Music Business
Not surprisingly, given its proximity to Music City, Middle Tennessee State has become a mecca for anyone who feels called to be part of the music scene. If you want to manage or represent artists, market their songs to record companies and the media, promote concert tours, or be involved in any aspect of bringing music to appreciative listeners, consider majoring in Music Business in the Department of Recording Industry. Faculty members with experience in all aspects of music business teach classes in wonderfully equipped classrooms. In a program centered around students, real-world experiences and professional contacts are part of learning.
This program is approved for the Academic Common Market.
Heavy Hitters
MTSU has recently appointed two new leaders whose professional experience will help students fulfill their dreams of becoming music industry professionals. Beverly Keel, chair of the Department of Recording Industry, is the former senior vice president of Media and Artist Relations for Universal Music Group Nashville, where she developed extensive media campaigns for chart-topping artists, including Lionel Richie, Scotty McCreery, Sugarland, and many more. Rick Carnes, head of the Commercial Songwriting concentration, has earned 40 platinum albums with songs recorded by Garth Brooks, Reba McEntire, Alabama, Pam Tillis, and Conway Twitty. (As president of the Songwriters Guild of America, Carnes is also a leading advocate for songwriters and copyright protection.)
Match Records
As part of MTSU’s Recording Industry program, MATCH Records strives to involve students in all aspects of a traditional record label, from talent acquisition and development, to production, marketing, and distribution. In turn, students gain real-world experience and opportunities for networking. Local bands whose members include at least one MTSU student are eligible to get involved with the student-run label. The program now stretches across multiple semesters, allowing both the students who run the label and the artists utilizing it to have a truly immersive experience and the available time needed to produce meaningful and realistic results.
Created with input from music industry professionals and the leading industry associations, MTSU’s innovative Recording Industry curriculum is a cutting-edge program that helps blaze a tailor-made path for its students into any of the many rewarding careers of Tennessee’s robust music industries. Examples include
- A & R representative
- Marketing representative
- Music editor
- Regional promotions manager
- Song plugger
- Staff publicist
- Studio manager
- Talent representative
Employers of MTSU alumni include
- ASCAP
- Big Loud Bucks Administration
- Big Machine Label Group
- Borman Entertainment
- Broken Bow Records / Stoney Creek Records
- Buddy Lee Attractions, Inc.
- Cal IV Entertainment
- Clear Channel Nashville
- ClearBox Rights, LLC
- Compass Records Group
- Country Music Association
- Country Music Television
- Country Radio Broadcasters
- Country Wired, Inc.
- CrowdSurf
- Dualtone Music Group
- EMI Christian Music Group
- Gospel Music Association
- Grand Ole Opry
- HoriPro Entertainment Group
- Huskins-Harris Business Mgmt
- Kobalt Music Group
- Lyon and Phillips, PLLC
- Marathon Music Works
- McGhee Entertainment
- Music City Networks, LLC
- Music City Roots
- Music Services
- National Shows 2
- Neste Event Marketing
- Peer Music
- Premiere Radio Networks
- Provident Music Group
- Rolling Stone
- RPM Management
- Ryman Auditorium
- Select-O-Hits
- Sony Music Entertainment
- Sony/ATV Music Publishing
- Ten Ten Music Group, Inc.
- Tennessee Assoc of Broadcasting
- The AristoMedia Group
- The Recording Academy
- Thirty Tigers
- UMG Nashville
- Universal Music Publishing
- Vector Management
- WAMA, Inc. Words and Music
- Warner Music Nashville
- WarpSpeed, Inc.
- Whizbang, Inc.
- William Morris Endeavor
A student majoring in Recording Industry can pursue a Bachelor of Science (B.S.) degree in one of two concentrations: Music Business or Commercial Songwriting.
Also students can major in Audio Production, which leads to a B.S.
For complete curriculum details, click on the REQUIREMENTS tab above.
Music Business students must also minor in one of the following: Business Administration, Entrepreneurship, Management, Marketing, or Mass Communication (concentrations in Journalism, Media Management, or Public Relations).
The department also offers undergraduate minors in Entertainment Technology (an interdisciplinary minor) and Recording Industry (for non-majors). Please click here for more information on Recording Industry minors or contact Matt Foglia at 615-904-8424.
For graduate students, the Department of Recording Industry offers a Master of Fine Arts (M.F.A.) degree in Recording Arts and Technologies.
Recording Industry, Music Business Concentration, B.S.
Department of Recording Industry
615-898-2578
Amy Macy, program coordinator
Amy.Macy@mtsu.edu
The Music Business concentration offers instruction designed for students who are interested in careers in the music industry such as A & R representative, marketing representative, music editor, regional promotions manager, song plugger, staff publicist, studio manager, or talent representative.
Admission to Candidacy
All students are required to be admitted to candidacy to earn a degree as a Recording Industry major. Candidacy is required as a prerequisite to enrollment in most upper-division courses within the college. When applying to candidacy, students choose their concentration: Commercial Songwriting or Music Business.
To apply for candidacy, a student must have
- completed all learning support requirements;
- completed all high school deficiencies;
- completed 24 hours (not to include learning support courses);
- completed the math requirement (College Algebra or higher level math) with a minimum 2.00 (C) grade;
- completed all candidacy courses with a minimum 2.00 (C) grade in each: JOUR 1020/EMC 1020/RIM 1020; RIM 3000; RIM 3010 or RIM 3011*; RIM 3600);
- maintained good standing (not on probation).
*NOTE: RIM 3010 is required for Audio Production students and to take many Audio Production related electives
Students in the Music Business concentration are guaranteed admission to candidacy if they earn a Candidacy Formula score of 35.5 or better. A limited number of additional candidacy slots will be open based on availability. Candidacy will be granted three times per year-after the fall and spring semesters and summer term. Students may not take other RIM courses beyond the candidacy requirements, with the exception of RIM 1230 and RIM 3650, until they have successfully completed admission to candidacy.
The application for admission to candidacy is an online application available here. Applications should be submitted by students during the semester in which they will have completed the above requirements. The deadline for candidacy application is near the end of each semester and is announced via email each semester.
Candidacy FormulaEach student's candidacy score is derived from the following:
Score = (cumulative GPA x 3) + (math grade x 3) + (candidacy course GPA x 4) + (total hours x .05).
Candidacy AppealsA few of any available slots in each concentration will be awarded based on a faculty committee recommendation on an appeal application. Appeal applications will be accepted after formula slots have been announced early in the Fall and Spring Semester and Summer Term. Appeal recommendations will be based on exceptional circumstances and/or exceptional talent and/or diversity considerations.
Academic Map
Following is a printable, suggested four-year schedule of courses:
Recording Industry, Music Business, B.S., Academic Map
Degree Requirements
General Education (41 hours)
General Education requirements (shown in curricular listings below) include courses in Communication, History, Humanities and/or Fine Arts, Mathematics, Natural Sciences, and Social/Behavioral Sciences.
Major Requirements (48 hours)
Recording Industry Core (18 hours)
- EMC 1020 - American Media and Social Institutions 3 credit hours OR
EMC 1020 - American Media and Social Institutions
3 credit hours
(Same as JOUR 1020/RIM 1020.)
The power of the mass media and its effect on social institutions and practices. Develops skills of qualitative and quantitative social science research in the area of mass communication processes; examines media as social, cultural, and economic institutions that shape the values of American society, its political dialogues, its social practices, and institutions.
