant's career goals, related work
experience, and how this degree will help attain the stated career goals;
-
Two letters of recommendation for graduate study-one from the undergraduate major
advisor if the student is a recent graduate;
Creative portfolio - submitted directly to the M.F.A. Director.
The portfolio is an important piece to your admissions application and should represent
your best creative achievements in the areas of audio recording, music composition,
video, film, or multimedia. The portfolio may contain a broad range of materials as
applicants to the program come from a wide range of backgrounds and have developed
a diverse range of creative skills. Typically, the admissions portfolio contains digital
audio and/or digital video recordings. These may come from sources such as prior undergraduate
coursework, recitals, home recordings, professional work, or other events. While audio
quality is always important, the quality of the recording is not necessarily the admissions
committee’s primary concern. The committee is looking for your creative potential.
This might be expressed through the musicianship, arrangement, composition, or creative
message of the work. We do not expect our new students to be professional audio engineers,
but we are looking for bright creative media creators. ! It is also very important to document your contribution to each item you submit. For
example, if you submit an audio recording, state if you were composer, performer,
engineer, producer, or several of these things. The portfolio should contain:
-
A comprehensive credit list for all of the entires;
-
A short paragraph for each entry explaining the piece, where and when it was created
and any challenges faced in the creation of the work;
-
Four to six audio examples;
-
Video examples (optional);
-
You may also wish to include a personal introduction on video as well (optional)
Format
You may choose to submit your portfolio in one of two ways (upload or website). However,
all portfolio elements must come together as a single presentation. In other words,
do not submit a portion of the portfolio in one format and the rest in another. Below
are descriptions of the options.
The portfolio is sent directly to the M.F.A. Director in the Department of Recording
Industry. All other application materials (GRE scores, letters of recommendation,
letter of intent, and transcripts) must be sent to the College of Graduate Studies.
www.mtsu.edu/graduate !
-
Option 1 - File Transfer
-
Upload all of your portfolio materials together. It is important when using this option
that all elements (documentation, audio, and video) are contained within one computer
“folder” and uploaded as a single file. Do not make multiple uploads (i.e. one for
each recording). For example: Create a folder on your computer and name it “Lastname_Portfolio”.
Place the following in the folder:
-
Word file or pdf of credits and documentation
-
01_Song1
-
02_Song2
-
03_Video1… etc.
-
Use “zipit” to compress the data size of the folder.
-
We recommend using http://www.wetransfer.com. This service is free for up to two gigabytes
of data and is very easy to use. To use the free version no account registration is
required. !
-
Go to www.wetransfer.com
-
Skip to the free service
-
Click “Add files” and select your portfolio folder or zip file
-
Enter bill.crabtree@mtsu.edu as “friends email”
-
Enter your email and click “transfer” !
-
Option 2 - Website
Alternatively, you may assemble your portfolio into a website presentation. All audio
and video would reside on your site and you would simply send us a link to the site.
Be sure to include all credits and appropriate descriptions of the creative projects
on the website.
Apply Now!
Frequently Asked Questions
Who is the MFA for?
The MFA is an unusual degree, in that one of the primary qualities sought in new students
is creativity. This creative background may be in audio engineering or in a field
closely related to what might be described as "entertainment technology." Though creativity
is fostered and developed throughout the program, a strong creative area is expected
of all incoming students. An interest in audio production is not enough. This creativity
is demonstrated through the portfolio required as part of the admissions process.
The MFA is not an appropriate degree for someone who does not have substantial creative
output in some related field or a previous degree in audio engineering/music technology. If
a student’s strength is audio recording/technology, then the question that should
be asked is “What is it about my recordings that sets them apart from those of everyone
else who has a similar background?”
What would be an example of a creative area?
This will be different for each student and might consist of songs that you have written,
audio recordings you have engineered, videos you have shot and edited, computer games
you have authored, music scores of pieces you have composed, websites you have created,
etc. Of course, the portfolio will be very different for each applicant depending
on his or her background.