- JOUR 1020 - American Media and Social Institutions 3 credit hours OR
JOUR 1020 - American Media and Social Institutions
3 credit hours
(Same as EMC 1020/RIM 1020.) The power of the mass media and its effect on social institutions and practices. Develops skills of qualitative and quantitative social science research in the area of mass communication processes; examines media as social, cultural, and economic institutions that shape the values of American society, its political dialogues, its social practices, and institutions.
- RIM 1020 - American Media and Social Institutions 3 credit hours
RIM 1020 - American Media and Social Institutions
3 credit hours
(Same as EMC 1020/JOUR 1020.) The power of the mass media and its effect on social institutions and practices. Develops skills of qualitative and quantitative social science research in the area of mass communication processes; examines media as social, cultural, and economic institutions that shape the values of American society, its political dialogues, its social practices, and institutions.
May count as a Social/Behavioral Sciences requirement
- RIM 3000 - History of the Recording Industry 3 credit hours
RIM 3000 - History of the Recording Industry
3 credit hours
Traces the development of the technology, business, major record labels, and the music recorded as well as significant individuals in these areas.
- RIM 3010 - Audio Fundamentals 3 credit hours OR
RIM 3010 - Audio Fundamentals
3 credit hours
Prerequisite: MATH 1710 or higher level math. Examines theories and technologies used in audio production for music, radio, TV, and film. Provides the management-oriented student with a useful vocabulary covering the area of audio production and provides the production-oriented student with the basic theory upon which production skills can be built. RIM 3010 is required for all Audio Production students; Music Business and Commercial Songwriting students may choose between RIM 3010 and RIM 3011.
- RIM 3011 - Survey of Audio Technology 3 credit hours
RIM 3011 - Survey of Audio Technology
3 credit hours
Prerequisite: MATH 1710 or higher level math. For non-Audio Production Recording Industry pre-candidacy students; includes students seeking admission to candidacy in the Music Business and Commercial Songwriting concentrations. Overview of the basic function and application of audio hardware and software used in music creation. Surveys audio technology found in live sound, professional recording studios, and project studios. Required for admission to candidacy to the RI program and offered as an online course. Students must choose between and may receive credit for either RIM 3010 or RIM 3011. Audio Production concentration students will not receive credit for RIM 3011
- RIM 3600 - Survey of the Recording Industry 3 credit hours
RIM 3600 - Survey of the Recording Industry
3 credit hours
Examination of the industry including, but not limited to, artist development, songwriting, publishing, record companies, record marketing and promotion, copyright, performance rights, and careers.
- RIM 3700 - Copyright Law 3 credit hours
RIM 3700 - Copyright Law
3 credit hours
Prerequisite: RI majors - admission to candidacy; others RIM 3600. Examines copyright law with particular reference to the music industry. Emphasis on understanding and applying the law to work in the industry.
- RIM 4700 - Contracts and Legal Issues 3 credit hours
RIM 4700 - Contracts and Legal Issues
3 credit hours
Prerequisites: RI majors- admission to candidacy and RIM 3700; others RIM 3600 and RIM 3700. An overview of legal problems encountered in the recording industry with specific attention to contractual considerations in recording and producing.
Sub-core (12 hours)
- RIM 3720 - Artist Management 3 credit hours
RIM 3720 - Artist Management
3 credit hours
Prerequisite: RI majors - admission to candidacy; others RIM 3600. Examines the role of recording artists' representatives. Topics include personal appearances, touring, unions, and contractual considerations.
- RIM 3900 - Music Publishing 3 credit hours
RIM 3900 - Music Publishing
3 credit hours
Prerequisites: RI majors - admission to candidacy and previous or concurrent enrollment in RIM 3700; others RIM 3600 and RIM 3700. Operations and functions of music publishing industry including songwriter publisher relations. Primary thrust is popular music publishing, but art, religious, and educational music also discussed.
- RIM 4320 - Concert Promotion and Touring 3 credit hours
RIM 4320 - Concert Promotion and Touring
3 credit hours
Prerequisites: RI majors - admission to candidacy; others - RIM 3010 and RIM 3600. An in-depth study of the theoretical and practical aspects of presenting contemporary arts and entertainment performances. Topics include talent acquisition, contracts and riders, production, venues, budgeting, ticket services, and promotion.
- RIM 4620 - Marketing of Recordings 3 credit hours
RIM 4620 - Marketing of Recordings
3 credit hours
Prerequisite: RI majors - admission to candidacy; others RIM 3600. Special emphasis on the particular structures and problems involved in the movement of recordings from manufacturer to the buying public. Topics include product marketing, promotion, and distribution.
Music Business Electives (18 hours)
Choose 18 credit hours from the following:
- RIM 3020 - Commercial Songwriting 3 credit hours
RIM 3020 - Commercial Songwriting
3 credit hours
Prerequisite: RI majors - admission to Commercial Songwriting concentration and RIM 1230 or MUTH 1110 and RIM 3115 or RIM 3116; others - permission of instructor. Helps the new or developing songwriter acquire a song construction toolkit. Focuses on groove, melody, lyric, harmony, and structure and integrates these five elements into a cohesive and commercially viable song. Students expected to play guitar or piano and also sing.
- RIM 3100 - Introduction to Popular Music Studies 3 credit hours
RIM 3100 - Introduction to Popular Music Studies
3 credit hours
(Same as JOUR 3100.) Prerequisites: RI majors - admission to candidacy; others - permission of instructor. Introduces students to different academic and theoretical approaches to popular music as a social and cultural phenomenon. A discussion oriented class that is both reading and writing intensive.
- RIM 3200 - History of Country Music 3 credit hours
RIM 3200 - History of Country Music
3 credit hours
Prerequisite: Admission to candidacy. History and culture of American country music. Explores the historical progression of the genre and analyzes topics such as race and gender relations, material culture, generational conflict, and the role of "authenticity" in the creation and commodification of the music. Reading, writing, and listening intensive.
- RIM 3500 - Lecture Series 3 credit hours
RIM 3500 - Lecture Series
3 credit hours
Prerequisite: RI majors - admission to candidacy. Major executives, producers, and others in the recording industry speak to students about contemporary topics in the music business. May be taken only once for credit toward the major. Pass/Fail.
- RIM 3580 - RIM Practicum 1 to 3 credit hours *
RIM 3580 - RIM Practicum
1 to 3 credit hours
Prerequisites: RI majors - admission to candidacy, approval of instructor prior to enrollment, and approved application. On-campus experiences in and related to the recording industry. Course may be repeated up to three times, but no more than six total credits toward the major allowed for RIM 3580, RIM 4000, and RIM 4010. Pass/Fail.
RIM 3650 - Free Expression, Mass Media, and the American Public
3 credit hours
(Same as JOUR 3650/EMC 3650.) A general introduction to the issues surrounding free expression and its relationship to mass media in contemporary America. A comprehensive analysis of the history, philosophies, cases, and controls associated with freedom of expression.
- RIM 3690 - International Entertainment Transactions 3 credit hours
RIM 3690 - International Entertainment Transactions
3 credit hours
Introduction to international law (European Union, Asia/Pacific Rim, and Latin America) in the context of the global entertainment and intellectual property industries (music, film, television, books, videogames, etc.). Culminates in presentation of a proposed start-up entertainment entity in a foreign territory. Each student will be able to establish a professional relationship with an entertainment industry liaison in a foreign territory. Offers preparation for students interested in international opportunities for growth including international internships and the Office of International Affairs' Study Abroad programs.
- RIM 3770 - Publicity in the Recording Industry 3 credit hours
RIM 3770 - Publicity in the Recording Industry
3 credit hours
Prerequisites: RI majors - admission to candidacy; others - RIM 3600 and JOUR 2710. Experience in creating publicity materials and developing media relations, press releases, press kits, and publicity campaigns.
- RIM 3780 - Entertainment Reporting and Writing 3 credit hours
RIM 3780 - Entertainment Reporting and Writing
3 credit hours
Prerequisites: RI majors - admission to candidacy; others - RIM 3600 and JOUR 2710. Theory and practice of the fundamentals of entertainment journalism, including music industry writing, feature stories, and CD and concert reviews.
- RIM 3890 - International Recording Industry 3 credit hours
RIM 3890 - International Recording Industry
3 credit hours
Prerequisites: RI majors - admission to candidacy; others RIM 3600. Cultural, media, business, and legal aspects of making and selling records on a worldwide basis. Specific studies in foreign record company operations, i.e., production, distribution, marketing, promotion, and licensing. Immigration, union, and tax implications of artists recording abroad.
- RIM 4000 - Recording Industry Internship: Business 1 to 6 credit hours *
RIM 4000 - Recording Industry Internship: Business
1 to 6 credit hours
Prerequisites: Admission to candidacy; 90 credit hours completed; RIM 3700 and three of the following sub-core courses must be completed: RIM 3720, RIM 3900, RIM 4320, or RIM 4620; approved internship application. Practical experience for advanced students in a professional recording industry setting. This course may be repeated for additional credit. No more than six hours toward the major are allowed for RIM 3580, 4000, and RIM 4010. Pass/Fail.
- RIM 4010 - Recording Industry Internship: Technology 1 to 6 credit hours *
RIM 4010 - Recording Industry Internship: Technology
1 to 6 credit hours
Prerequisites: Admission to candidacy; senior standing (90 hours), RIM 4190, RIM 2300, RIM 4400, and an approved internship application. Practical experience for advanced students in a professional recording industry setting. This course may be repeated for additional credit. No more than six hours toward the major are allowed for RIM 3580, RIM 4000, and 4010. Pass/Fail.
- RIM 4130 - Cyber PR® in the Entertainment Industry 3 credit hours
RIM 4130 - Cyber PR® in the Entertainment Industry
3 credit hours
Prerequisite: Admission to candidacy or permission of instructor. Cyber PR® is the process where social media (with engaged behavior), public relations (outreach and some processes), and online and direct -to-fan (D2F) marketing intersect. Explores the many new and entrepreneurial methods, theories, applications (i.e., Topspin and Next Big Sound) and best practices artists and brands employ to create awareness and make connections to consumers via electronic media. Readings, lectures, guest presentations, and professional group projects and experiences.
- RIM 4230 - Advanced Cyber PR in the Entertainment Industry 3 credit hours
RIM 4230 - Advanced Cyber PR in the Entertainment Industry
3 credit hours
Prerequisite: B or higher in RIM 4130 or permission of instructor. Applies the process where social media (with engaged behavior), public relations (outreach and some processes), and online marketing intersect. Analyzes, designs, and implements an online-social media marketing plan for an entertainment industry client. Uses existing and developing applications (such as Topspin Media's marketing and sales platform and Next Big Sound's data analysis and monitoring program) to receive basic training. While the promotion of music and entertainment are the focus, the skills and applications taught are transferable to other industries.
- RIM 4420 - Talent Agency Fundamentals 3 credit hours
RIM 4420 - Talent Agency Fundamentals
3 credit hours
Prerequisites: Admission to candidacy and RIM 3720 or RIM 4320. Covers fundamentals of the talent agency business. Focuses on the talent agency side of the music industry including the role the booking agent plays in the career development and revenue generation of a music artist. Includes readings, lectures, guest presentations, in-class participation, and group projects and experiences.
- RIM 4630 - Recording Industry Research 3 credit hours
RIM 4630 - Recording Industry Research
3 credit hours
Prerequisites: RI majors - admission to candidacy, RIM 4620 or MKT 3820, computer literacy, and permission of instructor. Provides hands-on experiences in research in the recording industry. Involvement in group projects to provide music and consumer research services to various clients in the industry. Workshop oriented.
- RIM 4690 - Digital Strategies for the Music Business 3 credit hours
RIM 4690 - Digital Strategies for the Music Business
3 credit hours
Prerequisite: RIM 4620 or permission of the instructor. Applied theory on promoting the services and products of the music industry via digital channels. Topics include market research, content strategy, creating digital assets, search engine marketing, online advertising, email marketing, mobile marketing, and using data and insights from analytics to optimize digital marketing efforts.
- RIM 4720 - Record Retail Operation 3 credit hours
RIM 4720 - Record Retail Operation
3 credit hours
Prerequisites: RI majors - admission to candidacy and MKT 3820 or RIM 4620; others RIM 3600 and MKT 3820. Problems and practices of recording industry retailers, including pricing, inventory control, advertising, operations, and retail locations for audio and video recordings and printed music.
- RIM 4730 - The A&R Function 3 credit hours
RIM 4730 - The A&R Function
3 credit hours
Prerequisites: RI majors- completion of concentration sub-core. Role and responsibilities of a record company's artist and repertoire department. Emphasis on finding and guiding an artist as well as the administration of the production and marketing of a project.
- RIM 4740 - Studio Business Operations 3 credit hours
RIM 4740 - Studio Business Operations
3 credit hours
Prerequisite: RI majors - admission to candidacy; others - permission of instructor. Applications course involving the administrative functions of recording studio operations, including accounting, marketing, personnel, planning, and computer applications.
RIM 4800 - Understanding the Nashville Music Business-Past and Future
3 credit hours
Prerequisites: Concurrent with or subsequent to RIM 4000 or RIM 4010. Acquaints interns and students working in the Nashville music industry with industry practices through a historic perspective and through conducting a research project.
- RIM 4810 - Topics in Recording Industry 1 to 3 credit hours
RIM 4810 - Topics in Recording Industry
1 to 3 credit hours
Prerequisite: RI majors - admission to candidacy. Examination and critical evaluation of current issues related to the operation and function of various aspects of the recording industry. Subject matter varies. Course may be repeated one time for additional credit.
Only 6 hours are allowed to count in elective area.
- RIM 4820 - Record Label Operations 3 credit hours
RIM 4820 - Record Label Operations
3 credit hours
Prerequisites: RI majors - admission to candidacy and RIM 4620 or MKT 3820. Day-to-day marketing tasks conducted onsite for a record label offer students training on the practical application of the latest marketing software. Must be able to travel to Music Row and commit to 10 hours per week at a record label.
- RIM 4900 - Individual Problems in the Recording Industry 1 to 3 credit hours
RIM 4900 - Individual Problems in the Recording Industry
1 to 3 credit hours
Prerequisites: RI majors - admission to candidacy, approved application, and permission of department. Advanced project in production or music business. Students submit applications to production and technology or music business faculty committees. Once approved, a determination is made as to credit to be awarded. Project is reviewed by a panel of three faculty members to determine grade. No more than three credits toward the major are allowed.
Up to 3 hours (of the 18) may be chosen from
- MUHL 3670 - History of Popular Music in America 3 credit hours
MUHL 3670 - History of Popular Music in America
3 credit hours
Chronological study of American popular music from the colonial period to the present. Formulation of perspectives of the role of popular music in American culture.
- PS 3530 - Legal Writing and Research 3 credit hours
PS 3530 - Legal Writing and Research
3 credit hours
Prerequisite: PS 1005 or permission of instructor. A specialized composition course for the student planning to attend law school or paralegal school or to become a legal secretary. Practice in legal research, documentation, and a variety of legal problems.
- ENGL 3810 - British Popular Culture 3 credit hours
ENGL 3810 - British Popular Culture
3 credit hours
Prerequisite: Completion of 1000- and 2000-level English requirements with a grade of C- or better. A cultural survey of Great Britain since 1945, including history, music, film, and literature.