Do I need an undergraduate degree in audio engineering?
Though some MFA students have previous degrees in audio engineering/music technology,
the MFA does accept students who may not have a previous degree in audio engineering.
Some students with little or no audio background may be asked to complete foundation
audio courses during the summer before starting class in the fall.
How soon can I start?
The MFA accepts new students only in the fall term.
When should I apply?
The admissions committee will begin looking at new applications in late March and
will continue to review applicants until all places are filled.
How many students will you accept each year?
The MFA accepts a limited number of students. In past years, 12-14 students have been
accepted.
Is financial aid available?
The MFA normally has two or three assistantships to award each fall. These may be
awarded to incoming students and are sometimes awarded to students currently in the
program who have shown the aptitude for teaching an undergraduate course in our department.
Assistantships are awarded on a competitive basis. It is recommended that applications
for assistantships be submitted early in the application process since the admissions
committee may begin awarding assistantships as soon as late March. Consideration for
an assistantship requires that the applicant has submitted all the materials required
for admission, as those materials comprise the primary means of evaluating the candidate’s
suitability for an assistantship, and an applicant must have been admitted unconditionally
in order to receive an assistantship. Though an assistantship could possibly be available
as late as early July, in past years most assistantships have been awarded by the
end of the spring.
Another significant source of financial assistance is the “Academic Common Market.” This is a group of states that have agreements permitting graduate students who
are permanent residents of those states to enroll at MTSU at the in-state tuition
rate. This provides a savings of approximately $30,000.
What is the admissions process like?
Admissions are competitive and an applicant’s materials are compared with those of
all other applicants. The primary factors considered in determining a student’s suitability
for admission include the creative portfolio, undergraduate GPA, GRE scores, letters
of recommendation, and the letter of intent.
The quality of the creative portfolio is usually the determining factor in admission.
Review of applications by the MFA Admissions Committee will begin in late March and
a limited number of students will be accepted. Admissions are competitive and your
materials are being compared with all other applicants. This process may take several
weeks, however, places could also be filled in a shorter time. It is to your advantage
to have your application submitted by April 1st. Later applications will be considered
but there will be the possibility that all the places in the MFA may already have
been filled.
You can view more specific requirements for admission to the MFA by clicking the REQUIREMENTS
tab above.
What should be included in a creative portfolio?
A portfolio of works should be representative of the candidate’s creative achievements
in the areas of audio recording, composition, songwriting, video, film, multimedia,
web design, or areas that could generally be described as “entertainment technology”.
Most applicants’ portfolio works will come from just one or two of the areas described
above, however, some will have done creative work in more than one of these fields.
It is extremely important to document your contribution for each item you submit.
For example, if you submit an audio recording, state if you were the composer, performer,
engineer, producer, or did several of these tasks. The admissions committee will be
evaluating what your specific contributions were to each project. The portfolio has
no specific guidelines because applicants come from a wide variety of creative backgrounds
and each student’s portfolio will reflect their particular expertise, however a professional
presentation of materials is expected.
Submit what you think is your best work. This may only be three or four examples but
may include as much as you wish. If you have extended examples (a 20 minute video
documentary or a dance mix, for example) you may wish to edit them. In addition to
your submissions, include a list of ANY other projects on which you have participated
and list your job on each project. In your portfolio documentation list the hardware
and software with which you are familiar. List related technologies with which you
are familiar and describe your competency. This might include: Photoshop, Final Cut
Pro, iMovie, etc.
For more information about the portfolio submission and format, click the “How to
Apply” button above.
Online or Hybrid Programs at a Glance
This program is available .
For More Information or Explore Your Options
Contact your department / program coordinator or advisor for more details about the program OR work one-on-one with your advisor to explore your options.
The Online Advantage
With over 25 years of experience in online teaching and learning, MTSU Online offers students access to innovative, high-quality programs. Designed with students in mind, our courses allow maximum flexibility for those unable to participate in person.
Resources and services for online students are available from MTSU Online or contact us at distance@mtsu.edu.