- JOUR 2710 - Media Writing 3 credit hours
JOUR 2710 - Media Writing
3 credit hours
Prerequisites: Grade of C or better in ENGL 1010 and ENGL 1020 or equivalents. Theory and practice of writing for print and electronic media according to the techniques, styles, and formats of various media. Laboratory required.
Computer Literacy Requirement (3 hours)
- CSCI 1150 - Computer Orientation 3 credit hours OR
CSCI 1150 - Computer Orientation
3 credit hours
A general introduction to computers with an emphasis on personal computing, database, word processing, presentation graphics, spreadsheets, and Internet tools. Does not count for Computer Science major or minor.
- INFS 2200 - Introduction to Microcomputing 3 credit hours
INFS 2200 - Introduction to Microcomputing
3 credit hours
Microcomputer applications and the microcomputer environment. (Not open to CIS majors.)
Other Requirement (3 hours)
- ACTG 2110 - Principles of Accounting I 3 credit hours OR
ACTG 2110 - Principles of Accounting I
3 credit hours
Prerequisites: A college-level math course; ENGL 1010; sophomore standing. Financial accounting for proprietorships and partnerships with emphasis on the accounting cycle for service and merchandising organizations. Additional topics include accounting for receivables; inventories; property, plant, and equipment; and current liabilities. (Not open to students with credit in ACTG 3000.)
- ACTG 2120 - Principles of Accounting II 3 credit hours OR
ACTG 2120 - Principles of Accounting II
3 credit hours
Prerequisite: ACTG 2110. A continuation of financial accounting concepts with emphasis on debt and equity structures, the statement of cash flows, and ratio analysis. Managerial accounting topics include job, standard- and activity-based costing, cost/volume/profit (CVP) analysis, and budgeting. (Not open to students with credit in ACTG 2125 or ACTG 3000.) [Same as TBR Community Colleges ACCT 1020.]
- ACTG 3000 - Survey of Accounting for General Business 3 credit hours
ACTG 3000 - Survey of Accounting for General Business
3 credit hours
Prerequisites: A college-level math course; ENGL 1010; sophomore standing. Accounting cycle given minor emphasis; financial statement analysis and managerial uses of accounting given major emphasis. May be used for general business minors or M.B.A. candidates who have had no previous accounting courses. (Not open to Accounting majors and students with credit in ACTG 2110 and ACTG 2120.)
Minor (15-18 hours)
Electives (7-10 hours)
NOTE:
*No more than 6 hours total are allowed toward the major from any combination of RIM 3580, RIM 4000, or RIM 4010.
Music Business concentration students may take up to 9 semester hours of their electives from the other concentrations in Recording Industry.
All Music Business concentration students must complete one course (three hours) of accounting. This requirement may be met with ACTG 2110, ACTG 2120, or ACTG 3000. This requirement may be included within the minor requirement.
Total hours in program: 120
Music Business M.B.A. Fast Track
This program is designed to allow students in the Music Business concentration to obtain all prerequisites for entrance into the M.B.A. program. Careful planning of undergraduate and graduate course selection is required. For details on this plan of study, consult Beverly Keel. For M.B.A. admission requirements, consult the Graduate Catalog or Kim Sokoya, M.B.A. advisor.
Curriculum: Recording Industry, Music Business Concentration
Curricular listings include General Education requirements in Communication, History, Humanities and/or Fine Arts, Mathematics, Natural Sciences, and Social/Behavioral Sciences categories.
Students should see their advisors to develop their individual schedules. Certain prerequisites and sequences in particular major concentrations and minor require special attention.
Freshman
- COMM 2200 - Fundamentals of Communication 3 credit hours (Comm)
COMM 2200 - Fundamentals of Communication
3 credit hours
Principles and processes of effective public oral communication including researching, critical thinking, organizing, presenting, listening, and using appropriate language. Emphasis on informative, persuasive, special occasion, and extemporaneous (impromptu) speaking. Counts as part of the General Education Communication requirement.
- ENGL 1010 - Expository Writing 3 credit hours (Comm)
ENGL 1010 - Expository Writing
3 credit hours
The first General Education English course. Emphasis on learning to adapt composing processes to a variety of expository and analytic writing assignments. Minimum grade of C- required for credit.
- ENGL 1020 - Research and Argumentative Writing 3 credit hours (Comm)
ENGL 1020 - Research and Argumentative Writing
3 credit hours
Prerequisite: ENGL 1010. The second General Education English course. Emphasis on analytic and argumentative writing and on locating, organizing, and using library resource materials in the writing. Minimum grade of C- required for credit.
- MATH 1710 - College Algebra 3 credit hours (Math)
MATH 1710 - College Algebra
3 credit hours
Prerequisite: DSPM 0850 or two years of high school algebra; a Math Enhanced ACT 19 or greater or COMPASS placement. Course satisfies the General Education Mathematics requirement. Topics include functions--linear, quadratic, exponential, and logarithmic; analysis of graphs; linear systems; inequalities; counting principles; and probability. Graphing calculator required. Course may be taken by correspondence. Not open to those who have had MATH 1730.
- RIM 3000 - History of the Recording Industry 3 credit hours
RIM 3000 - History of the Recording Industry
3 credit hours
Traces the development of the technology, business, major record labels, and the music recorded as well as significant individuals in these areas.
- RIM 3600 - Survey of the Recording Industry 3 credit hours
RIM 3600 - Survey of the Recording Industry
3 credit hours
Examination of the industry including, but not limited to, artist development, songwriting, publishing, record companies, record marketing and promotion, copyright, performance rights, and careers.
- Humanities and/or Fine Arts 3 credit hours
- RIM 3010 - Audio Fundamentals 3 credit hours OR
RIM 3010 - Audio Fundamentals
3 credit hours
Prerequisite: MATH 1710 or higher level math. Examines theories and technologies used in audio production for music, radio, TV, and film. Provides the management-oriented student with a useful vocabulary covering the area of audio production and provides the production-oriented student with the basic theory upon which production skills can be built. RIM 3010 is required for all Audio Production students; Music Business and Commercial Songwriting students may choose between RIM 3010 and RIM 3011.
- RIM 3011 - Survey of Audio Technology 3 credit hours
RIM 3011 - Survey of Audio Technology
3 credit hours
Prerequisite: MATH 1710 or higher level math. For non-Audio Production Recording Industry pre-candidacy students; includes students seeking admission to candidacy in the Music Business and Commercial Songwriting concentrations. Overview of the basic function and application of audio hardware and software used in music creation. Surveys audio technology found in live sound, professional recording studios, and project studios. Required for admission to candidacy to the RI program and offered as an online course. Students must choose between and may receive credit for either RIM 3010 or RIM 3011. Audio Production concentration students will not receive credit for RIM 3011
- RIM 1020 - American Media and Social Institutions 3 credit hours (Soc/Beh Sci)
RIM 1020 - American Media and Social Institutions
3 credit hours
(Same as EMC 1020/JOUR 1020.) The power of the mass media and its effect on social institutions and practices. Develops skills of qualitative and quantitative social science research in the area of mass communication processes; examines media as social, cultural, and economic institutions that shape the values of American society, its political dialogues, its social practices, and institutions.
- JOUR 1020 - American Media and Social Institutions 3 credit hours (Soc/Beh Sci)
JOUR 1020 - American Media and Social Institutions
3 credit hours
(Same as EMC 1020/RIM 1020.) The power of the mass media and its effect on social institutions and practices. Develops skills of qualitative and quantitative social science research in the area of mass communication processes; examines media as social, cultural, and economic institutions that shape the values of American society, its political dialogues, its social practices, and institutions.
- EMC 1020 - American Media and Social Institutions 3 credit hours (Soc/Beh Sci)
EMC 1020 - American Media and Social Institutions
3 credit hours
(Same as JOUR 1020/RIM 1020.)
The power of the mass media and its effect on social institutions and practices. Develops skills of qualitative and quantitative social science research in the area of mass communication processes; examines media as social, cultural, and economic institutions that shape the values of American society, its political dialogues, its social practices, and institutions.
May count as a Social/Behavioral Sciences requirement
- CSCI 1150 - Computer Orientation 3 credit hours OR
CSCI 1150 - Computer Orientation
3 credit hours
A general introduction to computers with an emphasis on personal computing, database, word processing, presentation graphics, spreadsheets, and Internet tools. Does not count for Computer Science major or minor.
- INFS 2200 - Introduction to Microcomputing 3 credit hours
INFS 2200 - Introduction to Microcomputing
3 credit hours
Microcomputer applications and the microcomputer environment. (Not open to CIS majors.)
Subtotal: 30 Hours
Sophomore
- RIM 3700 - Copyright Law 3 credit hours
RIM 3700 - Copyright Law
3 credit hours
Prerequisite: RI majors - admission to candidacy; others RIM 3600. Examines copyright law with particular reference to the music industry. Emphasis on understanding and applying the law to work in the industry.
- RIM 3720 - Artist Management 3 credit hours
RIM 3720 - Artist Management
3 credit hours
Prerequisite: RI majors - admission to candidacy; others RIM 3600. Examines the role of recording artists' representatives. Topics include personal appearances, touring, unions, and contractual considerations.
- RIM 3900 - Music Publishing 3 credit hours
RIM 3900 - Music Publishing
3 credit hours
Prerequisites: RI majors - admission to candidacy and previous or concurrent enrollment in RIM 3700; others RIM 3600 and RIM 3700. Operations and functions of music publishing industry including songwriter publisher relations. Primary thrust is popular music publishing, but art, religious, and educational music also discussed.
- RIM 4320 - Concert Promotion and Touring 3 credit hours
RIM 4320 - Concert Promotion and Touring
3 credit hours
Prerequisites: RI majors - admission to candidacy; others - RIM 3010 and RIM 3600. An in-depth study of the theoretical and practical aspects of presenting contemporary arts and entertainment performances. Topics include talent acquisition, contracts and riders, production, venues, budgeting, ticket services, and promotion.
- RIM 4620 - Marketing of Recordings 3 credit hours
RIM 4620 - Marketing of Recordings
3 credit hours
Prerequisite: RI majors - admission to candidacy; others RIM 3600. Special emphasis on the particular structures and problems involved in the movement of recordings from manufacturer to the buying public. Topics include product marketing, promotion, and distribution.
- Social/Behavioral Sciences 3 credit hours
- Natural Sciences 4 credit hours
- ENGL 2020 - Themes in Literature and Culture 3 credit hours (Hum/FA)
ENGL 2020 - Themes in Literature and Culture
3 credit hours
Prerequisites: ENGL 1010 and ENGL 1020. Traces a specific theme or idea through a number of literary texts that reflect different historical and cultural contexts. Subject will vary.
- ENGL 2030 - The Experience of Literature 3 credit hours (Hum/FA)
ENGL 2030 - The Experience of Literature
3 credit hours
Prerequisites: ENGL 1010 and ENGL 1020. The reading of a variety of literary types which illuminate themes and experiences common to human existence.
- HUM 2610 - Foreign Literature in Translation 3 credit hours (Hum/FA)
HUM 2610 - Foreign Literature in Translation
3 credit hours
Prerequisites: ENGL 1010 and ENGL 1020. Representative works of French, German, and Hispanic authors in English translation. No foreign-language proficiency required. Carries General Education credit.
Choose 6 hours from:
- HIST 2010 - Survey of United States History I 3 credit hours OR
HIST 2010 - Survey of United States History I
3 credit hours
Survey of the political, economic, social, cultural, and diplomatic phases of American life in its regional, national, and international aspects. HIST 2010 discusses the era from the beginning to 1877. HIST 2020 discusses the era from 1877 to the present. These courses are prerequisite for all advanced courses in American history and satisfy the General Education History requirement. HIST 2010 is NOT a prerequisite for HIST 2020.
- HIST 2020 - Survey of United States History II 3 credit hours OR
HIST 2020 - Survey of United States History II
3 credit hours
Survey of the political, economic, social, cultural, and diplomatic phases of American life in its regional, national, and international aspects. HIST 2010 discusses the era from the beginning to 1877. HIST 2020 discusses the era from 1877 to the present. These courses are prerequisite for all advanced courses in American history and satisfy the General Education History requirement. HIST 2010 is NOT a prerequisite for HIST 2020.
- HIST 2030 - Tennessee History 3 credit hours
HIST 2030 - Tennessee History
3 credit hours
The role of the state in the development of the nation. May be used to satisfy one part of the General Education History requirement.
Subtotal: 31 Hours
Junior
- RIM 4700 - Contracts and Legal Issues 3 credit hours
RIM 4700 - Contracts and Legal Issues
3 credit hours
Prerequisites: RI majors- admission to candidacy and RIM 3700; others RIM 3600 and RIM 3700. An overview of legal problems encountered in the recording industry with specific attention to contractual considerations in recording and producing.
- RIM MB elective 12 credit hours
- Minor courses 6 credit hours
- Elective 3 credit hours
- Natural Sciences 4 credit hours
- Humanities and/or Fine Arts 3 credit hours
Subtotal: 31 Hours
Senior
- ACTG 2110 - Principles of Accounting I 3 credit hours OR
ACTG 2110 - Principles of Accounting I
3 credit hours
Prerequisites: A college-level math course; ENGL 1010; sophomore standing. Financial accounting for proprietorships and partnerships with emphasis on the accounting cycle for service and merchandising organizations. Additional topics include accounting for receivables; inventories; property, plant, and equipment; and current liabilities. (Not open to students with credit in ACTG 3000.)
- ACTG 2120 - Principles of Accounting II 3 credit hours OR
ACTG 2120 - Principles of Accounting II
3 credit hours
Prerequisite: ACTG 2110. A continuation of financial accounting concepts with emphasis on debt and equity structures, the statement of cash flows, and ratio analysis. Managerial accounting topics include job, standard- and activity-based costing, cost/volume/profit (CVP) analysis, and budgeting. (Not open to students with credit in ACTG 2125 or ACTG 3000.) [Same as TBR Community Colleges ACCT 1020.]
- ACTG 3000 - Survey of Accounting for General Business 3 credit hours
ACTG 3000 - Survey of Accounting for General Business
3 credit hours
Prerequisites: A college-level math course; ENGL 1010; sophomore standing. Accounting cycle given minor emphasis; financial statement analysis and managerial uses of accounting given major emphasis. May be used for general business minors or M.B.A. candidates who have had no previous accounting courses. (Not open to Accounting majors and students with credit in ACTG 2110 and ACTG 2120.)
- RIM MB electives 6 credit hours
- Minor courses 9 credit hours
- Electives 7 credit hours
- Minor course/elective 3 credit hours
Subtotal: 28 Hours
Recording Industry
3 credit hours
(Same as EMC 1020/JOUR 1020.) The power of the mass media and its effect on social institutions and practices. Develops skills of qualitative and quantitative social science research in the area of mass communication processes; examines media as social, cultural, and economic institutions that shape the values of American society, its political dialogues, its social practices, and institutions.
3 credit hours
A variety of music subjects explored within the context of commercial music as related to audio recording and production. Specific topics include music fundamentals, commercial music theory, commercial form and styles, and basic aural and keyboard skills. Students who have passed MUTH 1110 with a grade of C or better may not enroll in RIM 1230 for credit. Laboratory required.
3 credit hours
Co/Prerequisites: RI/AP majors - RIM 1230 or MUTH 1110; others - permission of instructor. An overview of digital audio technology with an emphasis on computer technology related to music production, digital audio workstation hardware and software (e.g., Pro Tools), and digital audio theory. Laboratory required.
Formerly RIM 4200
3 credit hours
Traces the development of the technology, business, major record labels, and the music recorded as well as significant individuals in these areas.
3 credit hours
Prerequisite: MATH 1710 or higher level math. Examines theories and technologies used in audio production for music, radio, TV, and film. Provides the management-oriented student with a useful vocabulary covering the area of audio production and provides the production-oriented student with the basic theory upon which production skills can be built. RIM 3010 is required for all Audio Production students; Music Business and Commercial Songwriting students may choose between RIM 3010 and RIM 3011.
3 credit hours
Prerequisite: MATH 1710 or higher level math. For non-Audio Production Recording Industry pre-candidacy students; includes students seeking admission to candidacy in the Music Business and Commercial Songwriting concentrations. Overview of the basic function and application of audio hardware and software used in music creation. Surveys audio technology found in live sound, professional recording studios, and project studios. Required for admission to candidacy to the RI program and offered as an online course. Students must choose between and may receive credit for either RIM 3010 or RIM 3011. Audio Production concentration students will not receive credit for RIM 3011
3 credit hours
Prerequisite: RI majors - admission to Commercial Songwriting concentration and RIM 1230 or MUTH 1110 and RIM 3115 or RIM 3116; others - permission of instructor. Helps the new or developing songwriter acquire a song construction toolkit. Focuses on groove, melody, lyric, harmony, and structure and integrates these five elements into a cohesive and commercially viable song. Students expected to play guitar or piano and also sing.
3 credit hours
(Same as JOUR 3100.) Prerequisites: RI majors - admission to candidacy; others - permission of instructor. Introduces students to different academic and theoretical approaches to popular music as a social and cultural phenomenon. A discussion oriented class that is both reading and writing intensive.
3 credit hours
Designed for the beginning to intermediate guitar player. Focuses on scales, chords, rhythm, picking, fingerpicking, music theory, and performance techniques and how to apply these skills to songwriting and performing.
3 credit hours
Designed for the beginning to intermediate player using a playing-based method. Traditional note reading skills not required or taught. Focuses on chords, harmonic progression, accompaniment, improvisation, music theory, and fundamental musical elements relevant to commercial music and songwriting. May be of interest to guitarist/songwriters who want to learn how to play and write on the keyboard.
3 credit hours
Prerequisite: Admission to candidacy. History and culture of American country music. Explores the historical progression of the genre and analyzes topics such as race and gender relations, material culture, generational conflict, and the role of "authenticity" in the creation and commodification of the music. Reading, writing, and listening intensive.
3 credit hours
Prerequisites: Admission to candidacy; RIM 1230 or MUTH 1110. (Not available to students enrolled in or who have completed MUTH 1120.) Continuation of RIM 1230. Furthering the application of musical concepts previously learned to popular music. Topics include syncopation, modulation, two-handed accompaniment patterns, and selected secondary chords. Introduction to music notation software and the preparation of a lead sheet. Laboratory required.
3 credit hours
Prerequisite: RI majors - admission to candidacy. Major executives, producers, and others in the recording industry speak to students about contemporary topics in the music business. May be taken only once for credit toward the major. Pass/Fail.
1 to 3 credit hours
Prerequisites: RI majors - admission to candidacy, approval of instructor prior to enrollment, and approved application. On-campus experiences in and related to the recording industry. Course may be repeated up to three times, but no more than six total credits toward the major allowed for RIM 3580, RIM 4000, and RIM 4010. Pass/Fail.
3 credit hours
Examination of the industry including, but not limited to, artist development, songwriting, publishing, record companies, record marketing and promotion, copyright, performance rights, and careers.
3 credit hours
(Same as JOUR 3650/EMC 3650.) A general introduction to the issues surrounding free expression and its relationship to mass media in contemporary America. A comprehensive analysis of the history, philosophies, cases, and controls associated with freedom of expression.
3 credit hours
Introduction to international law (European Union, Asia/Pacific Rim, and Latin America) in the context of the global entertainment and intellectual property industries (music, film, television, books, videogames, etc.). Culminates in presentation of a proposed start-up entertainment entity in a foreign territory. Each student will be able to establish a professional relationship with an entertainment industry liaison in a foreign territory. Offers preparation for students interested in international opportunities for growth including international internships and the Office of International Affairs' Study Abroad programs.
3 credit hours
Prerequisite: RI majors - admission to candidacy; others RIM 3600. Examines copyright law with particular reference to the music industry. Emphasis on understanding and applying the law to work in the industry.
3 credit hours
Prerequisite: RI majors - admission to candidacy; others RIM 3600. Examines the role of recording artists' representatives. Topics include personal appearances, touring, unions, and contractual considerations.
3 credit hours
Prerequisites: RI majors - admission to candidacy; others - RIM 3600 and JOUR 2710. Experience in creating publicity materials and developing media relations, press releases, press kits, and publicity campaigns.
3 credit hours
Prerequisites: RI majors - admission to candidacy; others - RIM 3600 and JOUR 2710. Theory and practice of the fundamentals of entertainment journalism, including music industry writing, feature stories, and CD and concert reviews.
3 credit hours
Prerequisites: RI majors - admission to candidacy; others RIM 3600. Cultural, media, business, and legal aspects of making and selling records on a worldwide basis. Specific studies in foreign record company operations, i.e., production, distribution, marketing, promotion, and licensing. Immigration, union, and tax implications of artists recording abroad.
3 credit hours
Prerequisites: RI majors - admission to candidacy and previous or concurrent enrollment in RIM 3700; others RIM 3600 and RIM 3700. Operations and functions of music publishing industry including songwriter publisher relations. Primary thrust is popular music publishing, but art, religious, and educational music also discussed.
1 to 6 credit hours
Prerequisites: Admission to candidacy; 90 credit hours completed; RIM 3700 and three of the following sub-core courses must be completed: RIM 3720, RIM 3900, RIM 4320, or RIM 4620; approved internship application. Practical experience for advanced students in a professional recording industry setting. This course may be repeated for additional credit. No more than six hours toward the major are allowed for RIM 3580, 4000, and RIM 4010. Pass/Fail.
1 to 6 credit hours
Prerequisites: Admission to candidacy; senior standing (90 hours), RIM 4190, RIM 2300, RIM 4400, and an approved internship application. Practical experience for advanced students in a professional recording industry setting. This course may be repeated for additional credit. No more than six hours toward the major are allowed for RIM 3580, RIM 4000, and 4010. Pass/Fail.
3 credit hours
Prerequisite: RIM 3020/MUTH 3020. The developing songwriter will study how a professional songwriter prepares to write commercial songs targeted to specific markets, artists, media, and events. Will be followed by a study of how students can find their unique voices as songwriter/artists or as pure songwriters.
3 credit hours
Prerequisite: B or higher in RIM 4020. Explores the development of songwriting "voice" through the practice of daily writing and co-writing; lectures from visiting pro/hit songwriters; peer, instructor, and pro guests' critiques of songs written; and practical/real world scenario assignments. Recording of selected demos will occur in collaboration with Audio Production students and musicians from the American Federation of Musicians.
3 credit hours
Prerequisite: RI majors – Audio Production candidacy. A thorough study of sound in acoustic and electronic forms, including wave behavior, transducers, and the design and operation of analog and digital systems for detecting, receiving, measuring, manipulating, transmitting, and reproducing sound.
3 credit hours
Prerequisite: Admission to candidacy or permission of instructor. Cyber PR® is the process where social media (with engaged behavior), public relations (outreach and some processes), and online and direct -to-fan (D2F) marketing intersect. Explores the many new and entrepreneurial methods, theories, applications (i.e., Topspin and Next Big Sound) and best practices artists and brands employ to create awareness and make connections to consumers via electronic media. Readings, lectures, guest presentations, and professional group projects and experiences.
3 credit hours
(Same as MUTH 4190.) Prerequisites: RI majors - admission to candidacy and RIM 1230 or MUTH 1110; others - RIM 3010, RIM 1230, or MUTH 1110 or permission of instructor. An introduction to synthesizer programming and the Musical Instrument Digital Interface (MIDI) with emphasis on history, theory, and application. Hands-on activities include synthesizer programming with virtual instruments and MIDI sequencing using a digital audio workstation. Laboratory required.
3 credit hours
Prerequisites: RI majors - admission to candidacy; others - permission of instructor. Theory and application of audio hardware and software for personal desktop music production. For RIM Music Business and Commercial Songwriting majors and Music majors, specifically Music Education majors. Emphasis on application through hands-on instructional techniques. May not be used as a prerequisite for RIM 4200 nor may it be used for credit by RIM Audio Production majors. Satisfies the music production component of the RIM Commercial Songwriting concentration. Laboratory required.
3 credit hours
Prerequisite: B or higher in RIM 4130 or permission of instructor. Applies the process where social media (with engaged behavior), public relations (outreach and some processes), and online marketing intersect. Analyzes, designs, and implements an online-social media marketing plan for an entertainment industry client. Uses existing and developing applications (such as Topspin Media's marketing and sales platform and Next Big Sound's data analysis and monitoring program) to receive basic training. While the promotion of music and entertainment are the focus, the skills and applications taught are transferable to other industries.
3 credit hours
(Same as MUTH 4290). Prerequisites: RI majors - admission to candidacy and RIM 4190/MUTH 4190; others - RIM 4190/MUTH 4190 or permission of instructor. An advanced hands-on course with an emphasis on MIDI sequencing and virtual instruments within Pro Tools, Reason, and other music production software. Drum machines, synthesizers, samplers, and other electronic instruments used to create a commercial music track. Laboratory required.
3 credit hours
Prerequisites: RI majors - admission to candidacy and RIM 2300; others - permission of instruction (POD). A detailed examination of digital audio workstation (DAW) techniques used in a variety of production environments. Comprehensive in-depth instruction in the use of Pro Tools hardware and software with emphasis on file management, stereo and multitrack editing, tuning, use of plug-ins, and delivery formats. Lab exercises to develop hands-on competency; hands-on proficiencies to assess abilities. Laboratory required.
3 credit hours
Prerequisites: RI majors - admission to candidacy; others - RIM 3010 and RIM 3600. An in-depth study of the theoretical and practical aspects of presenting contemporary arts and entertainment performances. Topics include talent acquisition, contracts and riders, production, venues, budgeting, ticket services, and promotion.
3 credit hours
Prerequisite: RIM 4320 or permission of instructor. A continuation of RIM 4320. Students create proposals for concert events, critique proposals, select best proposals, and present one or more shows.
3 credit hours
Prerequisite: RI majors - admission to candidacy, RIM 3010 and RIM 4100 or PHYS 1600 or concurrent enrollment in RIM 4100 or PHYS 1600 (corequisite); others - permission of instructor, RIM 3010, and RIM 4100 or PHYS 1600 or concurrent enrollment in RIM 4100 or PHYS 1600 (corequisite). Current technologies and techniques involved in modern sound reinforcement. Topics include club venue and large concert systems. Field work required.
3 credit hours
Prerequisite: RIM 4330. Focuses on the concepts and skills required to design, build, measure, and tune a large-format concert sound system. Topics include acoustic transmission, audio measurement tools and techniques, loudspeaker arrays, acoustic prediction software, coverage of performance venues, and the goals and processes for optimizing the system. Extensive demonstrations and hands-on practice with audio hardware and software provide real-world context for concepts presented in class. Individual participation in discussions and demonstrations expected.
3 credit hours
Prerequisite: RIM 4330. Provides a more comprehensive view of sound reinforcement and live entertainment that includes rigging fundamentals, entertainment electricity, and event safety. Lectures, guest presentations, in-class participation, and group projects and experiences.
3 credit hours
Prerequisite: RIM 4190 or permission of instructor. A hands-on audio production course that introduces the student to Ableton Live and MIDI controllers such as the Ableton Push. Students will acquire and refine digital audio stills used for desktop music production and live performance. Topics include automation, MIDI editing, audio warping, audio to MIDI conversion, making beats, and using Live's virtual instruments.
3 credit hours
Prerequisites: RI majors - admission to candidacy, RIM 1230 or MUTH 1110, and RIM 2300; others - permission of instructor. Develops understanding of techniques and technology in modern multitrack recording and mixing. Extensive hands-on experience. Laboratory required.
3 credit hours
Prerequisites: Admission to candidacy and RIM 3720 or RIM 4320. Covers fundamentals of the talent agency business. Focuses on the talent agency side of the music industry including the role the booking agent plays in the career development and revenue generation of a music artist. Includes readings, lectures, guest presentations, in-class participation, and group projects and experiences.
3 credit hours
Prerequisites: RI majors - admission to candidacy and previous or concurrent enrollment in RIM 4400; others - permission of instructor. Ear-training and aesthetics for recording engineers. Class activities involve listening and analysis of master tape and disc formats. Sources include a wide variety of music genres as well as specialized technical ear-training materials. Development of a vocabulary for communication of aural impressions. Introduction to "high-end" audio.
3 credit hours
Prerequisites: RI majors - admission to candidacy and RIM 2300 and RIM 4400; others - permission of instructor. An advanced hands-on approach to the principles and practices of mastering. Focuses on the use of digital audio workstations specially designed for audio mastering and related outboard equipment. Additional focus on surround mastering and DVD authoring. Laboratory required.
1 to 3 credit hours
Prerequisite: Permission of department. Topics related to the recording industry in the country in course delivered. May be taken two times.
3 credit hours
(Same as ANTH 4550 and MUHL 4550.) Prerequisites: ENGL 1010 and ENGL 1020. An ethnomusicological investigation of how hip-hop reacts to and informs mainstream culture through its primary art forms: music, visual art, and dance. Major themes and issues that cut across hip-hop's history, including issues of style and performance, gender, race, politics, and religion addressed.
3 credit hours
Prerequisites: ENGL 1010 and ENGL 1020. Examines the creative use of sound in film and theatre through critical listening to various soundtracks. The theory and practice of sound design analyzed and discussed in a lecture-oriented class.
3 credit hours
Prerequisite: RI majors and minors - RIM 2300; others - permission of instructor. Through lecture, demonstration, and hands-on projects, exposes students to approaches, techniques, and considerations when creating sound effects for different visual platforms such as TV, film, game, and Web. Discussions include sound effects: recording, spotting, and layering. Additional topics include sound design aesthetics, sub-categories of sound effects and session requirements. Hands-on class requires assignments to be outside of class. Laboratory required.
3 credit hours
Prerequisites: RI majors - admission to candidacy, RIM 2300, and RIM 4400 or concurrent enrollment RIM 4400 (corequisite); others - permission of instructor. In-depth, interactive study of sound and its relationship to picture. Time code, synchronization, workflow, data interchange, sound recording and editing, ADR, Foley, routing structures, sound mixing, and delivery methods. Demonstrations and lab use digital audio workstations and controllers found in professional facilities. Laboratory required.
3 credit hours
Prerequisite: RIM 4580 or RIM 4300 or permission of instructor. An in-depth, interactive study of sound mixing approaches for a variety of styles of programming across different media (TV, film, web). In addition to the aesthetic aspects of mixing, discussions will include required deliverables, audio level requirements, sound formats (stereo, surround), synchronization, addressing program timing changes, picture formats, target audience considerations, problem solving, technology, and more. A hands-on class which will require assignments to be completed outside of class (as is the case with most-upper-level studio courses). Laboratory required.
3 credit hours
(Same as MUTH 4590.) Prerequisites: RI majors - admission to candidacy, RIM 4190/MUTH 4190 and either RIM 2300 or RIM 4290/MUTH 4290; others - RIM 4190/MUTH 4190 and either RIM 2300 or RIM 4290/MUTH 4290 or permission of instructor. Writing music for visual media using the capabilities of a computer workstation. Introduces compositional techniques utilizing Macintosh sequencing software and QuickTime video playback in combination with synthesizers and sample playback programs. Concepts include synchronization of music to picture, tempo selection, sound source selection/manipulation, and analysis of the dramatic content of a scene. Laboratory required.
3 credit hours
Prerequisite: RI majors - RIM 4300 and RIM 4400 or permission of instructor. Advanced application of mixing techniques in a digital multitrack setting. Additional topics include applied critical listening, automation systems, focus and foundation mixing, and the NARAS guidelines for delivery of recorded music projects.
3 credit hours
Prerequisite: RI majors - admission to candidacy; others RIM 3600. Special emphasis on the particular structures and problems involved in the movement of recordings from manufacturer to the buying public. Topics include product marketing, promotion, and distribution.
3 credit hours
Prerequisites: RI majors - admission to candidacy, RIM 4620 or MKT 3820, computer literacy, and permission of instructor. Provides hands-on experiences in research in the recording industry. Involvement in group projects to provide music and consumer research services to various clients in the industry. Workshop oriented.
3 credit hours
(Same as MKT 4640.) Prerequisites: RIM 4620, MKT 3820, MBAK 6895, or permission of instructor. Provides students with an in-depth understanding of the role and importance of branding in the entertainment industry including the development of branding objectives consistent with both produce and overall marketing objectives. Students will learn how to align a brand with consumers and partners which will be demonstrated through the development of marketing plan relating to an approved entertainment product of their choosing.
3 credit hours
Prerequisites: RI majors - RIM 2300 and RIM 4400; others - permission of instructor. In-depth study of the technology and techniques of contemporary multitrack music recording. Lectures and labs focus on modern recording techniques, the analog and digital audio hardware/software installed in MTSU recording studios, systemic aspects of recording studios, and preparation for professional work in the studio environment. Laboratory required.
3 credit hours
Prerequisites: RI majors - admission to candidacy and RIM 4650 or RIM 4651; others - permission of instructor; concurrent or previous completion of RIM 4300 recommended. Project-based class emphasizing creative and aesthetic aspects of multitrack music recording. Topics include microphone techniques, session protocols, incorporation of MIDI elements, sample replacement and augmentation, rough mixing, console automation techniques, signal processing, and ear-training for recording engineers. Laboratory required.
3 credit hours
Prerequisites: RI majors - admission to candidacy and RIM 4300 or RIM 4650 or RIM 4651; others - permission of instructor. Laboratory experience and lectures in commercial music, recording techniques, and business designed to develop the abilities needed to become an independent producer of contemporary commercial recordings. Laboratory required.
3 credit hours
Prerequisite: RIM 4620 or permission of the instructor. Applied theory on promoting the services and products of the music industry via digital channels. Topics include market research, content strategy, creating digital assets, search engine marketing, online advertising, email marketing, mobile marketing, and using data and insights from analytics to optimize digital marketing efforts.
3 credit hours
Prerequisites: RI majors- admission to candidacy and RIM 3700; others RIM 3600 and RIM 3700. An overview of legal problems encountered in the recording industry with specific attention to contractual considerations in recording and producing.
3 credit hours
Prerequisites: RI majors - admission to candidacy and MKT 3820 or RIM 4620; others RIM 3600 and MKT 3820. Problems and practices of recording industry retailers, including pricing, inventory control, advertising, operations, and retail locations for audio and video recordings and printed music.
3 credit hours
Prerequisites: RI majors- completion of concentration sub-core. Role and responsibilities of a record company's artist and repertoire department. Emphasis on finding and guiding an artist as well as the administration of the production and marketing of a project.
3 credit hours
Prerequisite: RI majors - admission to candidacy; others - permission of instructor. Applications course involving the administrative functions of recording studio operations, including accounting, marketing, personnel, planning, and computer applications.
3 credit hours
Prerequisites: Concurrent with or subsequent to RIM 4000 or RIM 4010. Acquaints interns and students working in the Nashville music industry with industry practices through a historic perspective and through conducting a research project.
1 to 3 credit hours
Prerequisite: RI majors - admission to candidacy. Examination and critical evaluation of current issues related to the operation and function of various aspects of the recording industry. Subject matter varies. Course may be repeated one time for additional credit.
3 credit hours
Prerequisites: RI majors - admission to candidacy and RIM 4620 or MKT 3820. Day-to-day marketing tasks conducted onsite for a record label offer students training on the practical application of the latest marketing software. Must be able to travel to Music Row and commit to 10 hours per week at a record label.
3 credit hours
Prerequisites: RI majors - admission to candidacy, MATH 1710 or higher level math (MATH 1010 will not fulfill this requirement), or permission of instructor; others - permission of instructor. Focuses on studio maintenance and troubleshooting techniques. Includes soldering, wiring standards, machine alignment, and system architecture. Laboratory required.
3 credit hours
Prerequisites: RIM 3600, RIM 3900, or permission of instructor. Common relationships between music publishers and the community of the music industry as it relates to the licensing and protection of copyrighted materials.
1 to 3 credit hours
Prerequisites: RI majors - admission to candidacy, approved application, and permission of department. Advanced project in production or music business. Students submit applications to production and technology or music business faculty committees. Once approved, a determination is made as to credit to be awarded. Project is reviewed by a panel of three faculty members to determine grade. No more than three credits toward the major are allowed.
3 credit hours
Prerequisites: RI majors - admission to candidacy and permission of instructor only. The conceptualization, management, and production of a specific program format integrating theory and skills from other EMC/RIM courses. Sports, music, and drama are probable topics. Topics will vary by semester offering.
Contact and Student Information
Beverly Keel
Beverly.Keel@mtsu.edu
Phone | 615-898-5150
Mariahn Watkins (A-C)
Mariahn.Watkins@mtsu.edu
615-494-7993 | BRAGG 230J
Christina Haygood (D-K)
Christina.Haygood@mtsu.edu
615-494-7999 | BRAGG 230G
Robin Rabiner (L-R)
Robin.Rabiner@mtsu.edu
615-898-5945 | BRAGG 230F
Trever Thomas (S-Z)
Trever.Thomas@mtsu.edu
615-494-7995 | BRAGG 230E
Department of Recording Industry
Middle Tennessee State University
MTSU Box 21
1301 East Main Street
Murfreesboro, TN 37132
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